May 27 2010

How I Made Them Dance the Tango

Category: Creative Process, In-Camera Techniques, Multimedia & Video, Workflow & DAMEthan G. Salwen @ 2:50 pm

AfterCapture Blog_100527_How Dance_1On Monday I shared my tango-dancing salt and pepper shakers. How did I produce this short? Basically, I hit record on my Canon G9, set to the time-lapse video mode, and then moved my characters around like a madman — for a little more than a half hour. That’s about it.

That said, I’ll now share the some specifics of my time-lapse-stop-motion video creation workflow, as I think it is interesting. I also think that my little piece is successful because, although I started it simply to play around with technology, I ended up focusing on a story. This kept me focused, gave me motivation both to create and share, and gives my piece any value that it may have.

My Time-Lapse-Stop-Motion Experience

After finishing watching the original “Clash of the Titans” movie earlier in the day, I was pretty eager to play with stop-motion, which is something that I have never done, but which I’ve been dying to try since, well, probably about the first time I saw “Clash,” nearly 30 years ago.

While I had never tried stop motion, I’ve been recording all kinds of time-lapse movies since getting my G9 and discovering this wonderful feature. So before I went through the trouble of making a stop-motion movie, I decided to use this feature — recording a still every two seconds — to get a sense of what a stop-motion piece would look like.

Quickly setting up my camera on a tripod on the kitchen table and hitting “record,” and moving the objects at hand around, I ended up with this:

Pretty cool!, I thought.

Obviously the hairy hands aren’t supposed to show up in a stop-motion movie, but I loved the potential. So. . . Continue reading “How I Made Them Dance the Tango”

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May 25 2010

Opening Our Eyes: They’re Off!

Category: Multimedia & Video, Photographers, ViewpointEthan G. Salwen @ 2:33 pm

AfterCapture Blog_100525_Open Our Eyes_1Today, May 25, 2010, marks the bicentenary of the revolution that marked the beginning of Argentina’s road to independence. It seems appropriate that Chance decided that today would also be the day that Gail Mooney would set off on her 3-month, round-the-world trip to create “Opening Our Eyes”, a documentary film project she is making in partnership with her daughter, Erin Kelly.

I say that the connection to Argentina’s revolution (and ultimate independence) is appropriate because of all the photographers I know personally, without a doubt, Gail Mooney is the most revolutionary- and independent-minded.

Since I introduced “Opening Our Eyes” in March, the project has taken much fuller shape. You can get a good sense of the trip at the main website. Keep in mind that a year ago Mooney hadn’t even thought up this trip. From initial concept to flying out of Newark airport today, Mooney and Kelly have orchestrated all details of this massive undertaking in only a little over six months.

AfterCapture Blog_100525_Open Our Eyes_2Be sure to also check out “Journeys of a Hybrid”, Mooney’s excellent blog full of insights — from the personal and creative to the technical and business side — from a photographer who has lived her life to the fullest, and who seems to be just warming up.

Mooney, who has been in the business for 33 years, has focused primarily on still photographic coverage of travel assignments for magazines. However, she has also worked plenty in the commercial realm in partnership with her husband, Tom Kelly.

Mooney not only made a smooth transition to digital photography, but she is one of the new bread photographers who is fully embracing the possibilities of video and, just as fully, the exciting possibilities of Web publication and social media.

Good Lu. . .

Continue reading “Opening Our Eyes: They’re Off!”

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May 24 2010

Ethan Doing the Tango

Category: Multimedia & VideoEthan G. Salwen @ 4:34 pm

Speaking of hosting videos on YouTube and seeing beyond the still and, most of all, time-lapse inspiration, take a gander what I came up with this weekend:

The Back Story

Continue reading “Ethan Doing the Tango”

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May 20 2010

Easy Web Production Solutions from Mark S. Luckie

Category: Online Resources, Technology InsightsEthan G. Salwen @ 3:44 pm

AfterCapture Blog_100520_Web Production_1“Web Production” might not be your cup of tea (and the term might even make you cringe), but every day sees a further blurring in the line between contact creation (e.g. photographs) and how this content is published in the digital world (e.g. posting photographs, a.k.a. web production). In a 10,000 Words post, Mark S. Luckie offers a quick, useful Q&A on web production that you’ll likely find interesting.

