Dec 29 2009

The Most Essential Web Site for Professional Photographers

Category: ResourcesEthan G. Salwen @ 10:32 am

ACOF_091229_Top 1_1Actually, Jeana Lee Tahnk lists five essential Web sites for pro photographers in her post yesterday on “Mashable.” It’s a thoughtful list, covering lots of critical ground. The limit of five sites is a nice touch, forcing her to zero in and get rid of all the clutter that comes from a list of 20 or 100, or even 10.

Ms. Tahnk gives us:

1. LiveBooks. (Web site creation.)

2. ShootQ. (Web-based studio management solution.)

3. Animoto. (Auotomated video creation.)

4. LicenseStream. (Image license creation and tracking.)

5. LabPrints. (Linking pros photographers to pro labs.)

The thing is, while some photographers might rely on all these sites, other pros will have no need a single one. After all, we all have very different needs, even when we share the same exact specialty. This is the conundrum of recommending Web site resources for photographers. It also brings me to the question that is the purpose of this post:

Survey Asks. . .

What is the single, most essential Web site for your professional photography?

Sure, I know. You can’t limit it to one. It’s like picking your favorite movie or book. So just share a site that would definitely, definitely be on your Top Ten list.

Anything goes! The site can be one you highly recommend to others, or one that only relates to your unique needs. I’m definitely curious, and looking forward to exploring great photography sites I’m overlooking.

Be sure to let us all know what your photographic specialty is and exactly why this site is so valuable to you.

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Dec 28 2009

Why We Need to Be Wary of Google

Category: ViewpointEthan G. Salwen @ 10:12 am

ACOF_091228_Google_1“As we become increasingly dependent on the Internet, we need to be increasingly concerned about how it is regulated,” Adam Raff writes in his op-ed piece for yesterday’s “The New York Times.” Raff’s statement relates to the Federal Communications Committee considering regulations that would foster “network neutrality” — ensuring fair access to all Internet content from service providers. The importance of network neutrality seems obvious to me, a matter of fact.

Another matter of fact is that when I went to more fully investigate Raff’s op-ed piece, I did so with a Google search. Like many, I depend on Google as the gateway to the vast majority of the information I encounter on the Web. This, I realize, could lead to my own intellectual undoing and, according to Raff, could lead to the undoing of many businesses.

According to Raff, co-founder the Internet technology firm Foundem, Google dominates 71 percent of the United States search market. Raff says that Google dramatically influences the flow of information by how the search engine presents results. Results are governed by Google’s editorial policies (that have no external oversight). These policies can help one company thrive (e.g. one owned by or connected to Google), while helping to ensuring that another company fails (e.g. a Google competitor).

Raff explains:

“One way that Google exploits this control is by imposing covert ‘penalties’ that can strike legitimate and useful Web sites, removing them entirely from its search results or placing them so far down the rankings that they will in all likelihood never be found. For three years, my company’s vertical search and price-comparison site, Foundem, was effectively “disappeared” from the Internet in this way.”

This should give us all pause.

Even if Raff is wrong about Google “disappearing” his company, his lucid op-ed piece has reminded me that Continue reading “Why We Need to Be Wary of Google”

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Dec 23 2009

Experiment It Forward

Category: Creative Process, PhotographersEthan G. Salwen @ 4:02 pm

ACOF_091223_Goodman_1_cigman“The most successful images I create are those in which I have exactly in my head what I want to produce in the studio,” Aaron Goodman recently told me. A New York-based photo illustrator with 15 years of experience creating amazing, idea-driven images for editorial and commercial clients, Goodman’s work reeks of a photographer who likes to experiment.

“Of course there’s room for learning from experimentation,” he said. “But this learning rarely applies to the shot you were working on.” He explained that meeting tight editorial deadlines and keeping track of the message is like an intricate puzzle. “The image has got to match the headline exactly, not just the story, and so I can’t suddenly change something.”

Given how much photographers tell me about the benefits of experimenting, being playful and learning though accidents, I found Goodman’s point fascinating:

He learns all the time through experimenting and accidents, but the nature of his work forces him to apply this learning the future projects.

I’ve dubbed this process, “Experiment It Forward,” and I think it has implications for all of us on tight deadlines.

All creative people need to experiment, but few of us can experiment extensively within a given project, thanks to the reality of deadlines. This can be frustrating, and sometimes create frustration. What can we do? Experiment It Forward!

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Dec 22 2009

New Perspectives From Agricultural Photographers

Category: Creative Process, Photographers, The IndustryEthan G. Salwen @ 10:39 am

ACOF_091222_Agriculture 1_Dave ReedeThink agriculture photography sounds dull? I did. But then I started researching  an article I’m currently writing on the topic for NANPA’s “Currents” magazine. What I have discovered is world of photography, with many top photographers committed to pushing their own creativity as they work to best capture what is, arguable, the most important industry on the planet.

It turns out that quite a bit of agricultural photography is dull — at least from a photographic standpoint. If you search the libraries of Grant Heilman Photography, Inc. and AGStockUSA, you will find tons of images that document very specific aspecst of the industry that I think you’ll find quite uninteresting — unless you happen to be keen on the topic.

Heilman and AGStockeUSA are two super stars in agricultural stock photography, and they are focused on meeting the specific demands of a unique market. (Who else is looking for “Holstein heifers about 10 months old” or “Frost on soybeans — 4 bean pod”?)

