Jan 27 2012

Sigma Corporation of America announces the passing of Michihiro Yamaki

Category: Business & Marketing, Technology Insights, The Industrydjordan @ 11:51 am

Imaging manufacturer’s pioneering CEO, founder led company for more than 50 years

RONKONKOMA, NY, Jan. 27, 2012 – With great sadness, Sigma Corporation of America today announced the passing of Sigma Corporation’s founder and CEO Michihiro Yamaki. He died of liver cancer in Tokyo, Japan, on Jan. 18 at the age of 78

“We are deeply saddened by this loss,” said Mark Amir-Hamzeh, president of Sigma Corporation of America. “Mr. Yamaki was an industry visionary, and his leadership and enthusiasm has been the driving force behind our company’s innovation for more than 50 years. We’re sending our deepest condolences to the Yamaki family, and our entire Sigma family around the world, during this very difficult time.”

Yamaki founded Sigma Corporation on Sept. 9, 1961 with the development of the first-ever rear attached lens converter. At that time, most photo enthusiasts believed that a lens converter could only be attached to the front of a camera lens and the 27-year-old optical engineer turned conventional optical theory on its head. Sigma Corporation celebrated its 50th anniversary in 2011 with Yamaki still at the company’s helm.

Throughout his years in the photo industry, Yamaki has been focused on producing high-quality, high-performance photographic technology at moderate prices. His goal for the company has always been to make outstanding image quality accessible to all photographers. To this end, he grew the family-owned organization into a leading researcher, developer, manufacturer and service provider of lenses, cameras and flashes. The company is now known as the largest, independent SLR lens manufacturer in the world, producing more than 50 current lenses that are compatible with most manufacturers, including Sigma, Canon, Sony, Nikon, Olympus, Pentax and Sony.

In 2008, under Yamaki’s direction, Sigma Corporation purchased Foveon, a California-based company that’s renowned for developing the X3 image sensor technology. This patented, three-layer image sensor captures all primary RGB colors at each pixel location arranged in three layers to deliver outstanding, high-resolution, high-definition images with impressive three-dimensional detail and rich gradation. Last year, the company announced the arrival of its SD1, a groundbreaking, 46-megapixel direct image sensor camera, offering more megapixels than any other DSLR currently on the market. Sigma Corporation continued its theme of addressing gaps in the industry and the needs of photographers by kicking off 2012 with the launch of its new, Digital Neo (DN) line of lenses for Micro Four Thirds and E-mount camera systems.

In addition to his inventions and photographic foresight, Yamaki made many other contributions to the industry in his 78 years of life. He served organizations such as: the Japan Photographic Enterprises Association, Japan Machinery Design Center, Japan Optomechatronics Association, Photographic Society of Japan, and Japan Camera Industry Institute. He has also been honored with the “Person of the Year” award from The Photoimaging Manufacturers & Distributors Association (PMDA), the “Hall of Fame” award from the International Photographic Council (IPC), and the Golden Photokina Pin for his longtime contribution to the imaging industry.

About Sigma Corporation

For more than 50 years, Sigma Corporation’s expertise and innovation has driven the company’s core philosophy of “knowledge, plus experience, plus imagination,” with an emphasis on producing high-quality, high-performance photographic technology at moderate prices. This family-owned organization is the largest, independent SLR lens manufacturer in the world, producing more than 40 lenses that are compatible with most manufacturers, including Sigma, Canon, Sony, Nikon, Olympus, Panasonic and Pentax. Sigma Corporation also produces digital SLR cameras and high-definition digital compact cameras. The company is headquartered in Japan, with offices strategically located throughout Europe, Asia and North America. For information, please visit www.sigmaphoto.com.

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Jan 05 2012

WPPI Announces “This is My WPPI” Video Contest

Category: Business & Marketing, Online Resources, The Industrydjordan @ 9:27 am

Wedding & Portrait Photographers International (WPPI) announces today the “This is My WPPI” video contest. Open to seasoned professional photographers as well as those just beginning their photography career, WPPI is looking for the best 30-second video clip creatively expressing what makes it “your” WPPI.  Photographers are encouraged to submit their most imaginative, original and memorable “This is My WPPI” video for a chance to win a trip to attend WPPI 2012 in Las Vegas, NV.

