Sep 08 2010

Christopher Cairns on the Value of Music and Friendship for Visual Artists

Category: In Motion, Multimedia & Video, PhotographersEthan G. Salwen @ 12:34 pm

Christopher Cairns says his sculpture transmits an impeding sense of disaster that is born out of his attitudes about modern life. Cairns, who relies heavily on music for inspiration, also notes, “The detachment of the contemporary culture from classical music and serious jazz is a disaster.” Regarding the value of friendship, Cairns says, “Part of being an artist is to try to find other people that you can share feelings and ideas with.”

Cairns’ sculpture is powerfully evocative and his sentiments about music and friendship in relationship to the visual artist’s life will be of interest to photographers. Although I can share all this about Cairns, I only know the artist through this five-minute video created by Richard Anderson. This speaks to the incredible storytelling power of documentary shorts. It is also reason to applaud Anderson for taking a great leap forward in his video-making pursuits.

Last month I reported that Anderson was just getting started in video by learning multimedia techniques by experimenting playfully. His latest creation, a personal project, proves that Anderson is getting great results — fast.

Check it out this video for inspiration from both Cairns and Anderson. Take particular note of how Anderson puts his photographer’s eye to excellent use. His framing of Cairns among his sculptures is fantastic and not typical of standard documentary interviews. And Anderson’s still images make wonderful b-roll that clearly reveal Cairns’ vision of impending disaster.

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Aug 04 2010

Deadly Lego Guns, Playful Video Experiments

Category: Creative Process, In Motion, PhotographersEthan G. Salwen @ 6:44 pm

Richard Anderson has joined the wave. The wave of still photographers embracing video, that is. We had a long, great conversation today. We discussed nerdy photo stuff and more important ideas about family, friendship and creative satisfaction. Our talk started by touching on all themes at once when Anderson shared his new excitement for video. He’s getting off to a nerdy and creative start by focusing on projects featuring family and friends.

Anderson has devoured From Still to Motion and is learning from online resources. He’s also started to think about how to make money from motion. But he’s not too worried about this “monetizing” issue. For now, Anderson is focused on having fun and learning from doing — as it should be.

The first piece Anderson published to his Vimeo channel highlights his son, Nicholas, showing off his Lego gun, a real monster of creative engineering. (Man are Legos cool! If you haven’t seen Mike Stimpson’s decisive Legos, definitely check them out.) Anderson’s next two videos are both music videos of Daniel Hill, a family friend whom Anderson captured at Chincoteague, Virgina, during a family vacation.

Anderson’s “Nothn’” music video is pretty basic, but required greater video making skills than “Nicholas & the Lego Gun.” He had to deal with recording sound with tricky ambient wind, and now we do not hear his off-camera voice. More polished, more professional.

Thriving By Keeping It Simple and Fun

In his second Hill music video, “What is the soul of a man?”, Anderson takes Continue reading “Deadly Lego Guns, Playful Video Experiments”

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Aug 02 2010

Beautiful, Buzzing Natural History from Rob Sheppard

Category: In Motion, PhotographersEthan G. Salwen @ 9:02 am

“In terms of a still image, the bees just looked like a brown splotch on a brown background — not interesting at all — but the video that I captured was truly amazing.” This is what Rob Sheppard told me about an image-making experience he had a few months back while exploring the Santa Monica Mountains National Recreation Area. He shared this as an example the value of using HD-DSLR video to better share nature.

At the time we talked, I had to trust Sheppard that his video captures were amazing. Now, thanks to his new “Buzz” video, we can all enjoy Sheppard’s great hi-def video of digger bees in action. Amazing, indeed — especially the fantastic close-ups!

This is wonderful natural history storytelling, well conceived, excellently executed. It fits in perfectly with Sheppard’s expanding goals as an image maker. As he said: “I want to focus more on creating natural history pieces.”

Sheppard, the editor-at-large of Outdoor Photographer, told me that technology is only a means to an end. He explained that the reason he is so excited about HD-DSLR technology is that it will help him with his greatest passion: exploring, sharing and helping conserve the natural environment.

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Jul 28 2010

Love Your Family, Be Wary of Your HD-DSLR

Category: In Motion, In-Camera Techniques, Technology InsightsEthan G. Salwen @ 4:43 pm

Since writing last night about a blog post by Gail Mooney, she’s written two more, and also done some major reporting Down Under for her “Opening Our Eyes” documentary project. Go Mooney!