As Luckie writes in “Easy solutions to web production’s most common problems”:

“In my role as multimedia producer for California Watch and in other newsrooms where I’ve worked, I am frequently approached by reporters to help them with web-related issues. Often it’s how to post content on the web, how to edit something. . .”

Luckie goes on to very briefly answer a number of critical questions, pointing to a lot of cool online resources.

Sure, you might be a Photoshop wiz, but maybe you’re on the road and just need a simple, online solution to resizing an image. That’s when it would be good to know about the “free online tool Resizr“?

Other, non-photo-specific answers by Luckie will likely prove even more valuable and, just as important, keep your mind open to the increasing options in (easy) web production.


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May 18 2010

YouTube Vs. Vimeo for Hosting Videos

Category: Multimedia & Video, Technology InsightsEthan G. Salwen @ 2:53 pm

AfterCapture Blog_100518_YouTube_Vimeo_1In my last post, I made it clear that the YouTube community can be a toxic one. I also suggested that this might be a reason for preferring to host videos on Vimeo.com rather than YouTube.com. However, I want to make it clear that YouTube is really no better or worse for hosting videos than Vimeo. It’s all about how you use any given video-hosting service, considering the advantages of each service in relation to you video-publishing goals.

If you haven’t used either, I suggest starting with YouTube, then checking out Vimeo. You can get a feel for each quickly, and you can always take down videos as you gain focus.

For more technical specifics than I cover on the differences between YouTube and Vimeo, check out Dan Sung’s “Vimeo vs YouTube – which is the better video service?”

YouTube for Going Viral

Yesterday the BBC News reported that YouTube, as it turns five-years-old, is receiving two billion hits a day. “If you tag your videos really well, YouTube can bring you new viewers,” says Eric Cheng, the underwater photographer who mentioned to me the toxic nature of the YouTube community.

Continue reading “YouTube Vs. Vimeo for Hosting Videos”

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May 14 2010

Underwater Photography Resources and The World’s Greatest Juggler

Category: Online Resources, Photographers, ViewpointEthan G. Salwen @ 6:55 pm

AfterCapture Blog_100514_Underwater_aI had a great talk today with Eric Cheng, a fantastic underwater photographer, the driving force behind WetPixel.com, and the publisher of “Wetpixel Quarterly” magazine. I am researching an article on how photographers can best embrace the possibilities of video, and the tech-savvy, video-embracing Cheng offered great insights on the topic.

If you are at all interested in underwater photography, definitely check out Cheng’s stunning images.

WetPixel.com is the a fantastic online community of underwater photographers — articles and forums galore — and a must-visit resource if you are dedicated to (or just thinking about) making images underwater. Very, very cool.

AfterCapture Blog_100514_Underwater_1

What’s all this have to do with juggling?

“I would say that the YouTube community is extremely toxic,” Cheng emphasized to me when he was weighing in on whether photographers should host videos on YouTube.com or Vimeo.com. “People are really nasty on YouTube. Someone is always going to come and write something nasty.” Cheng explained that, inevitably, more negative responses follow, and “big wars” get started.

Continue reading “Underwater Photography Resources and The World’s Greatest Juggler”

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May 13 2010

That Was George Lepp — Definitely A Great Photographer

Category: PhotographersEthan G. Salwen @ 1:47 pm

AfterCapture Blog_100513_Lepp_1In my post yesterday, I included an image of an unnamed photographer with the words, “A ‘great’ photographer?” If you didn’t know, that is George Lepp, a highly accomplished and successful nature photographer. If you haven’t heard of Lepp, head to his homepage and check out his bio, and you’ll see why he is considered a great in the field.

In keeping with the spirit of my post yesterday, I thought it appropriate to include Lepp’s image. I came to know Lepp through a in-depth profile piece I wrote about him in 2007 for the premier issue of “Currents” (published by NANPA). Not only was Lepp incredibly generous with his time, but he was downright humble. While clearly an incredibly driven and capable photographer, he was quick to point to his luck and good fortune in shaping his career. He named many photographers he admired deeply and without whose support, he said, he would have never become a success he is.

As I suggested yesterday, I think there is lot to be said for the role that a kind and generous personality plays in the importance of success in professional photography.

