Aug 24 2010

How to Compress Final Cut Express Movies for YouTube

Category: Multimedia & Video, Resources, Technology Insights, UncategorizedEthan G. Salwen @ 1:56 pm

Looking for step-by-step instructions for prepping (i.e. compressing) HD video files from Final Cut Express for YouTube? If so, you’ll find the answers you need in this great video tutorial by BIGlittleBROTHER. Very friendly, super informative and, apparently, works for iMovie ‘08 projects as well.

I have to give a super BIG thanks to BIGlittleBROTHER for this one! He really helped me get rolling with Final Cut Express (see last post), and his approach to explaining allowed me to adapt his methods to suite my specific needs.

No wonder his tutorial has gotten 46 thousand views!

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Aug 23 2010

Final Cut Express Newbie – Take One – Video Compression for YouTube

Category: Multimedia & Video, Resources, Technology InsightsEthan G. Salwen @ 11:39 am

After all my worrying, I finally buy Final Cut Express and to my virgin eyes the program looks just like Final Cut Pro — totally intimidating! To get beyond this I force myself to avoid all the possibilities and think about the most basic task I want to accomplish. Answer: Upload video footage from my Canon G9 to YouTube.

This past weekend I grabbed my G9 and pretty quickly had this:

Clearly this sucks. Horrible compression from hell. Worse than “dumb” iMovie would help me produce. However, I have succeeded in getting the footage in and out of FCE and on YouTube fast, and that was the point.

For “Take II” (below) I referred to a FCE tutorial on Lynda.com, and found some help on how/where to compress for broadband, getting this:

Not bad at all, but I wanted to see if I could find better, “ideal” settings I could use.

I found clear, awesome instructions on best HD compression for YouTube in Final Cut Express/iMovie from BIGlittleBROTHER in his awesome YouTube tutorial. I wasn’t shooting HD, but I thought I’d give it a try, and got “Take III”: Continue reading “Final Cut Express Newbie – Take One – Video Compression for YouTube”

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Aug 19 2010

Finally Going with Final Cut Express. Right Move?

Category: Multimedia & Video, Resources, Technology InsightsEthan G. Salwen @ 7:21 pm

AC_Blog_100819_Final Cut Express_1I finally decided to go with Final Cut Express 4 as my primary multimedia and video editing software after way too much thinking about it. I spent the $200 and a friend smuggled the program into the country for me a couple weeks back. (It would have cost twice as much locally, and might have been in Spanish.) In retrospect, I can’t believe I have spent so many months thinking about which video editing software to to use, grinding my teeth over the $200 cost of Final Cut Express (FCE), not at all sure if it would do all that I want.

I’ve been using iMovie (post version 6) exclusively for more than a year-and-a-half, and the program began to frustrate me almost immediately. iMovie is certainly simple but using it has felt like trying to edit with handcuffs on. I quickly found there were certain things — seemingly very basic things — that I simply could not do. (I was disheartened to read many reviews that said that the “improvements” to iMovie made the program much worse than version 6.)

However, I reminded myself that I was learning basic editing and producing pieces that were making friends and family laugh, and I couldn’t justify the expense of Final Cut Pro ($800) or Adobe Premiere ($800).

Final Cut Pro Wary

Even if I had the cash for Final Cut Pro, I’m not sure I would have shelled it out. Everyone says the FCP learning curve makes learning Photoshop seem like a breeze. About a year ago I had the opportunity to play around with Final Cut Pro on a friend’s machine and the experience left me shell shocked — completely intimidated. I didn’t feel like my hands were handcuffed; I felt like I had no hands. I just couldn’t do anything.

I was starting to appreciate the benefits of iMovie, but I really needed to advance, but I held off buying, obsessing about FCE’s functionality.

What’s Wrong with FCE?

Upgrading to FCE would seem to be a no-brainer, but I found lots of Continue reading “Finally Going with Final Cut Express. Right Move?”

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Jul 05 2010

Where To Find Royalty-Free Music

Category: In Motion, ResourcesEthan G. Salwen @ 4:55 pm

Like royalty-free images, royalty-free music can be found by the in amazing varieties and quantities on the Web. Just do a Google search, and you’ll see.

Ralph Clevenger, who inspired me to embrace royalty-free music, suggested I check out these sites:

AfterCapture Blog_100705_Find Royalty_Free_Music_2

Royalty-Free Music Suggestions?

