Jul 31 2010

On Sorting Diverse File Formats — Simple Version

Category: AC Articles, Technology Insights, WorkflowEthan G. Salwen @ 4:05 pm

AfterCapture Blog_100730_Sorting Files_1We’re all shooting multiple file formats with multiple cameras. Even when photographing with only one camera we can easily end up with: Raws, Raw + JPEGs, JPEGs (only), and movie files. Yikes.

If you’re photographing with two (or more) cameras, super yikes — when it comes to efficient workflow, for archiving and processing.

Actually, there are some simple solutions.

For my last AfterCapture column, I provide some solutions. For “Sorting Out Diverse File Formats” I turned to Richard Anderson for advice, who applied dpBestflow.org knowledge to a real-life workflow dilemma I was facing. The article is valuable, but to be honest, the most pertinent advice might have gotten lost in the shuffle.

The bottom line, most important concepts you should consider for dealing with multiple file formats in your workflow are these:

• Separate each different file format into its own folder. Anderson explains that this is helpful because each type of file will (likely) require different workflow processing steps.

• Name each archive folder with the same base name used for you image files. Anderson explains that this best practice is important for archive sanity (although he didn’t phrase it that way.)

• Bring images together in a cataloging program – for organizing, editing and outputting. Catalog programs rule! They don’t care if your images are separated into different folders. In cataloging software — such as Lightroom and Expression Media — you can bring them together, seamlessly organizing by file name, capture time or any other metadata.

If this sounds complex complex or confusing, these images will show you what I mean:

AfterCapture Blog_100730_Sorting Files_3

See how all my “100302″ captures are divided into “DNGs”, “Jpegs” and “Movies”?

AfterCapture Blog_100730_Sorting Files_4

See how there is a gap between DNG 0174 and 0179?

AfterCapture Blog_100730_Sorting Files_5

No problem! Files 0175 through 0178 are JPEGs and, as you can see, they are in their own folder.

Just because these DNGs and JPEGs are in separate folders, they all come together seamlessly in my Expression Media catalog. If you are over 18 and don’t have a weak stomach, you can see an example here: Continue reading “On Sorting Diverse File Formats — Simple Version”

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Jul 16 2010

The Salvos Learn to Drive

Category: AC Articles, PhotographersEthan G. Salwen @ 3:21 pm
Vero o Falso?

Vero o Falso?

“It’s the hardest thing I’ve ever done,” Suzanne Salvo told me during a great chat on Wednesday. She was laughing but speaking in earnest regarding the difficulties of passing the Italian drivers license exam. Given the utterly perplexing diagrams she posted in a hilarious post on her fantastic blog the other day, I can see why the test would be so hard. Still, I can’t really believe it’s the hardest thing she’s ever done. (See Bolivian jungles below.)

For his part, Chris Salvo (the amazing lens behind the husband and wife team of Salvo Photography) still hasn’t passed the driving portion of the test. Given that the guy has been driving for three decades now, I had to make fun of him, but Suzanne, with good humor, explained that the driving classes are mandatory and you have to pay for them and so, um. . .

Here in Buenos Aires we call it a “coima,” which usually doesn’t translate to “bribe” in the strictest, harshest sense, but can often seem more like “creative money earning.” Sounds like it might be similar in Italy, which makes sense, consider how Argentines are often referred to as “Spanish-speaking Italians.”

In any case, Chris, who I Continue reading “The Salvos Learn to Drive”

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Nov 03 2009

Learning All About The Amazing DNG

Category: AC Articles, Resources, Technology Insights, WorkflowEthan G. Salwen @ 3:20 pm

AC_Blog_091103_1In my last post I featured the nifty “DNG Recover Edges” and made the point that it only works on DNGs. I discovered this nifty, free application while researching my column for the latest October/November 2009 issue of AfterCapture. In “Catching Up with the Amazing DNG” I celebrate how far the DNG has come in five years, since it was publicly announced by Adobe on September 27, 2004.

If you would appreciate a little background information on the DNG or to better understand how this amazing file format continues to pick up steam in its march towards a universal standard, give my piece a read. It’s based in large part by conversations with Adobe’s Tom Hogarty and digital workflow guru Peter Krogh.

Both touched on some pretty heady technical developments about the DNG, which were both hard to understand and even harder to communicate. However, both Hogarty and Krogh insisted that what really matters Continue reading “Learning All About The Amazing DNG”

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Oct 29 2009

Richard Anderson In Person

Category: AC Articles, Books, Photographers, ResourcesEthan G. Salwen @ 10:43 am
No, this is not Richard Anderson, but it is one of his images.

No, this is not Richard Anderson. But it is one of his images.