Here are two key lessons I take away from Mooney’s “The Importance of ‘Family’” and “The Hard Part About Working with DSLRs”, both of which I encourage you to read — gaining insights from both Mooney’s Humane Side as well as her Tech-Nerdy Side:

• Family matters more than anything. So keep on building, loving and appreciating your “family,” even if these people are not related by blood.

As Mooney says of a young homeless man helped by the Oasis project: “His wants are simple – to love and be loved. How very basic and yet so tragic that being part of a family seems so out of reach for so many.”

• HD-DSLR cameras are not the best tools for recording video for making movies. HD-DSLRs are a major pain for capturing video, so (at least for now) for the best, most hassle free video-only shooting we’re better of with HD video cameras.

As Mooney says: “Yes, the visual [of HD-DSLRs] is stunning but I can’t help but think how many moments I may have missed that I probably would have gotten if I had been shooting with a video camera.”

Let’s go to the video. . .

To honor both family and not capturing video on HD-DSLRs — I used my measly Canon G9 — I share a home movie I made a year-and-a-half ago. Back then these wackos were just the wacky family of my girlfriend. But now, with the wedding set for January, these wackos are my family, too. Yes!

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Jul 27 2010

It’s Making Movies, Stupid!

Category: Creative Process, In Motion, Technology InsightsEthan G. Salwen @ 6:17 pm

“After 11 years of shooting motion and over 30 years of shooting still images, my mind seamlessly makes the switch a hundred times a day between thinking and seeing in ‘moments in time’ or ‘time in motion’”, Gail Mooney shared yesterday in “True Convergence with the DSLR Cameras,” a great blog post from her “Journeys of a Hybrid.” Mooney speaks of how photographers new to video tend to get consumed by the technical challenges and “forget that they need to think and shoot differently when shooting video.”

This is something that I have been struggling with in my very initial steps into video and multimedia. I notice that I either shoot all stills or all motion. My mind is not only not switch seamlessly, it’s hardly switching at all. And when I am in video mode, I hardly know what I’m doing. And why should I? While I’ve been making still images for 20 years, I’ve only played around with multimedia a tiny bit over the past year. How would I know how to make a movie?

To make a movie. That’s the real challenge of photographers “moving into motion”: embracing video capture, as well as audio capture, as well as the editing these element together, or even “just” editing still images and sound into multimedia pieces. This “move making” factor might seem incredibly obvious, but I think few of us really realize this.

Maybe you realize this. But if you do, do you really realize this?

I ask because I recently finished up a 4,000-word article sharing photographers’ insights on embracing video and multimedia and, as good as the article is — I’ll share it with you when I have the PDF — I think I fail to communicate this obvious-subtle idea: Moving into motion is all about making movies, and making movies is hard.

Because of all the TV programs and movies we consume, we have a sense of how movies work, which is great. But, just as casual photographers Continue reading “It’s Making Movies, Stupid!”

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Jul 14 2010

Wide, Medium and Close – The Key to Crafting Cool Videos

Category: Creative Process, In Motion, In-Camera TechniquesEthan G. Salwen @ 3:24 pm

“When capturing motion and stills for use in multimedia it is essential to record all subjects in wide, medium and close-up shots,” Mary Lynn Price told me recently. As a video journalist focusing on “one-man-band” reporting, Price uses all three perspectives to carefully construct rich reporting experiences. One great example is her “Conserving Shackleton’s Historic Hut in Antarctica,” which she produced in 2008 for “Women Working in Antarctica.”

“The wide shot is the establishing shot, the medium shot clearly shows the subject, and the close-ups give us the ‘wow’ factor,” Price explains. She uses all of these to her storytelling advantage throughout “Shackleton’s Historic Hut.”

Even though it’s only five minutes, “Shackleton’s Historic Hut” asks a lot from Web viewers with short, fickle attention spans. Price holds our interest by presenting as much information as many, slower-paced TV documentaries would in a half hour.

Not only do get to know three different Continue reading “Wide, Medium and Close – The Key to Crafting Cool Videos”

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Jul 10 2010

!Dale Pulpo Paul!

Category: In Motion, ViewpointEthan G. Salwen @ 7:40 pm

Sure, you know about Paul the Psychic Octopus, who got ‘em all right — “predicting” ever World Cup match winner just by. . .um. . .eating his dinner. But have you seen this wonderful, upbeat Pulpo Paul video?

Amazing how such a languid creature can produce such intense energy!

