Sep 06 2010

Fast & Smart Video Editing with Gail Mooney

Category: Creative Process, Multimedia & Video, WorkflowEthan G. Salwen @ 11:45 am

AfterCapture_Blog_100906_Mooney on Editing_1There’s no right or wrong way to edit video, says Gail Mooney. Nonetheless, Mooney clearly knows great ways to get a quality video out the door fast, as proved by the video featured in my last post. As soon as I saw it go live — less than 48 hours after Mooney returned home from the road — I shot Mooney an email asking her how the hell she did it so fast. Her answer:

“When pinched for time, the trick I’ve learned is that it helps to listen carefully and remember the good soundbites. Then you go looking for them, rather than having to scroll through everything.

“After I found the soundbites I wanted, I laid them out in a timeline and slept on it.  Came in this morning with a fresh mind, I cut out 60%.  From there it was easy: I just needed to hide my cuts with relevant b-roll (didn’t even look for the best) and color correct the clips to match (sort of). Really down and dirty and certainly not polished, but I wanted to get it out for the ASMP Best of 2010 online issue.”

OK. Good fast and smart answers for fast and smart video editing. But I wanted some clarification, and I figured that Mooney would have answers that would of interest to all you Faithful Readers who are trying to improve your video editing skills. Here are my follow-up questions and Mooney’s responses, which she gave me permission to publish, “bad work habits and all.”

Q: To remember the good sound bites, do you note timing or use some aid to locate them easily?

AfterCapture_Blog_100906_Mooney on Editing_2A: I rely on my memory and make mental notes when I am doing the interview.  The real zingers stand out.  But I do try to make a notation on my question list as far as at what point in the interview the remarks were made.  Looking at my watch – not very scientific but it gets me in the ballpark.  If I were working with a crew – I’d have someone keeping track of this by writing down the time code on the digital recorder or camera.  However, that is one big shortcoming of the Canon 5D Mark II – no time code!

Q: Can you clarify “go look for them, not having to scroll”? Are you saying you ONLY listened at first, not watching as well? And what do you mean, exactly, about not having to “scroll” through all?

A: Every “camera file” is a QuickTime file that I can Continue reading “Fast & Smart Video Editing with Gail Mooney”

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Jul 31 2010

On Sorting Diverse File Formats — Simple Version

Category: AC Articles, Technology Insights, WorkflowEthan G. Salwen @ 4:05 pm

AfterCapture Blog_100730_Sorting Files_1We’re all shooting multiple file formats with multiple cameras. Even when photographing with only one camera we can easily end up with: Raws, Raw + JPEGs, JPEGs (only), and movie files. Yikes.

If you’re photographing with two (or more) cameras, super yikes — when it comes to efficient workflow, for archiving and processing.

Actually, there are some simple solutions.

For my last AfterCapture column, I provide some solutions. For “Sorting Out Diverse File Formats” I turned to Richard Anderson for advice, who applied dpBestflow.org knowledge to a real-life workflow dilemma I was facing. The article is valuable, but to be honest, the most pertinent advice might have gotten lost in the shuffle.

The bottom line, most important concepts you should consider for dealing with multiple file formats in your workflow are these:

• Separate each different file format into its own folder. Anderson explains that this is helpful because each type of file will (likely) require different workflow processing steps.

• Name each archive folder with the same base name used for you image files. Anderson explains that this best practice is important for archive sanity (although he didn’t phrase it that way.)

• Bring images together in a cataloging program – for organizing, editing and outputting. Catalog programs rule! They don’t care if your images are separated into different folders. In cataloging software — such as Lightroom and Expression Media — you can bring them together, seamlessly organizing by file name, capture time or any other metadata.

If this sounds complex complex or confusing, these images will show you what I mean:

AfterCapture Blog_100730_Sorting Files_3

See how all my “100302″ captures are divided into “DNGs”, “Jpegs” and “Movies”?