Photographer, digital standards expert and photography community activist Richard Anderson is incredibly mild mannered — definitely easy to miss in the massive crowds of PhotoPlus Expo, but definitely worth tracking down to see face-to-face. That’s what I did last Thursday, borrowing a cell phone from Judy Herrmann (Thanks, Judy. My cheap, three-year-old Argentine cell phone is no iPhone), and meeting up with Anderson to shoot the breeze in person, which we hadn’t done in two years.

I talk to Anderson fairly often, as he is always incredibly generous with his time and knowledge, and he provides me information to improve my reporting, and also acts as a sounding board on the issues most important to cover.

As the driving force behind dpBestflow.org, the co-author of Digital Photography Best Practices and Workflow Handbook and the princial author of UPDIG, Anderson knows a heck of lot about all things related to the broad, critical topic of digital best practices — from in-camera exposure to final file hand-off.

The thing is, such a statement makes Anderson sound like Continue reading “Richard Anderson In Person”

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Jun 30 2009

Self-Directed Projects Pay

Category: AC Articles, Business Strategies, Creative Process, Photographers, ViewpointEthan G. Salwen @ 7:35 am

ACMF_NG_093In the most recent issue of April 2009 “After Capture,” Kate Stanworth highlights the work of photographer Sophie Pangrazzi in her article “Defying Gravity.” It’s a great read, as Stanworth has a gift for describing images in luscious words. Stanworth also offers great insights on Pangrazzi’s creative process.

Of particular interest to me was the fact that Stanworth explains that “the key to her success has been to orchestrate her own projects, allowing her to stay one step ahead of the game and to realize her unique flights of imagination.” Continue reading “Self-Directed Projects Pay”

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May 14 2009

DxO Strikes Again. More RAW Sensor Data!

Category: AC Articles, Resources, Technology InsightsEthan G. Salwen @ 8:15 am

ACMF_NG_061“Paris, France – May 14, 2009 – DxO Labs announces today the publication of detailed RAW-based image quality data and DxOMark Sensor rankings on its popular www.dxomark.com website for two additional medium-format cameras, the Phase One P65+ and the Hasselblad H3DII 50.”

This is from a press release released today by DxO Labs, the French software developer that has put non-biased raw sensor data directly into the hands of us “regular ole photographers” (my language, not theirs). The press release is not that exciting, but the site is really cool site, and using it is free. No need to even sign in. (Phew.) Continue reading “DxO Strikes Again. More RAW Sensor Data!”

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Aug 08 2008

The Utterly Fresh Vision of Joey L

Category: AC Articles, PhotographersEthan G. Salwen @ 7:14 am

ACMF_080808_JoeyL_1If you’re not familiar with the commercial and documentary portraits of the globetrotting Joey L, check out his website for a wild ride. His stylized, edgy and intimate work is sure to leave an impression.

Joey L (a.k.a. Joey Lawrence) is a Canadian fine artist whose clients include Warner Brothers Records, NBC, United Way and the Salvation Army. His deep interest in other people comes across in his images. His subjects appear riveted, often staring deeply into the lens.

Continue reading “The Utterly Fresh Vision of Joey L”

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Aug 03 2008

Do You LOVE What You Photograph?

Category: AC Articles, Business Strategies, Creative Process, Photographers, ViewpointEthan G. Salwen @ 8:09 am

ACMF_080803_DoYouLove_1_hr_reelsefxI often hear successful—and satisfied— photographers say that it is critical that photographers are as interested in their subject matter as they are in making images. These same pros say that the smartest business strategy is the path of least resistance: Focus on passion.

I was reminded of this while reading about photographer Jeff Farrell. In a June/July 2007 AfterCapture article profiling Farrell, writer and photographer Peter Kotsinadelis explains that one reason Farrell is having incredible success is because he provides art direction and graphic design services in addition to his photography.

However, Kostinadelis makes it clear that the foundation of Farrell’s success is his love of everything related to the casino industry, which is the market he serves through his Outpost Productions. Farrell told Kostinadelis: “It always felt like a magical world when I was inside those places—an endless visual buffet.”

Continue reading “Do You LOVE What You Photograph?”

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Jun 25 2008

Find Your Best Work — Creatively!

Category: AC Articles, Creative Process, WorkflowEthan G. Salwen @ 9:22 am

ACMF_080626_1Digital imaging offers us all kinds of tools to find our best work. But many photographers still find it difficult to assess their work on screen. Fine art photographer John Paul Caponigro offers some creative ways to go about it.

In “Finding Your Best Work” for his “Illuminating Creativity” column for the December/January 2008 AfterCapture, Caponigro offered some great insights and strategies for how to use Adobe Bridge and Lightroom to approach the creative process of editing in a digital environment.

Although Caponigro’s suggestions might seem fairly obvious after reading them, I think that many photographers will appreciate Continue reading “Find Your Best Work — Creatively!”

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