Videos will be voted on by the public. The video that receives the most votes on the www.wppionline.com site will receive national exposure on WPPIonline.com, Rangefinder magazine and a trip to WPPI 2012. The winner will receive a 4-night/5-day prize package from (2/19/12 – 2/23/12) including round-trip airfare plus hotel accommodations, ground transportation and a full registration pass to WPPI 2012.

“Our first video contest was such a huge success and so much fun that we just had to bring back this opportunity again,” said George Varanakis, Show Director of WPPI and Publisher of Rangefinder.  “We can’t wait to see how creative photographers can get as they tell the public why this is their WPPI. Is it about the education, the inspiration, the energy of Vegas, making new friends and catching up with old ones? We want to know why WPPI is important to our photography community. And we want to see people have a lot of fun with this.”

Directions to enter the “This is MY WPPI” video contest:

  • Complete a 30-second video (max 100 MB). Video files must be provided in one of the following file formats: .MPEG; .MOV; .AVI;  .WMV; MP4.
  • Name video file as first and last name. Example:  FirstName_LastName
  • Fill in the subject line: This is My WPPI Video
  • Fill in the body of email: First and Last Name, Email and Phone Number
  • Upload video file here.

The contest is open to legal U.S. residents, age 18 and over. Limit one entry per person. The contest is open to entries until Monday, January 9, 2012 (at 11:59 p.m. PT). The winner will be announced January 18, 2012. For full “This is My WPPI” 2012 Video Contest Rules click here. Contestants will be disqualified if directions and rules are not met.

All WPPI 2012 classes, events and trade show will take place at the MGM Grand in Las Vegas, NV, from February 16-23, 2012. WPPI is the biggest show in the world for wedding and portrait photographers. Last year, more than 16,000 professional photographers gathered in Las Vegas, NV, to learn from the best and see the latest and greatest products from the hundreds of exhibitors that participate in the trade show.

Popular programs and events like Launch Pad, WPPI Plus, Photographers Ignite and the Awards Night extravaganza, as well as helpful features like Pre-Board, will make WPPI 2012 the most exciting ever.

Registration for all WPPI 2012 classes, workshops, events and the trade show is open now: http://www.wppionline.com/show/register.shtml . The Full Registration pass is $259 for WPPI members and $399 for non-WPPI members. These rates include one (1) free guest pass, 90 Platform classes to choose from and admission to special evening events and the biggest 3-day trade show for wedding and portrait photographers. For information on class offerings and schedules please visit: http://www.wppionline.com/show/classes.shtml

For more information about WPPI 2012 and all of its workshops and events, please visit: www.wppionline.com .

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Apr 07 2011

Eye-Opening Insights from Gail Mooney: A Still-Video Hybrid Movie Trailer Goes Viral

Category: Business & Marketing, Creative Process, PhotographersEthan G. Salwen @ 12:07 pm

“Working on this trailer was one of the hardest things I’ve ever done,” Gail Mooney told me yesterday. “The shorter the piece, the harder it is for me to edit, and it probably is for most people. I needed to cut to the essence of the story yet not give away too much. I needed to create interest by what I didn’t tell the viewer.”

One thing this wonderful, interest-grabbing trailer doesn’t tell the viewer is incredible passion, energy and innovation Mooney has put into transforming her personal movie project, “Opening Our Eyes,” from the tiny tickle of an idea into a massive, tangible reality.

Created in partnership with her daughter, Erin Kelly, Mooney shares much of her passion — behind the scenes triumphs, frustrations and the technical and creative nuts and bolts of making a movie  — through her blogging on the “Opening Our Eyes” website, as well as on Journeys of a Hybrid, where for two years Mooney has been dishing up practical advice and motivation for photographers moving into motion.

Thanks to Mooney’s enthusiastic, adept use of social media, as of yesterday, a week after she posted it, Mooney’s trailer has already been viewed by 1,142 people in 62 countries.

“I realize in the YouTube playing field — of babies biting fingers and cats playing pianos — these type of stats are nothing in the viral world,” Mooney observed. “But they are amazing when you consider what it is.”

Indeed. What it is, at least in part, is a passionate visual communicator — who started her career long before the advent of digital imaging and the Web — sharing a personal project with more than a thousand eager viewers in 62 countries.

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Boy with eggs at Camino Abierto, Carlos Keen, Argentina.

