Sep 23 2010

Adventures in Motion — The Article

ACBlog_100900_adventures_in_motion_salwen_currents_fall2010“The ability to easily distribute video to a worldwide audience via the web is the third factor that has dramatically opened up possibilities in motion for still photographers,” I write in “Adventures in Motion: Nature photographers get serious about capturing video and producing multimedia.” Factor One, I explain, is that hi-def digital video capture has recently become so affordable. Even more critical, Factor Two occurred “in the late 1990s when professional video editing software began to run on the same computers photographers used for their digital still photography.” With this brief historical background, in “Adventures in Motion,” which I wrote for NANPA’s Currents magazine, I dive into a deeply-researched piece in which I attempt to inspire photographers to embrace multimedia and video, and to provide some fundamental advice for doing so smartly.

To get a taste of the scope of “Adventures in Motion,” check out the article’s subheads: “New Frontiers in Video Capture, Editing and Distribution,” “Proceed with Excitement and Respect,” “Having Fun and Learning By Sharing,” “Understanding New Paradigms in Publishing,” “Taking On Video Editing One Step at a Time,” “Listen Up: Sound Is King,” “It’s All About the Story,” and “Beyond the Million-Dollar Question.”

Sounds like good stuff, no? Well, if I succeed with “Adventures in Motion,” it is because I was able to bring to life the experiences the visionary, multimedia-embracing nature photographers who informed this piece: Rob Sheppard, Eric Cheng, Ian Shive, Tony Wu, Ralph Clevenger and Mary Lynn Price.

I deeply thank all of these photographers. During hours of interviews, each one shared their unique perspectives with passion and patience. They also provided invaluable feedback on drafts of the article. While their experiences differ, I was pleased to discover that they are all very much on the same page in terms of what matters for still photographers moving into motion.

Currents’ editor Niki Barrie is the unsung hero behind “Adventures in Motion.” Not only did she assign the article, but she performed some major hand-holding as I worked to refine my mess of a first draft from more than 10,000 words down to less than 4,000. Thanks, Niki!

Check It Out! — A Resource Worth Sharing With Colleagues?

I encourage you to give “Adventures in Motion” a read. Even if you well beyond “newbie” status in your adventures in motion, my hope is that you will find a resource worth sharing with colleagues.

Sooooooo?

I know you’re the opinionated type, so please share your opinionated response to “Adventures in Motion” — in a comment below. More than “Good job!” or “That sucked!”, I encourage you to enter the dialog with your experiences. Expand on what I got right, correct what I got wrong, share any critical advice I left out, pose a question that was raised, or respond to any questions raised below.

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Sep 21 2010

Photographing Atom Bombs

Category: Multimedia & Video, Photographers, ViewpointEthan G. Salwen @ 3:18 pm

AC_Blog_100921_Atomic Bomb Coverage“Capturing the Atom Bomb on Film” is a simple but fascinating multimedia presentation by The New York Times. It presents 23 images from “How to Photograph the Atomic Bomb” by Peter Kurun and offers an audio file narrated by George Yoshitake, 82, a photographer who captured atom bomb testing, and who also lost family members when such bombs were dropped on Japan. The images, with captions, are definitely interesting, but it is the audio by Yoshitake that really pulled me in.

What’s interesting about the format is that the audio is not timed to the images and can be played separately, or not at all. This might seem like lazy multimedia production, but it shows another, simple way that images and audio can be blended into an meaningful experience, in which the viewer is definitely in the driving seat.

Who Is Peter Kurun?

Have you heard of Peter Kurun? I hadn’t. But he Continue reading “Photographing Atom Bombs”

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Sep 20 2010

Bigger Isn’t Better – PEN Story 2

Category: In-Camera Techniques, Multimedia & Video, Technology InsightsEthan G. Salwen @ 12:46 pm

“I love it when process does not call attention to product,” I wrote in my last post, commenting on The PEN Story. So it’s interesting to see that this is exactly what seems to have gone wrong with PEN Giant, the follow up to The PEN Story. Don’t get me wrong, I’m impressed as hell by what the creators accomplished (check out the “making of” video below), but then again that’s the problem. I’m distracted with the techniques to the point of not simply diving into the joy of the story — as I did with The PEN Story.

What’s Your Take?

Which PEN story do you like better and why? Do you agree/disagree with me about technique overpowering the storytelling experience?

Making of PEN Giant

Interesting that Continue reading “Bigger Isn’t Better – PEN Story 2″

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Sep 17 2010

A Wonderful Stop-Motion Life from the PEN

Category: In-Camera Techniques, Multimedia & VideoEthan G. Salwen @ 12:14 pm

Here’s a wonderful stop-motion piece that will put a smile on your face and inspire you, even if you have no interest in the Olympus PEN camera.

Pretty sweet, right?

I mean, obviously this was really tricky to produce (apparently the final was shot all in-camera, no postproduction) but it doesn’t feel tricky. It feels fresh and cute and honest and. . .simple. I love it when process does not call attention to product.

And I thought my in-camera stop motion piece was good. Ha! Still, if you like this kind of animation from photographic prints, remember that it doesn’t have to be so complicated to be so sweet. Take a lesson from the stop-motion wedding engagement piece by Sarah Yates.

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Sep 10 2010

The Value of Shutting Up

Category: In-Camera Techniques, Multimedia & Video, ViewpointEthan G. Salwen @ 11:30 am

AC_Blog_100910_Shut Up_1More than once Gail Mooney has advised photographers new to video to shut up when recording audio interviews. I got the point — I thought. If we are not quite, in general, or jump to quickly to the the next question we risk making a mess of our audio files, making editing a real bitch, possibly losing precious soundbites. That made sense. But I’ve discovered that Mooney’s advice actually is much more deeply valuable than had thought.