While some agricultural photography is dull, it turns out that some agricultural images are completely inspiring, either for Continue reading “New Perspectives From Agricultural Photographers”

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Dec 18 2009

Chase Jarvis Redifines “Holiday Party”

Category: In Motion, ViewpointEthan G. Salwen @ 7:55 am

OF COURSE something DID happen, Chase! You’re Chase Jarvis, Man. Who the hell else “unwinds with the mission of having a darn good time” with more than 600 “clients, business friends and co-collaborators” during his holiday party that features “a photo booth using state-of-the-art camera and lighting equipment and captured 21,112 photographs in under 5 hours”???

Em, that would be. . .no one else but Chase Jarvis.

If that weren’t enough, Chase gives shares all of his 21K photos with us in his latest  “Frames” series installment– “Chase Jarvis FRAMES: 21,112 Party Pictures” — so we can be amused, impressed, inspired or maybe just irritated by the gall of this guy having too many buddies and collaborators to fit in the Airbus A380 he rented to give joy rides during the party.

Talk about blurring the lines between still and motion! Definitely get inspired. . . even if you hate parties.

Next Up: “Ethan Frames: Holiday Party of One in Five Depressing Pictures.”

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Dec 16 2009

Journalism, In Our Own Words

Category: In Motion, ViewpointEthan G. Salwen @ 5:38 am

ACOF_09121609_Jobless_1This is powerful stuff, and you might not be able to watch it. It’s really hard to take. And there’s no blood, no violence, no propaganda, no aggressive attitudes, no politically sensitive topics addressed. It’s just a handful of Americans talking honestly and directly into their webcams about their own joblessness.

I feel sad, frustrated and helpless when I watch the eight videos presented in “The Jobless, In Their Own Words, published on Monday by “The New York Times” as a follow up to their recent poll, “Poll Reveals Trauma of Joblessness in the U.S.”

They videos make me feel sad, but they also get me thinking.

The videos make me think of a whole new influence of modern communications on traditional journalism that I had not considered: The ability to create a whole new kind of documentary or journalistic reportage that is informed by more honest and less filtered content from subjects.

You would think that the blogosphere and YouTube would have Continue reading “Journalism, In Our Own Words”

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Dec 14 2009

Share Image Ideas Faster and Better with Skitch

Category: Creative Process, Resources, WorkflowEthan G. Salwen @ 3:42 pm

If you use a Mac, you just have to download Skitch. You’ll quickly realize that Skitch is an amazing, powerful and fun tool to help you share ideas about images — from screen grabs to your best photography.

I could try to explain how Skitch can help you in words, but I’d rather show you in images with words, so. . .

ACOF_091214_1_Skitch

ACOF_091214_2_Skitch

Continue reading “Share Image Ideas Faster and Better with Skitch”

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Dec 11 2009

The Michelin Guide to Rating Images

Category: WorkflowEthan G. Salwen @ 2:07 pm

ACOF_091211_1_ratingI have major difficult ties applying basic star ratings to my images, but I think the Michelin Guide might be able to help.

“The most basic component of higher metadata is the rating,” Peter Krogh told me on page 36 the first edition of his “The DAM Book.” And then, using logical, lucid language and excellent graphics, he illuminated how, instead of emotionally throwing various zero- and five-star ratings on images, I should focus on applying stars extremely selectively (if quickly), almost never using the four-star rating, and holding off on five stars until the future.

If you haven’t read Krogh’s text on rating, it honestly is worth the price of his book, now in the second edition. If 32 bucks seems like a lot for rating advice, consider that most of us — certainly I — have very haphazard, emotional rating systems, and that they do not help us, as Krogh wants us to, to “build for the future.”

Krogh’s thinking is that a two-star image should be a two-star image, no matter what the subject matter is, what job its for or how Continue reading “The Michelin Guide to Rating Images”

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Dec 09 2009

Got a Burning Photo Question? Ask the Net

Category: ResourcesEthan G. Salwen @ 7:13 am

ACOF_091209_1_varkcomAccording to tech guru David Pogue — and this is one tech guru I really trust — Vark.com just might offer professional photographers the single best way to answer any niggling image making question, fast and with authority. Topic questions answered include anything related to on location issues, in camera issues, during postproduction issues, with client issues, in your kitchen curiosities, with your car problems. . .

Okay, I know. Kitchen curiosities and car problems are not necessarily related to “image making,” but Vark.com is a service that hooks you up directly with an expert in any field imaginable. That expert then answers your query with an answer just for you — not as with the blanket ask/response services provided by answers.yahoo.com or answerbag.com.

As Pogue explains:

Last week, I stumbled upon a new, better way to harness the Net for answers: Vark.com. You send your question to Aardvark (the full name of the service) using a chat program like Continue reading “Got a Burning Photo Question? Ask the Net”

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Dec 07 2009

“A Thousand Species” by Joel Sartore

Category: In Motion, PhotographersEthan G. Salwen @ 5:10 am

Conservation photojournalist Joel Sartore has recently added a brief, engaging video on his Web site. “A Thousand Species” features Sartore’s images in a very unique manner, and includes a simple voice over, in which Sartore encourages viewers to consider the importance of protecting biodiversity.

This video seems particularly appropriate to feature today, with the opening of the United Nations Climate Change Conference in Copenhagen.

What I really appreciate about Sartore is Continue reading ““A Thousand Species” by Joel Sartore”

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