The Possibilities in Passion

In a Hybrids blog post last week, Mooney wrote, “When you are convinced that you have the ability to make the impossible possible, then you will put your dreams into action. You will take that chance, and by doing so you are creating your own reality instead of reacting to what others have created for you, which may not be in your best interests.”

There are many people who share this kind of positive sentiment: make your dreams happen with positive thinking. It’s a sentiment that often rubs me the wrong way. It often feels hollow, oversimplifying the immense challenges we all face in life. Regardless of what a Nike ad campaign might say, many of us can’t “Just Do It.” Desire is not enough.

What makes Mooney’s “make the impossible possible” sentiment attractive is that it is grounded in the example of how she lives her life. She struggles, she strives, she overcomes. Yes, she does it. But she never “just” does it.

In her blogging over the past two years Mooney has become increasingly open and honest, sharing her personal struggles. She never complains of simply vents, but she lets us see that a great deal of her making the (seemingly) impossible possible depends on her never given up, even when the (seemingly) possible feels impossible.

In wonderful posts related to her experiences with “Opening Our Eyes,” Mooney shows us how she gets deeply inspired but then has serious doubts but that she still takes big chances anyway. She remains open to learning from diverse sources as she struggles with technical and creative challenges. And although she experiences many moments of sasisfied success, she also  experiences extreme let downs. The common thread — what’s truly important — is that she keeps on going and actively makes things happen.

Viola Majewska with horse at her hippotherapy stable located outside Warsaw, Poland.

Viola Majewska with horse at her hippotherapy stable located outside Warsaw, Poland.

Positive Change From and Beyond Technology

When “Opening our Eyes” is completed, I have no doubt Continue reading “Eye-Opening Insights from Gail Mooney: A Still-Video Hybrid Movie Trailer Goes Viral”

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Mar 30 2011

Wedding Photography 2.0 Success – Part IV: Photographers as Social Media Coordinators

Category: Business & MarketingEthan G. Salwen @ 10:00 am

So, as a wedding photographer, you’re on board with using guests’ snapshots, you’ve been thinking of strategies of how to do so and you’ve begun to think of guests as friendly allies. Great! The next step: Address the “FaceBook Factor.”

What I’m calling the “FaceBook Factor” came sharply to my attention during my own wedding experience. Within 24 hours of my saying “I do” (or Si, to be more exact), all kinds of great images made by guests started showing up on FaceBook.

This experience got me thinking about the exciting clash of traditional, professional wedding photography services and social media-savvy wedding guests armed with point-and-shoot cameras. This clash should give all wedding photographers pause, but in a good way — in a way that leaves us excited about the possibilities of embracing new “competition” in the best (and most profitable) ways.

As I’m made clear in my three earlier posts in this series, I think we need to embrace the idea of using the snapshots made by guests. But using such images is just the beginning. The real challenge is how to best use them (and our own images) in relation to how our clients are using social media.

Just a few guest snaps from one of the many FaceBook albums featuring images from my wedding. Seeing these got me thinking about "Wedding Photography 2.0".

Just a few guest snaps from one of the many FaceBook albums featuring images from my wedding. Seeing these got me thinking about "Wedding Photography 2.0".

FaceBook and Other Social Media Distribution Channels

Really, this goes beyond FaceBook. It’s about Wedding Photography 2.0 in the sense that clients will continue to desire more from their wedding photographers in terms of helping them share images as quickly and as widely as possible via the Web. Although I predict that all clients will want (and eventually demand) such social media support services, they will want these services handled in unique ways that match their personalities.

This will require photographers to be savvy and flexible, and keep on top of the latest social media tools and trends.

Some clients will be super savvy in terms of social media, and will welcome with gusto a photographer who is thinking in terms of tweets, blogs, Facebook and other social media outlets.

Some clients will be social media nincompoops, but will heartily welcome the advice, guidance and support of photographers who can help them keep up with the times in terms of sharing their wedding with not only family and guests, but their worldwide network of Web-based friends and colleagues.

Beginning to think strategically about FaceBook and other modern means of sharing wedding images will allow photographers to (positively) embrace the “FaceBook Factor,” and not get (negatively) blindsided by it.

Put FaceBook on the Table for Clients

A simple way to begin to positively address the “FaceBook Factor” can take place during planning meetings with clients. Talk to them about ideas and expectations, offering suggestions and brainstorming with them as you get a feel for how to best support them.

