Jul 31 2010

On Sorting Diverse File Formats — Simple Version

AfterCapture Blog_100730_Sorting Files_1We’re all shooting multiple file formats with multiple cameras. Even when photographing with only one camera we can easily end up with: Raws, Raw + JPEGs, JPEGs (only), and movie files. Yikes.

If you’re photographing with two (or more) cameras, super yikes — when it comes to efficient workflow, for archiving and processing.

Actually, there are some simple solutions.

For my last AfterCapture column, I provide some solutions. For “Sorting Out Diverse File Formats” I turned to Richard Anderson for advice, who applied dpBestflow.org knowledge to a real-life workflow dilemma I was facing. The article is valuable, but to be honest, the most pertinent advice might have gotten lost in the shuffle.

The bottom line, most important concepts you should consider for dealing with multiple file formats in your workflow are these:

• Separate each different file format into its own folder. Anderson explains that this is helpful because each type of file will (likely) require different workflow processing steps.

• Name each archive folder with the same base name used for you image files. Anderson explains that this best practice is important for archive sanity (although he didn’t phrase it that way.)

• Bring images together in a cataloging program – for organizing, editing and outputting. Catalog programs rule! They don’t care if your images are separated into different folders. In cataloging software — such as Lightroom and Expression Media — you can bring them together, seamlessly organizing by file name, capture time or any other metadata.

If this sounds complex complex or confusing, these images will show you what I mean:

AfterCapture Blog_100730_Sorting Files_3

See how all my “100302″ captures are divided into “DNGs”, “Jpegs” and “Movies”?

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See how there is a gap between DNG 0174 and 0179?

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No problem! Files 0175 through 0178 are JPEGs and, as you can see, they are in their own folder.

Just because these DNGs and JPEGs are in separate folders, they all come together seamlessly in my Expression Media catalog. If you are over 18 and don’t have a weak stomach, you can see an example here: Continue reading “On Sorting Diverse File Formats — Simple Version”

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Jun 21 2010

Taking On Data Validation – One Step at a Time

Category: Technology Insights, Workflow & DAMEthan G. Salwen @ 8:04 am

AfterCapture Blog_100621_Data Validation_1“Performing validated data transfers is so much better than hot sex,” Peter Krogh recently told me. Actually, that’s not true. That’s a straight-up lie to keep you reading. The truth is that performing validated transfers is one of many critical tasks required to safeguard data — as in, our images!

I’m not going to lie to you (again, at least in this post). Data validation is a nerdy, boring topic, and definitely not as much fun as hot sex. And so, understandably, very few photographers have a good hold on. However, believe it or not, beginning to get on top of data validation can feel quite satisfying.

The fact is that embracing best practices in data validation is critical to ensuring that our archives of images is safely stored and backed up until the day we die (and long after, if we care). On the other hand, if we don’t take proper care of of our data we virtual guarantee that, sooner or later, we will lose beloved and valuable images in the blink of an eye or, more to the point, the sudden click, click, clicking CLUNK of one of our beloved hard drives dying.

Hard Drives Die, Data Decays, But It’s OK

We all know that hard drives are expected to die, just as one quickly learns that he will constantly get flat tires when driving a busted up old car through the wilds of Paraguay. (That’s another story, but you can trust me that it happens a lot).

One of the many, many "gomerias" - tire repair shops - I visited in Paraguay.

One of the many, many "gomerias" - tire repair shops - I visited in Paraguay.

That we know that all hard drives will fail doesn’t seem to help even atheist photographers from relying heavily on prayer in safeguarding our images. Too often we download a memory card of critical images to one single, hard drive, erase the card, plan to back up said drive as soon as possible, and then get distracted by pressing work (or, if we are really lucky, hot sex).

We hop that nothing will go wrong. But something will go wrong.

Continue reading “Taking On Data Validation – One Step at a Time”

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Jun 09 2010

The Joy of Zeroing Out Hard Drives

Category: Online Resources, Technology Insights, Workflow & DAMEthan G. Salwen @ 5:25 pm

AfterCapture Blog_100609_The Joy_aIn March I shared best practices for formatting hard drives, passing on the wisdom of Peter Krogh and dpBestflow.org. On Monday, I put yet another 1.5 TB Lacie external drive on line, and again I needed to refer to Krogh’s excellent video tutorial featured in the “Hard Drive Handling” section of dpBestflow.org.