When Mooney was here in Buenos Aires finishing up her “Opening Our Eyes” reporting, she invited me to help her and Erin Kelly (her daughter/project partner) with one on their interviews. My job: to help with translating. Mooney gave me a quick prep talk before the interviewing, insisting that I shut up as much as possible, and advised me to nod my head, make eye contact and try to encourage further talking — on the subject’s part — by not doing any talking on my part.

If you’ve ever met or been interviewed by me, you’ll know that one of the hardest things for me to do is shut up. I talk, talk, talk, talk.

But then, on location interviewing Maria Eugenia Cuyas, with Mooney working the camera and Erin and I asking the questions, I saw the value of shutting up in action. It wasn’t — as I had thought — just about not jumping on top of the interviewees final words. It was about eliciting much more interesting, expansive answers by using the power of silence.

A Chance to Shut Up for The Master

On Mooney and Erin’s last day in Buenos Aires, I was honored to have the chance to interview them both. That’s right, in the “making-of” video short Mooney created on returning home, she and Erin are responding to my questions — and even more, to my silence. They had tons on their mind, and just needed a little prompting.

The more silent I forced myself to be, the more Continue reading “The Value of Shutting Up”

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Sep 08 2010

Christopher Cairns on the Value of Music and Friendship for Visual Artists

Category: Multimedia & Video, PhotographersEthan G. Salwen @ 12:34 pm

Christopher Cairns says his sculpture transmits an impeding sense of disaster that is born out of his attitudes about modern life. Cairns, who relies heavily on music for inspiration, also notes, “The detachment of the contemporary culture from classical music and serious jazz is a disaster.” Regarding the value of friendship, Cairns says, “Part of being an artist is to try to find other people that you can share feelings and ideas with.”

Cairns’ sculpture is powerfully evocative and his sentiments about music and friendship in relationship to the visual artist’s life will be of interest to photographers. Although I can share all this about Cairns, I only know the artist through this five-minute video created by Richard Anderson. This speaks to the incredible storytelling power of documentary shorts. It is also reason to applaud Anderson for taking a great leap forward in his video-making pursuits.

Last month I reported that Anderson was just getting started in video by learning multimedia techniques by experimenting playfully. His latest creation, a personal project, proves that Anderson is getting great results — fast.

Check it out this video for inspiration from both Cairns and Anderson. Take particular note of how Anderson puts his photographer’s eye to excellent use. His framing of Cairns among his sculptures is fantastic and not typical of standard documentary interviews. And Anderson’s still images make wonderful b-roll that clearly reveal Cairns’ vision of impending disaster.

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Sep 06 2010

Fast & Smart Video Editing with Gail Mooney

Category: Creative Process, Multimedia & Video, Workflow & DAMEthan G. Salwen @ 11:45 am

AfterCapture_Blog_100906_Mooney on Editing_1There’s no right or wrong way to edit video, says Gail Mooney. Nonetheless, Mooney clearly knows great ways to get a quality video out the door fast, as proved by the video featured in my last post. As soon as I saw it go live — less than 48 hours after Mooney returned home from the road — I shot Mooney an email asking her how the hell she did it so fast. Her answer:

“When pinched for time, the trick I’ve learned is that it helps to listen carefully and remember the good soundbites. Then you go looking for them, rather than having to scroll through everything.

“After I found the soundbites I wanted, I laid them out in a timeline and slept on it.  Came in this morning with a fresh mind, I cut out 60%.  From there it was easy: I just needed to hide my cuts with relevant b-roll (didn’t even look for the best) and color correct the clips to match (sort of). Really down and dirty and certainly not polished, but I wanted to get it out for the ASMP Best of 2010 online issue.”

OK. Good fast and smart answers for fast and smart video editing. But I wanted some clarification, and I figured that Mooney would have answers that would of interest to all you Faithful Readers who are trying to improve your video editing skills. Here are my follow-up questions and Mooney’s responses, which she gave me permission to publish, “bad work habits and all.”

Q: To remember the good sound bites, do you note timing or use some aid to locate them easily?

AfterCapture_Blog_100906_Mooney on Editing_2A: I rely on my memory and make mental notes when I am doing the interview.  The real zingers stand out.  But I do try to make a notation on my question list as far as at what point in the interview the remarks were made.  Looking at my watch – not very scientific but it gets me in the ballpark.  If I were working with a crew – I’d have someone keeping track of this by writing down the time code on the digital recorder or camera.  However, that is one big shortcoming of the Canon 5D Mark II – no time code!

Q: Can you clarify “go look for them, not having to scroll”? Are you saying you ONLY listened at first, not watching as well? And what do you mean, exactly, about not having to “scroll” through all?

A: Every “camera file” is a QuickTime file that I can Continue reading “Fast & Smart Video Editing with Gail Mooney”

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Sep 02 2010

Opening Our Eyes: They’re Back!

Category: Creative Process, Multimedia & Video, PhotographersEthan G. Salwen @ 3:29 pm

Feels like just a few weeks ago that I was announcing “They’re Off!” — referring to the departure of mother-daughter documentary film-making team Gail Mooney and Erin Kelly. Well, it was actually the end of May, and since then Mooney and Kelly have had one hell of an adventure. Arriving back home only yesterday, Mooney proves her amazing video editing skills and gives us all a great taste of “Opening Our Eyes” with this wonderful behind-the-scenes short.

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