You might discover that some clients want you to become FaceBook friends and post a down-and-dirty gallery for them within 24 hours of their wedding, while quality proofs are still in the works.

This might be too informal for many clients. However, most clients will likely appreciate you emailing them 10 or 20 or 50 low-res, down-and-dirty proof files within 24 hours of the wedding. Then they themselves can post them to FaceBook while on their honeymoon.

Sure, this kind of service will not appeal to all clients. Older couples especially might be more traditional (and maybe you are, too). Maybe “down-and-dirty,” low-res images is exactly the opposite of what they want from their professional photographer. But you have to ask to find out.

And, I don’t think I’m a brilliant futurist to propose that every passing year will see more couples who do want these kind of “FaceBook Factor” services. The time is now to get ready for the next generation of wedding couples. Think of this: No couple today under the age of 25 knows a world without the Web.

Wedding Photographers as Social Media Coordinators

Thoughts I have been sharing about “Wedding Photography 2.0″ are not about any specific technology, such as FaceBook. What this is really about is the fast evolution of photography specifically in relation to the way non-professionals are sharing photography through social media distribution channels like FaceBook, Flickr, Picasa, MySpace and blogs.

The technology will continue to change, but it aint never going to slow down, and we are never going to return to a moment when wedding photographers are just needed to perform the invaluable service of documentation.

Perhaps the single, best way to think of the Wedding Photography 2.0 themes I have brought up is for wedding photographers to begin to think of themselves as a kind of social media wedding photography coordinator.

For example, beyond simply putting FaceBook on the table for clients in terms of providing images, you might help clients set up a FaceBook page specific to their wedding.

For example, beyond just simply helping clients include guests’ snaps in their album, you might help them create a blog specific to their wedding.

How about helping clients figure out how to automatically tweet blog posts related to their wedding? (Post which, of course, include your images and links to your photography site.)

How about helping clients build community in the virtual world around the very real photography that has been captured in the very real world?

Wedding Photography Success Beyond The Photography

It’s likely that at the next wedding you photograph there will be dozens of people clicking away with point-and-shoots camera and cell phones, making hundreds of images. It’s very unlikely that your clients would love to see the best of these images, as well as yours.

The creative business question for wedding photographers: How can you best help your clients see these images and distribute them using social media — in a way that increases the value of your services?

Click here for Part I of this series.

Click here for Part II of this series.

Click here for Part III or this series.

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Mar 25 2011

Wedding Photography 2.0 Success – Part III: Guests As Great Partners

Category: Business & MarketingEthan G. Salwen @ 9:45 am
AfterCapture-Blog_110325_Wedding-203_1

So what if this snap of me and my sister-in-law is a "non-pro" image? Someone grabbed her camera, made it, and I love it and want it.

“As professionals, we need to rethink the way we do business,” Reid Mason wrote in response to my post about the value of including guests’ snapshots in wedding photography services. “I think this is a way of going the extra distance to give clients what they want.”

As made clear in my post (and my follow-up post offering some strategies for integrating guests’ images), I totally agree with Reid’s sentiments.

Unlike Reid, I imagine that many wedding photographers will reject the idea of using guests’ photographs. As Ben commented when I shared a few guest snaps from my wedding, “If those are better than the professional photographer’s images then you should have hired a better photographer!”

When judging photographs and the photographers who make them, “better” is totally subjective. And if you are photographing weddings where guests are snap, snap, snapping away, my guess is that many of your clients would like to see those images — best presented, best integrated into your services.

So assuming you are a wedding photographer open to the possibilities of using guests’ snaps, one of the very real issues (if fundamentally emotional) you will likely wrestle is this: But won’t the guests mind?

The Guests Won’t Mind!, The Couple Will be Grateful!
Does asking wedding guest for copies of their photos seem like “stealing” or “cheating”? If you are a professional photographer, it probably does. If nothing else, it will seem awkward, counter intuitive and simply not professional

To overcome getting guests involved, I believe the key thing to remember — as FaceBook proves daily — is that, at least when it comes to photography, this is the Sharing Generation. Making, sharing and commenting on photographs is an increasingly communal activity.  The “©” symbol so dear to intellectually-property-defending professional photographers just doesn’t seem to register with any significance to casual, click-happy photographers.

Photographs are made to share!