AfterCapture Blog_100730_Sorting Files_4

See how there is a gap between DNG 0174 and 0179?

AfterCapture Blog_100730_Sorting Files_5

No problem! Files 0175 through 0178 are JPEGs and, as you can see, they are in their own folder.

Just because these DNGs and JPEGs are in separate folders, they all come together seamlessly in my Expression Media catalog. If you are over 18 and don’t have a weak stomach, you can see an example here: Continue reading “On Sorting Diverse File Formats — Simple Version”

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Jun 21 2010

Taking On Data Validation – One Step at a Time

Category: Resources, Technology Insights, Uncategorized, WorkflowEthan G. Salwen @ 8:04 am

AfterCapture Blog_100621_Data Validation_1“Performing validated data transfers is so much better than hot sex,” Peter Krogh recently told me. Actually, that’s not true. That’s a straight-up lie to keep you reading. The truth is that performing validated transfers is one of many critical tasks required to safeguard data — as in, our images!

I’m not going to lie to you (again, at least in this post). Data validation is a nerdy, boring topic, and definitely not as much fun as hot sex. And so, understandably, very few photographers have a good hold on. However, believe it or not, beginning to get on top of data validation can feel quite satisfying.

The fact is that embracing best practices in data validation is critical to ensuring that our archives of images is safely stored and backed up until the day we die (and long after, if we care). On the other hand, if we don’t take proper care of of our data we virtual guarantee that, sooner or later, we will lose beloved and valuable images in the blink of an eye or, more to the point, the sudden click, click, clicking CLUNK of one of our beloved hard drives dying.

Hard Drives Die, Data Decays, But It’s OK

We all know that hard drives are expected to die, just as one quickly learns that he will constantly get flat tires when driving a busted up old car through the wilds of Paraguay. (That’s another story, but you can trust me that it happens a lot).

One of the many, many "gomerias" - tire repair shops - I visited in Paraguay.

One of the many, many "gomerias" - tire repair shops - I visited in Paraguay.

That we know that all hard drives will fail doesn’t seem to help even atheist photographers from relying heavily on prayer in safeguarding our images. Too often we download a memory card of critical images to one single, hard drive, erase the card, plan to back up said drive as soon as possible, and then get distracted by pressing work (or, if we are really lucky, hot sex).

We hop that nothing will go wrong. But something will go wrong.

Continue reading “Taking On Data Validation – One Step at a Time”

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Jun 09 2010

The Joy of Zeroing Out Hard Drives

Category: Resources, Technology Insights, WorkflowEthan G. Salwen @ 5:25 pm

AfterCapture Blog_100609_The Joy_aIn March I shared best practices for formatting hard drives, passing on the wisdom of Peter Krogh and dpBestflow.org. On Monday, I put yet another 1.5 TB Lacie external drive on line, and again I needed to refer to Krogh’s excellent video tutorial featured in the “Hard Drive Handling” section of dpBestflow.org.

Here I share screen shots of the step-by-step process because, 1) they serve as a quick, valuable reference to Krogh’s video, 2) I want to encourage you to do this!, and 3) Because, let’s face it, you guys just love my screen shot posts.

Zeroing out hard drives is really easy, but the steps are not at all intuitive. For PC users (and Mac users wanting the skinny on my steps), check out Krogh’s video tutorials featured in my earlier post.

AfterCapture Blog_100609_The Joy_1

AfterCapture Blog_100609_The Joy_2 Continue reading “The Joy of Zeroing Out Hard Drives”

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May 27 2010

How I Made Them Dance the Tango

Category: Creative Process, In Motion, In-Camera Techniques, WorkflowEthan G. Salwen @ 2:50 pm

AfterCapture Blog_100527_How Dance_1On Monday I shared my tango-dancing salt and pepper shakers. How did I produce this short? Basically, I hit record on my Canon G9, set to the time-lapse video mode, and then moved my characters around like a madman — for a little more than a half hour. That’s about it.