Here in Argentina we know “Paul the Octopus” as “Pulpo Paul” because, um, we speak Spanish. For a couple of days there he seemed to be Enemy #1, having predicted that the Germans would beat Argentina in the quarter-finals. Damn! The country was in a major depression for days — no joke — and so it was hard to find anyone who didn’t want to turn Mr. Pulpo Paul into calamari.

My girlfriend is an exception, saying, “¡Pulpo Paul es el mejor parte del Mundial! — He’s the best part of the World Cup! (Don’t get me wrong: she was as depressed as the rest of us by Argentina’s loss. But for her safety, after publishing a quote like that, I will keep her identity anonymous.)

It was my girlfriend Continue reading “!Dale Pulpo Paul!”

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Jul 05 2010

Where To Find Royalty-Free Music

Category: In Motion, ResourcesEthan G. Salwen @ 4:55 pm

Like royalty-free images, royalty-free music can be found by the in amazing varieties and quantities on the Web. Just do a Google search, and you’ll see.

Ralph Clevenger, who inspired me to embrace royalty-free music, suggested I check out these sites:

AfterCapture Blog_100705_Find Royalty_Free_Music_2

Royalty-Free Music Suggestions?

Not really sure how I ended up using Premiumbeat.com for the $29.95 worth of music I used in my “Royalty-Free Buenos Aires,” but I was just experimenting, and I was left wondering. . .With all the royalty-free music sits and services, certainly some have got to be better than others. So. . .

If you are ahead of me on this royalty-free music learning curve — which wouldn’t be hard — are there royalty-free music services and basic concepts that you might share with me, and my thousands of faithful readers?

SmartSound and Sonicfire Pro?

As long as you’re Continue reading “Where To Find Royalty-Free Music”

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Jul 04 2010

Royalty-Free Music Rocks, Rolls and (Legally) Produces Drama

Category: In Motion, ResourcesEthan G. Salwen @ 10:55 am

“Most songs are copyright protected, and cannot be used unless they are licensed,” Ralph Clevenger emphasized when we talked the other day. Actually, he emphasized this point a number of times, noting that this very obvious point is not so very obvious to many photographers putting images to sound.

I wasn’t to me, which is why for my “Milonga de Sal y Pimienta” video, which I posted here in May, I totally — major oops — stole music from Gotan Project to achieve my artist goal. I just wasn’t thinking, inspired by the music itself to make my video. Heck, the music is the best part of the piece!

It’s no excuse, but I think my music-using ignorance is somewhat understandable. After all, millions of YouTube videos feature illegally-used music, and, right or wrong, this has given me a sense that using music any which way is AOK. Well, it’s not. Just like it’s not OK for people to use our images without permission.

To get myself on the right side of the intellectual property of music, yesterday I threw this little baby together, appropriately called, “Royalty-Free Buenos Aires.”

It’s clearly nothing special, but Continue reading “Royalty-Free Music Rocks, Rolls and (Legally) Produces Drama”

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Jul 02 2010

Take a Flight to Antarctica

Category: Books, In Motion, ViewpointEthan G. Salwen @ 3:56 pm

“The way I approach multimedia is to think about each project as a storyteller and then to think about what tools I will need to best tell the story,” says Mary Lynn Price, who since retiring from practicing trial law in 2003 has dedicated herself to video journalism, with specific interest in natural history stories that support conservation efforts. Just as Ralph Clevenger told me, Price explained to me than nothing matters more than thinking about story when putting together “music videos” — her name for multimedia projects that tell stories without narration or even graphics, but just smart use of images and music.

Price proves her music-video storytelling prowess in “C-17 Flight to McMurdo Antarctica.” In less than two minutes, she takes us from baggage security scanning and flight boarding to landing on “The Ice,” having shown us tons of interesting close-ups during this famous, windowless flight.

“Famous” is, um, definitely too strong a word for this particular flight that takes scientists and support staff to the McMurdo Station. But I’m an Antarctic exploration junkie so I’ve sure heard about it plenty, although I could never really imagine what it would be like — until I got taken for a ride with Price’s great documentary vision.

What does it mean that I’m an Antarctic (and Arctic) exploration junkie? It means that I’ve read Alfred Lansing’s “Endurance” three times, twice read “Shackleton’s Forgotten Men” (by the brilliant Lennard Bickel) and at least once just about all of the other classic books about frostbite and suffering in pursuit of knowledge at the southernmost (and northernmost) tip of the world.

I’m kidding about the pursuit of knowledge. Continue reading “Take a Flight to Antarctica”

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