I am convinced that wedding guests asked (in an appropriate manner) by the professional photographer to contribute to the event documentation will be thrilled — especially if they understand that this is the wish of the wedding couple.

In fact, this thrill factor could be seen as an added value service professional photographers can offer clients — by helping them include the photography efforts of their snap-happy friends and family.

AfterCapture-Blog_110325_Wedding-203_2.jpg

Photography is becoming a fluid, communal activity of shooting and sharing without thinking -- and this is the (exciting) challenge facing today's wedding photographers. Case in point: This is a picture of me at (my decidedly mellow) bachelor's party, taking a picture with someone else's camera, while someone else takes a picture of me.

Keeping Track of Who Shot Whom: Smart File Naming

With a little bit of thoughtful digital asset management, there are easy ways that photographers can keep proper credit for each photographer — whether or not it is important to guests or clients.

The system that I am now playing with relies on a simple, clean file naming convention. I’m still working it out, but at this point I suggest you simply add initials for each photographer directly within the file name.

Yes, metadata can be used instead of (or in addition to) this method. But for now, my thought is that, as in multi-photographer photojournalism events, having the photographer’s ID right in the file name is most practical.

For example, file naming might look like this:

Jones Wedding_0001_es.jpg = photographed by the pro, Yours Truly, Ethan Salwen.

Jones Wedding_0002_ms.jpg = clicked by guest Meryl Streep

Jones Wedding_0003_tc.jpg = this one captured on the iPhone of Tom Cruise!

Jones Wedding_0004_es.jpg = back to Ethan

Jones Wedding_0005_jd.jpg = I din’t even know Johnny Depp was there!

Jones Wedding_0006_es.jpg = again, back to Ethan

Six images, four photographers, one simple, clean naming convention — all lined up chronologically. (See strategies in Part II.)

Wedding Guests Are Good Competition
So, um, what happens if my client loves 02 by Meryl, 03 by Tom and 05 by Johnny and, um, are not so fond of my 01, 04 and 06? This, of course, could happen, and will happen to a certain extent. And this, understandably, could make many wedding photographers uneasy. But I think the unease is unwarranted.

Two reasons why the more guest photographers, the merrier:

#1: Competition is good. If we are scared of healthy competition, we shouldn’t be in the business. Or stated less negatively: guest photographers are not “bad” competition. These are not other pros stealing the show or undermining our profits. These are “competitors” in the good sense: keeping us on our game, pushing us to make the best images we possible can, images that prove our value as pros.

#2: Our clients won’t mind — at all. Sure, a snarky client could say, “Why the hell did I hire you when I had Meryl, Tom and Johnny doing all the work?!?” But do you really want to work for someone like this? And, it’s not really going to happen. Clients will totally appreciate that we are delivering images from the Meryl, Tom and Johnnys of the wedding — in a way that they can best enjoy — and providing our stunning images, and delivering all of these diverse images in one, stunning package that documents their wedding better than any single photographer ever could.

Click here for Part I of this series.

Click here for Part II of this series.

Click here for Part IV of this series.

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Mar 15 2011

Wedding Photography 2.0 Success – Part II: Strategies for Integrating Guests’ Images

Category: Business & MarketingEthan G. Salwen @ 8:19 am

In my last post, refering to the practice (somewhat vauagely) as “Wedding Photography 2.0,” I suggested that wedding photographers should consider how to use the images made by wedding guests’ to expand their services to clients. Heck, if the pictures are being made, and if you are are in the business of delivering the most attractive wedding photography packages possible, how can you not consider using guests’ images?

Continuing with the idea, here I offer some practical strategies I’ve been mulling over on how to best do this.

Yes, yes. I, too, thought this guest snap was a "delete" when I first glimpsed it. But then I realized that it would be perfect for the dance sequence in a multimedia piece I am making.

At first glance I thought this guest snap was a "delete." Then I realized it had great energy tht would be perfect for the dance sequence in a multimedia piece The only thing is. . .

Careful Planning Is The Key To Using Guests’ Photographs

I’m not going to offer a clear, one-size-fits all game plan for how to leverage wedding guests’ images. For one thing, I’m just being to play with this idea myself, still tyring to sort out the images from multiple friends from my own wedding. More important, no one-size-fits-all workflow strategy exists. What’s important is for each wedding photographer to address this kind of service in a way that fits best with their own personality and their clients’ needs.