Not really sure how I ended up using Premiumbeat.com for the $29.95 worth of music I used in my “Royalty-Free Buenos Aires,” but I was just experimenting, and I was left wondering. . .With all the royalty-free music sits and services, certainly some have got to be better than others. So. . .

If you are ahead of me on this royalty-free music learning curve — which wouldn’t be hard — are there royalty-free music services and basic concepts that you might share with me, and my thousands of faithful readers?

SmartSound and Sonicfire Pro?

As long as you’re Continue reading “Where To Find Royalty-Free Music”

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Jul 04 2010

Royalty-Free Music Rocks, Rolls and (Legally) Produces Drama

Category: In Motion, ResourcesEthan G. Salwen @ 10:55 am

“Most songs are copyright protected, and cannot be used unless they are licensed,” Ralph Clevenger emphasized when we talked the other day. Actually, he emphasized this point a number of times, noting that this very obvious point is not so very obvious to many photographers putting images to sound.

I wasn’t to me, which is why for my “Milonga de Sal y Pimienta” video, which I posted here in May, I totally — major oops — stole music from Gotan Project to achieve my artist goal. I just wasn’t thinking, inspired by the music itself to make my video. Heck, the music is the best part of the piece!

It’s no excuse, but I think my music-using ignorance is somewhat understandable. After all, millions of YouTube videos feature illegally-used music, and, right or wrong, this has given me a sense that using music any which way is AOK. Well, it’s not. Just like it’s not OK for people to use our images without permission.

To get myself on the right side of the intellectual property of music, yesterday I threw this little baby together, appropriately called, “Royalty-Free Buenos Aires.”

It’s clearly nothing special, but Continue reading “Royalty-Free Music Rocks, Rolls and (Legally) Produces Drama”

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Jun 30 2010

Critical Multimedia and Video Learning Resources

Category: Books, Creative Process, In Motion, Resources, Technology InsightsEthan G. Salwen @ 3:45 pm

AfterCapture Blog_100630_Video_Resources_1-1I’ve been writing a lot about multimedia these days, focusing mainly on providing inspiration. That’s because I think being inspired about what we can do will lead to us figuring out how we can do it. Still, excellent how-to learning resources are critical, so. . .

Two Great Books

From Still to Motion: A photographer’s guide to creating video with your DSLR (New Riders, 2010) is an absolute must have. Written by James Ball, Robbie Carman, Matt Gottshalk and Richard Harrington, From Still to Motion is an engaging, comprehensive techniques manual geared specifically for knowledgeable photographers. Very, very, very cool.

The Lean Forward Moment: Create Compelling Stories for Film, TV and the Web (New Riders, 2009) by Norman Hollyn is a lucid, eye-opening book focused on storytelling and production concepts critical to multimedia success. Drawing from famous movies to teach essential ideas, this book will have a long shelf life.

Three Super Web Sites

DSLRHD.com — “Get into the DSLR Video Game!”

DVInfo.net — “The Digital Video Information Network”

PhotoCineNews.com — “The first blog dedicated to the convergence of photography and video.”

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Jun 21 2010

Taking On Data Validation – One Step at a Time

Category: Resources, Technology Insights, Uncategorized, WorkflowEthan G. Salwen @ 8:04 am

AfterCapture Blog_100621_Data Validation_1“Performing validated data transfers is so much better than hot sex,” Peter Krogh recently told me. Actually, that’s not true. That’s a straight-up lie to keep you reading. The truth is that performing validated transfers is one of many critical tasks required to safeguard data — as in, our images!

I’m not going to lie to you (again, at least in this post). Data validation is a nerdy, boring topic, and definitely not as much fun as hot sex. And so, understandably, very few photographers have a good hold on. However, believe it or not, beginning to get on top of data validation can feel quite satisfying.

The fact is that embracing best practices in data validation is critical to ensuring that our archives of images is safely stored and backed up until the day we die (and long after, if we care). On the other hand, if we don’t take proper care of of our data we virtual guarantee that, sooner or later, we will lose beloved and valuable images in the blink of an eye or, more to the point, the sudden click, click, clicking CLUNK of one of our beloved hard drives dying.