Here I share screen shots of the step-by-step process because, 1) they serve as a quick, valuable reference to Krogh’s video, 2) I want to encourage you to do this!, and 3) Because, let’s face it, you guys just love my screen shot posts.

Zeroing out hard drives is really easy, but the steps are not at all intuitive. For PC users (and Mac users wanting the skinny on my steps), check out Krogh’s video tutorials featured in my earlier post.

AfterCapture Blog_100609_The Joy_1

AfterCapture Blog_100609_The Joy_2 Continue reading “The Joy of Zeroing Out Hard Drives”

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Mar 22 2010

Best Practices: How to Format a Hard Drive

Category: Technology Insights, Workflow & DAMEthan G. Salwen @ 3:43 pm

The weekend I put my new LaCie 1.5 TB drive on line for my Mac, and I’ve got to give a big hand to Peter Krogh and dpBestflow.org for making sure I did it right. It’s a very simple process, but it requires being alert to a few things that I, for one, certainly did not know.

In the “Hard Drive Handling” section of dpBestflow.org (which was written by Krogh), I encountered this:

Putting new drives into service

When you buy new drives, you should do a little preparation to increase the likelihood of trouble-free service. As part of this preparation, it’s a good practice to zero all data on the drive. ‘Zero all data’ means that you write all ones and zeros on the drive, using the formatting tools available for your operating system. Doing this will ensure that every bit on the drive is touched. This will force the drive to do a thorough scan of the volume, find bad sectors and mark them as “off limits.”

This was certainly a best practice I didn’t know about, but it makes really good sense. (Heretofore I just plugged-and-played. Major oops.)

When I my launched Disk Utility to perform this “zeroing out,” I found myself a little perplexed, not exactly sure which settings to set. (Don’t you hate that sense of almost knowing what to do with your computer, but being just a little uncertain.)

Luckily, right below the above text, Krogh provides this super dpBestflow.org video:

These are the the two steps I would have never figured out without Krogh help (applicable to Macs with Intel processors): Continue reading “Best Practices: How to Format a Hard Drive”

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Mar 17 2010

It’s About Professionalism, Stupid

Category: Viewpoint, Workflow & DAMEthan G. Salwen @ 11:40 am

AfterCapture_Blog_100317_Professionalism_1Just because someone is a professional photographer doesn’t mean he embraces the highest levels of photographic professionalism. Inversely, just because someone is not making his living from photography does not mean he does not embrace image making with utter professionalism.

Ideas about exactly what defines a “successful photographer” and how this relates to “photographic professionalism” have been on my mind since I talked with Richard Anderson on Sunday, then Howard Ruby on Monday.

Richard Anderson is a professional photographer, a digital standards expert and the driving force behind dpBestflow.org. On Sunday he was talking about how this is the true golden age of photography. In relation to his best practices work, Anderson noted how all serious photographers must embrace digital imaging best practices if they want to reach the highest levels of professionalism.

“You can shoot something in the morning and post it on the Web in the afternoon,” Anderson said enthusiastically regarding why this is the real golden age of photography. “You can have a million eyes seeing your image faster than you could have processed film before digital.”

I agreed that this is exciting, but I didn’t see exactly how it related to professionalism. After all, doesn’t this observation apply to everyone with a digital camera and very basic Web skills?

“People can still tell if professional ability has been brought to bear in an image,” Anderson told me. Continue reading “It’s About Professionalism, Stupid”

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Dec 03 2009

dpBestflow.org: An Amazing, New Digital Imaging Resource

ACOF_091203_1_bestflowThere is a new digital imaging online reference and educational resource of which all photographers should be aware. Launched on November 11, dpBestflow.org aims to be the single most authorative site for digital imaging best practices and workflow strategies, and even if “the best” is subjective, the immense value of this site can’t be denied.

Free to all — with no log on required — dbBestflow.org was created by photographers for photographers, and was made possible with major financial backing from the Library of Congress.

Developed with the clear vision and leadership of Richard Anderson, photographer and digital standards expert, dpBestflow.org is presented in a clean, intelligent design that is intuitive to navigate. However, it takes some exploration to Continue reading “dpBestflow.org: An Amazing, New Digital Imaging Resource”

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