However, one thing is clear: careful planning is critical to make this work!

I didn’t plan on securing and organizing gobs of images from different photographer-friends, and I’m suffering for it. It was a major pain to get my non-techie friends to FTP me all their images, and now I’m realizing — derr! — that handling digital asset management from multiple sources is not easy. (How may of your friends have the clock on their cameras set correctly?!)

So, if you like my Wedding Photography 2.0 idea, think carefully about what kind of integration you want to offer, plan ahead carefully and then test, test, test before first delivering services to a paying client.

. . .because I didn't plan well, this image is in a MAJOR mess of folders with thousands of images I have to sort out. Plan ahead!

. . .because I didn't plan well, this image is in a MAJOR mess of folders with thousands of images I have to sort out. Plan ahead!

Basic Business and Workflow Strategies:

• The most important step is to discuss this kind of service with clients early. Explain the advantages, how it might work, and exactly what they might like to see happen — from interaction with guests to products delivered. (If your clients are not interested, no big deal. You’ve shown that you are a forward-thinking, customer-oriented Web 2.0 photographer, and now you can focus on your traditional approach in a relaxed manner.)

• Put a number of your own point-and-shoots around the wedding event location, and invite guests to use them. This novelty approach of documenting weddings was becoming popular toward the end of film days — especially with disposable cameras. But the modern, digital point-and-shoot has incredible advantages over a throw-away film camera. Not only do (even cheep) digital point-and-shoots take fantastic pictures, but a smart workflow will allow you to easy integrate these images into your main images.

It also helps that these days everyone is totally comfortable click, click, clicking away with modern point-and-shoots. So some really great images are almost guarunteed.

The more point-and-shoots you can provide (buying used ones is a small investment), the less you will have to deal with dowloading guests’ memory cards.

• Explain to guests what’s going on. There are any number of ways to do this, but what’s important is to do so in a way that best supports the couple’s vision of the wedding. You want the guests to be pleased and excited to be part of the process, not thrown off by a photographer asking for thier images.

Perhaps your clients will be eager to email guest with a heads up. Perhaps they would prefer to keep this mellow and off the radar. In this case, with your client’s permission, you might simply elect to talk to the most snap-happy guests at the right, least-intrusive moment.

• Ask guests to photograph your watch or a clock at some point during the event. This will allow you to alter capture time metadata so that all images share the same “time reality.” This will allow you to be able to organize all images from all shooters in exact chronological order. Having this time stamp reference will be big help, and the “photograph my watch” method keeps you from having to ask guests to set their camera’s time correctly before the wedding.

• Create an “image download station” at the reception. If nothing else, you can download cards from individual guest and dump them into folders with each person’s name like — and then deal with the images later.

Clearly it would be majorly helpful to have an assistant handle this download process for you.

With or without an assistant, there are ways that you could set up a ingestion program like Photo Mechanic to handle ingestion in a more advanced way, putting in each guest’s basic metadata, smoothing later workflow issues.

Click here for Part I of this series.

Click here for Part III or this series.

Click here for Part IV of this series.

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Mar 14 2011

Wedding Photography 2.0 Success: Use Guests’ Snapshots!

Category: Business & MarketingEthan G. Salwen @ 9:19 am

In January I stated that wedding photographers matter more than ever before and then in February I offered three reasons why wedding photographers don’t matter anymore. What’s the deal?

If you read that second post carefully, you’ll notice that what I was really trying to do was raise a question I believe critical to all wedding photographers. I asked:

How do today’s wedding photographers provide services that best compliment the (free and awesome) efforts of the couple’s family and friends?

Embracing Guests’ Snapshots

This question arose from my experience at my own wedding, in January. Less than 48 hours after Carla and I said “Si” dozens of great photos from our wedding were on FaceBook — thanks our guests. Wow!

These images might not be “wow!” in the pro wedding photographer sense of quality, but we think they are great — uniquely intimate and special. So we want them to be part of our album. I also want to make sure I can archive them with the files our pro photographer handed over.

You might consider this a "crappy snap" or a wedding image "not worthy of a professional photographer," but my wife loves it. And I would have loved it if our professional photographer had offered a service for archiving and sharing such guest snaps.

You might consider this a "crappy snap" or a wedding image "not worthy of a professional photographer," but my wife loves it. And I would have loved it if our professional photographer had offered a service for archiving and sharing such guest snaps.