AfterCapture Blog_100513_Lepp_2Since writing “George Lepp: Making Luck Happen — Naturally,” I have heard Lepp’s name come up over and over again, mainly in the context of praise by photographers who have known him personally, and who credit Lepp’s generosity in helping them succeed.

To learn about Lepp’s fascinating road to success, download my “Currents” article. For a few choice words about regarding how personality plays a big factor in making a photographer great, check out this excerpt, featuring praise from Rob Sheppard and John Norton:

Continue reading “That Was George Lepp — Definitely A Great Photographer”

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May 12 2010

How Do You Define “Great Photographer”?

Category: Photographers, ViewpointEthan G. Salwen @ 3:41 pm

AfterCapture Blog_100512_Great Photog_1In my post yesterday, I touched on a lot of ideas about what it means to be a great photographer, both in terms of how we see others, how we judge ourselves and how we use these two visions as we work towards our future goals.

But what is a “great photographer”? Is this defined by the person’s image making, image publishing, awards won, income earned or, perhaps, how the photographer treats other people?

The last point would seem to be the least important, maybe even a ridiculous consideration for many. After all achieving fame and fortune in the creative world often seems to be a free card for treating other people like crap, or at least dismissively. (”Well, he is a great artist.”)

We Make Our Own Definitions

When it comes to defining a “great photographer,” I’d like to suggest that we all make our own definitions. With my humanistic, be-kind-to-others bent on life, I’d like to encourage you to consider a photographer’s personality (and, in particular, his degree of supportiveness to others) as an important factor in how you rank his greatness.

This might sound silly. But one thing that all successful photographers I know have in common is that:

  • They find time and energy to support other photographers.
  • The credit their success to the support they received from other “great” photographers.

Continue reading “How Do You Define “Great Photographer”?”

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May 11 2010

The Best Photographers Are People, Too

Category: Books, Creative Process, Photographers, The Industry, ViewpointEthan G. Salwen @ 7:57 pm

AfterCapture Blog_100511_Identity_1“The thing I walked away with from this project is that people are people are people,” Stewart Cohen told me today of his “Identity” project. An excellent and accomplished commercial photographer, Cohen has been working on this personal project for ten years, recently reaching a major milestone by publishing “Identity: A Photographic Meditation from the Inside Out” — an elegant, labor-of-love book that includes 50 portraits of famous people who caught Cohen’s interest. Next to each full-frame portrait are words by each subject, in their own handwriting, commenting on their identity.

For “Identity” Cohen made 130 portraits, editing them tightly for the book. Although all his subjects can be labeled “famous,” they do fall into the any one, easily definable category, such as “musicians,” “scientists,” “Nobel Prize winners,” “activists” or “politicians.” Six of Cohen’s subjects point to the breath of his coverage: Bobby McFerrin, Erin Brockovich, Oscar Niemeyer, Jane Goodall, Stephen Hawking and Jack Kilby. (Jack who? He’s the Nobel prize winner.)

AfterCapture Blog_100511_Identity_2

“Whether your a drifter or bad-ass scientist, the human experience is the human experience,” Cohen told me. “There’s no magic. People become what they want to become.”

Continue reading “The Best Photographers Are People, Too”

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May 10 2010

The Frightening, Eye-Opening Five-Shots-Only

Category: Creative Process, In-Camera TechniquesEthan G. Salwen @ 5:45 pm

AfterCapture-Blog_100510_Five-Only_aI’m not sure exactly why, but suddenly, as I strolled to my bus stop today, passing through the lovely local plaza in Villa del Parque, where I live in Buenos Aires, I thought: I wonder if I can capture this place in only five shots?

I felt a sudden tightness of panic in my chest. A kind of “gulp” panic not felt since my early years working with film, probably during a college assignment, nearing the end of my last roll of 36-exposure Tri-X.

Today I was only carrying my girlfriend’s JPEG-only Lumix point-and-shoot. So the first thing I did was to set the color balance to the “shade” mode, to warm up the cool light in the tree-covered park.

Already my tiny assignment was getting me working. Sure, I know I should set my color balance on my DSLR, and sometimes I do, but more often than not I just snap away with the white balance set to “auto.” (A real dumb and lazy approach considering “I’ll sort this out during raw processing” is definitely not a best practice when recording in the raw mode.)

Continue reading “The Frightening, Eye-Opening Five-Shots-Only”

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