Hard Drives Die, Data Decays, But It’s OK

We all know that hard drives are expected to die, just as one quickly learns that he will constantly get flat tires when driving a busted up old car through the wilds of Paraguay. (That’s another story, but you can trust me that it happens a lot).

One of the many, many "gomerias" - tire repair shops - I visited in Paraguay.

One of the many, many "gomerias" - tire repair shops - I visited in Paraguay.

That we know that all hard drives will fail doesn’t seem to help even atheist photographers from relying heavily on prayer in safeguarding our images. Too often we download a memory card of critical images to one single, hard drive, erase the card, plan to back up said drive as soon as possible, and then get distracted by pressing work (or, if we are really lucky, hot sex).

We hop that nothing will go wrong. But something will go wrong.

Continue reading “Taking On Data Validation – One Step at a Time”

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Jun 09 2010

The Joy of Zeroing Out Hard Drives

Category: Resources, Technology Insights, WorkflowEthan G. Salwen @ 5:25 pm

AfterCapture Blog_100609_The Joy_aIn March I shared best practices for formatting hard drives, passing on the wisdom of Peter Krogh and dpBestflow.org. On Monday, I put yet another 1.5 TB Lacie external drive on line, and again I needed to refer to Krogh’s excellent video tutorial featured in the “Hard Drive Handling” section of dpBestflow.org.

Here I share screen shots of the step-by-step process because, 1) they serve as a quick, valuable reference to Krogh’s video, 2) I want to encourage you to do this!, and 3) Because, let’s face it, you guys just love my screen shot posts.

Zeroing out hard drives is really easy, but the steps are not at all intuitive. For PC users (and Mac users wanting the skinny on my steps), check out Krogh’s video tutorials featured in my earlier post.

AfterCapture Blog_100609_The Joy_1

AfterCapture Blog_100609_The Joy_2 Continue reading “The Joy of Zeroing Out Hard Drives”

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May 20 2010

Easy Web Production Solutions from Mark S. Luckie

Category: Resources, Technology InsightsEthan G. Salwen @ 3:44 pm

AfterCapture Blog_100520_Web Production_1“Web Production” might not be your cup of tea (and the term might even make you cringe), but every day sees a further blurring in the line between contact creation (e.g. photographs) and how this content is published in the digital world (e.g. posting photographs, a.k.a. web production). In a 10,000 Words post, Mark S. Luckie offers a quick, useful Q&A on web production that you’ll likely find interesting.

As Luckie writes in “Easy solutions to web production’s most common problems”:

“In my role as multimedia producer for California Watch and in other newsrooms where I’ve worked, I am frequently approached by reporters to help them with web-related issues. Often it’s how to post content on the web, how to edit something. . .”

Luckie goes on to very briefly answer a number of critical questions, pointing to a lot of cool online resources.

Sure, you might be a Photoshop wiz, but maybe you’re on the road and just need a simple, online solution to resizing an image. That’s when it would be good to know about the “free online tool Resizr“?

Other, non-photo-specific answers by Luckie will likely prove even more valuable and, just as important, keep your mind open to the increasing options in (easy) web production.


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May 14 2010

Underwater Photography Resources and The World’s Greatest Juggler

Category: Photographers, Resources, ViewpointEthan G. Salwen @ 6:55 pm

AfterCapture Blog_100514_Underwater_aI had a great talk today with Eric Cheng, a fantastic underwater photographer, the driving force behind WetPixel.com, and the publisher of “Wetpixel Quarterly” magazine. I am researching an article on how photographers can best embrace the possibilities of video, and the tech-savvy, video-embracing Cheng offered great insights on the topic.

If you are at all interested in underwater photography, definitely check out Cheng’s stunning images.

WetPixel.com is the a fantastic online community of underwater photographers — articles and forums galore — and a must-visit resource if you are dedicated to (or just thinking about) making images underwater. Very, very cool.

AfterCapture Blog_100514_Underwater_1

What’s all this have to do with juggling?

“I would say that the YouTube community is extremely toxic,” Cheng emphasized to me when he was weighing in on whether photographers should host videos on YouTube.com or Vimeo.com. “People are really nasty on YouTube. Someone is always going to come and write something nasty.” Cheng explained that, inevitably, more negative responses follow, and “big wars” get started.

Continue reading “Underwater Photography Resources and The World’s Greatest Juggler”

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