When I had this Wedding Photography 2.0 experience (something conceptual and practically simply not possible a decade ago) it became clear to me that wedding photographers need to evolve services to best embrace the exciting developments in picture taking and picture sharing?

I have a simple idea for how they can do so, and I like that fact that it’s not reactionary, or defensive — as in: Photographers should be taking much better images to make the guests’ pictures look inadequate.

The fact is that many guest images are great (often because they are not polished) and so I think wedding photographers should honor those guest efforts and, most important, figure out how to use them in a way to enhance their own business and creative efforts.

To address the “competition” from wedding guests, I propose that wedding photographers should integrate wedding guests’ images into their wedding photography services.

Rethinking Wedding Photography In a 2.0 World

I assume that a number of wedding photographers must already be leveraging the snapshots taken by wedding guest. How could they not? But then again, I bet it’s a small percentage of pros. I could see how many wedding photographers would hate the idea. Maybe it would seem to cheapen their own services, or maybe they have simply not considered it, continuing to concentrate on making stellar images and providing stellar services with those images.

However, smartly using images made by guests is a win-win for photographers and clients.

When guests’ images become part of the official wedding coverage, clients will receive much more robust photographic coverage. Not using guests’ images would be like a news magazing depending on only one photographer staff photographer at a major international event, instead of pulling from the photographic riches offered up by a picture agency backed by scores of photographers.

When wedding photographers leverage the images made by guests not only do they greatly expand “their” coverage with little effort, but they also provide clients with an additional, invaluable service that greatly increases their value as an image maker and image deliverer.

For photographers, the practical effort would be mainly in the realm of smart workflow — orchestrating digital asset management from multiple sources.

I think the hardest part of working with the images made by wedding guests is not practical but rather the need for photographers to rethink (perhaps drastically) their role as wedding photographer.

Instead of “just” creating and delivering amazing images, wedding photographers will have to Continue reading “Wedding Photography 2.0 Success: Use Guests’ Snapshots!”

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Feb 28 2011

3 Reasons Why Wedding Photographers Don’t Matter Anymore

Category: Business & MarketingEthan G. Salwen @ 2:05 pm

Actually, I think wedding photographers matter more than ever.

The “3″ in my title refers to the number of photos I’m going to share with you –  from my very own wedding last month. You see, my girlfriend . . . I mean, my wife! . . . emailed me these after pulling them off FaceBook. She wants me to include them in our album, along with a number of her other FaceBook favorites.

Dig this: Many of of the three dozen (mostly great) pictures were posted on FaceBook before I even woke up the next day! And all of them were up within 48 hours — long before our professional wedding photographer delivered proofs.

After my wedding photography experience (for the first time not behind the camera), if I had to list “3 Reasons Why Wedding Photographers Need To Be Super Clever in Today’s Market,” I would say:

#1: Killer point-and-shoot cameras.

#2: Camera-armed cell phones.

#3: FaceBook.

So. . .

Here’s what I want to know: How do today’s wedding photographers provide services that best compliment the (free and awesome) efforts of the couple’s family and friends?

And now. . .

Brought to you by three wedding guests, two point-and-shoot cameras, one iPhone, and one FaceBook in a new media tree.. . . here’s Ethan and Carla!

Snapped by my sister after the civil ceremony -- better than the pro photophrapher's version!

Snapped by my sister after the civil ceremony -- better than the pro photophrapher's version!

Captured by my best man -- aparently hiding in bushes during photo session, carrying iPhone.

Captured by my iPhone-carrying best man -- aparently hiding in bushes during photo session with pro photographer, who made good images, but nothing like this.

Don't know who the heck took this great one -- during dancing, after I had sent the official photographer home.

Don't know who the heck took this great one -- during dancing, after I had sent the official photographer home.

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Feb 21 2011

ASPP eNews Blog: A Wealth of Photo Industry Information for ALL

Category: Business & Marketing, Online Resources, The IndustryEthan G. Salwen @ 6:51 am

The American Society of Picture Professionals (ASPP) has done a great service to all serious photographers by, 1) Turning their email newsletter into the ASPP eNews blog, and 2) Making this blog available to all — for free, no sign in required. Very, very cool.

Check it out, and if you like what you see, add it to you feeds or sign up for email alerts.