That said, I’ll now share the some specifics of my time-lapse-stop-motion video creation workflow, as I think it is interesting. I also think that my little piece is successful because, although I started it simply to play around with technology, I ended up focusing on a story. This kept me focused, gave me motivation both to create and share, and gives my piece any value that it may have.

My Time-Lapse-Stop-Motion Experience

After finishing watching the original “Clash of the Titans” movie earlier in the day, I was pretty eager to play with stop-motion, which is something that I have never done, but which I’ve been dying to try since, well, probably about the first time I saw “Clash,” nearly 30 years ago.

While I had never tried stop motion, I’ve been recording all kinds of time-lapse movies since getting my G9 and discovering this wonderful feature. So before I went through the trouble of making a stop-motion movie, I decided to use this feature — recording a still every two seconds — to get a sense of what a stop-motion piece would look like.

Quickly setting up my camera on a tripod on the kitchen table and hitting “record,” and moving the objects at hand around, I ended up with this:

Pretty cool!, I thought.

Obviously the hairy hands aren’t supposed to show up in a stop-motion movie, but I loved the potential. So. . . Continue reading “How I Made Them Dance the Tango”

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Apr 26 2010

Why and How to Register All Images with the Copyright Office

Category: Business Strategies, Resources, WorkflowEthan G. Salwen @ 3:23 pm

AfterCapture Blog_100426_Copyright_1“If you are not registering your work with the Copyright Office, you are not respecting your work either. Registering your copyrights is the professional thing to do.”

This important observation comes from Susan Carr in her great ADBASE “Insight” article, “Protect & Respect: Why It’s important to Register Images.” Carr not only goes over the Whys, but leads us to practical Hows.

As Carr, a photographer dedicated to photographer rights, a past president of the Amiercan Society of Media Photographers and a regular contributor to ASMP’s “Strictly Business Blog,” explains:

“When I first started registering my photographs with the Copyright Office, I cherry picked images or projects based on my own assessment of their value.

“It turns out that I am not the best judge of what the market will like or use. For example, I photographed a project 10 years ago for an architect. The license clearly states no third-party use. Fast-forward: I recently discovered these same images on various sub-contractors’ websites.”

Carr goes on to explain that:

“Without registering the work prior to the infringement, I simply do not have the big stick to bring to the table.”

The Reality

As Carr points out, there are some many factors working against photographers when in comes to copyright infringement in the digital era, especially:

Continue reading “Why and How to Register All Images with the Copyright Office”

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Apr 20 2010

Have You Gone Skitch Mad Yet?

Category: Business Strategies, Resources, WorkflowEthan G. Salwen @ 9:55 am

AfterCapture_Blog_100420_Skitch_aAt the risk of beating a dead horse — that’s a truly creepy visual that I never really thought about — I’m once again going to highlight Skitch, straight-out begging all you Mac users to download this amazingly useful, fun (and free!) app.

Just play with Skitch for a few minutes and you’ll be hooked — seriously hooked.

You’ll see that as fun as Skitch is, it’s an truly amazing tool for photographers.

I tried to hard sell you on Skitch with a my show-don’t-tell Skitch post. Then I tried to soft sell you with another post highlighting Skitch. And yet I’m back at it. Why? Because I’m using this brilliant little app almost every day, and it continues to blow me away.

Just now I sent off this Skitch-made graphic in an email to a friend as part of a digital workflow question. Less than three minutes to create — from start to “send.”

AfterCapture_Blog_100420_Skitch_1

This is a hell of a lot better than a long, confusing email in which I try to explain this file structure, don’t ya think?

(Keep Going: There’s a Skitch Dead Horse Surprise at end of this post!)

Continue reading “Have You Gone Skitch Mad Yet?”

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Apr 13 2010

Glorious Data Transfer Validation Made Simple

Category: Technology Insights, WorkflowEthan G. Salwen @ 3:13 pm

Thanks to the guidance of Peter Krogh, a few weeks ago I began using “validated transfers” when copying all critical files, such as when making backups and migrating images to my new hard drive. I’m doing so using ChronoSync, an extremely affordable and easy-to-use application for Mac. As a result, not only have I made a critical advance in safeguarding my images, but I am also feeling a lot more secure about the integrity of my data.

Below is a fantastic video that Krogh made for dpBestflow.org in which he shows us exactly how to put ChronoSync to work. (If you are using a PC, no worries. Krogh made a video — shared the end of this post — on how to perform validated transfers using SyncBack, which does the same trick.)

Important Note on ChronoSync: As you can see in the video, it’s absolutely critical that you check the option for “Verify copied data.” If not, you are just making a regular copy, not performing the bit-by-bit comparison of data that is so important. (More on that in a minute.)

The World of Data Validation

Making validated transfers is just one part of the world known as “data validation.” Krogh wrote the “Data Validation” section of dpBestflow.org, and this is definitely must-read material on a must-know topic for all photographers. It’s clearly written and super informative, typical of Krogh, a major guru regarding all aspects of digital asset management. Continue reading “Glorious Data Transfer Validation Made Simple”

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Mar 22 2010

Best Practices: How to Format a Hard Drive

Category: Resources, Technology Insights, WorkflowEthan G. Salwen @ 3:43 pm

The weekend I put my new LaCie 1.5 TB drive on line for my Mac, and I’ve got to give a big hand to Peter Krogh and dpBestflow.org for making sure I did it right. It’s a very simple process, but it requires being alert to a few things that I, for one, certainly did not know.

In the “Hard Drive Handling” section of dpBestflow.org (which was written by Krogh), I encountered this:

Putting new drives into service

When you buy new drives, you should do a little preparation to increase the likelihood of trouble-free service. As part of this preparation, it’s a good practice to zero all data on the drive. ‘Zero all data’ means that you write all ones and zeros on the drive, using the formatting tools available for your operating system. Doing this will ensure that every bit on the drive is touched. This will force the drive to do a thorough scan of the volume, find bad sectors and mark them as “off limits.”

This was certainly a best practice I didn’t know about, but it makes really good sense. (Heretofore I just plugged-and-played. Major oops.)

When I my launched Disk Utility to perform this “zeroing out,” I found myself a little perplexed, not exactly sure which settings to set. (Don’t you hate that sense of almost knowing what to do with your computer, but being just a little uncertain.)

Luckily, right below the above text, Krogh provides this super dpBestflow.org video:

These are the the two steps I would have never figured out without Krogh help (applicable to Macs with Intel processors): Continue reading “Best Practices: How to Format a Hard Drive”

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Mar 17 2010

It’s About Professionalism, Stupid

Category: Viewpoint, WorkflowEthan G. Salwen @ 11:40 am

AfterCapture_Blog_100317_Professionalism_1Just because someone is a professional photographer doesn’t mean he embraces the highest levels of photographic professionalism. Inversely, just because someone is not making his living from photography does not mean he does not embrace image making with utter professionalism.

Ideas about exactly what defines a “successful photographer” and how this relates to “photographic professionalism” have been on my mind since I talked with Richard Anderson on Sunday, then Howard Ruby on Monday.

Richard Anderson is a professional photographer, a digital standards expert and the driving force behind dpBestflow.org. On Sunday he was talking about how this is the true golden age of photography. In relation to his best practices work, Anderson noted how all serious photographers must embrace digital imaging best practices if they want to reach the highest levels of professionalism.

“You can shoot something in the morning and post it on the Web in the afternoon,” Anderson said enthusiastically regarding why this is the real golden age of photography. “You can have a million eyes seeing your image faster than you could have processed film before digital.”

I agreed that this is exciting, but I didn’t see exactly how it related to professionalism. After all, doesn’t this observation apply to everyone with a digital camera and very basic Web skills?

“People can still tell if professional ability has been brought to bear in an image,” Anderson told me. Continue reading “It’s About Professionalism, Stupid”

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