AfterCapture Blog_110221_ASPP eNews_1

What’s ASPP?

ASPP is a unique photography industry association in that it includes photographers and picture agencies and picture researchers and end users, a.k.a. publishers. This means that when you are part of ASPP, you are not just dealing with your colleague-competitors, but also networking with your colleague-potential-clients.

AfterCapture Blog_110221_ASPP eNews_2ASPP is a close-knit, supportive community (I know; I am a former board member), and as a photographer ASPP gives you the opportunity to befriend supportive professionals at picture agencies you might want to work with (to license your images) as well as researchers (who might want to license your images).

ASPP’s $125 membership fee might seem steep, but it’s a small price to pay for access to this unique community. So definitely consider joining ASPP.

The Old ASPP News

Until recently ASPP sent out a massive monthly email newsletter to members that was stuffed with industry and member updates. Two problems:

• Way, way too much to digest, check out, sift through, enjoy.

• You couldn’t get at it if you were not a member.

The Super Cool New ASPP eNews Blog

It’s the same content, but on steroids: with images, links, embedded videos.

Some content, like the monthly “President’s Corner,” is clearly geared for members. However, you can ignore this content or, better yet, give it a peek as a kind of “trial run” of ASPP membership.

Some content is from members who are industry experts, like Jim Pickerell, who offers these image licensing insights.

Then there is news related to the industry, like “Update on the Senate Hearing about Intellectual Property” and info about contests, like the “Focus Project 2011.

ASPP agency members are dishing up news about their collections, like the “Lebrecht on Self-Portraits.”

And then you have photographer members sharing their latest efforts, like Wolfgang Kaehler’s “Run with the Wolfies.”

And this was all in the past two weeks!

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Feb 11 2011

Make Your Blog More Popular: Write For Friends

Category: Business & MarketingEthan G. Salwen @ 6:26 am

AfterCapture Blog_110211_Make Your Blog Popular_1

“There are lots of reasons why people flock to certain blogs, but I think one of the most important is that popular blogs are written by popular people — the sort of people who attract others.”

This is from Dean Rieck’s “The 7 Secrets of Running a Wildly Popular Blog”, and it shows — go figure! — that I was totally on track when I mused that Chase Jarvis’ blog is so damn popular because Chase Jarvis is so damn popular.

It’s the Quality of Visitors, Not Quantity

Reick’s popularity-building advice for bloggers includes “Have a conversation,” “Lighten up,” “Help people” and “Stop trying so hard.” This is all good stuff. However. . .

Notice that while these strategies can make your blog more enjoyable, they will not actually make you more popular  — not in the real-life, flesh-and-blood world.

Regarding Jarvis I noted:

In person, Jarvis is more charismatic than most photographers will ever be (or would want to be).

This is true, and my point is simple: In blogging, just as in real life, it’s not the quantity of interaction that matters, it’s the quality.

If your blog is an enjoyable destination that honestly presents your work, skills and personality, it will prove invaluable as a portfolio and marketing tool — as a “landing pad” for potential customers. And that is worth a lot more than any number of “hits.”

Unless you’re Madonna or Lady Gaga, you don’t need people worshiping you. You need people interacting with you. You need people interested in using your services. You need to make connections with real people who can expand your creative and professional horizons.

If your blog readership goes from zero to 10, that’s great! If you end up with 50 regular followers, that’s awesome! If you have 200 hundred people who stop by once in a while, that is un-freakin’-believable!

Blog for Your Friends & Family & Most-Likable Clients

The key to taking advantage of Rieck’s advice on blogging (or my advice on improving your blog writing style) is to blog as if you are addressing, in person, the people you actually know and like, or who you would like to know — personally.

There’s an important difference between Rieck’s intended audience and the intended audience of this blog. I’m assuming that you don’t need to create a “widely popular blog.” You are not in the business of writing a professional blog; you are in the business of professional photography. Don’t forget this.

The best way to reach out to these potential customers through blogging is to write content for a specific, real audience of friends, family members and the clients you most enjoy working with.

Yes, “family and friends” sounds cliché, and if you hate your family, um, keep them them out of the equation. But if you only write for potential clients (abstractions of your imagination) your blogging will fall flat.

So read Reick’s advice and work to make your blog more popular (for friends, family and real-world clients), but don’t try to make a blog that is widely popular (just for the sake of being popular).

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