Jan 26 2011

Older Photographers: Richer Creative Lives

Category: Creative Process, ViewpointEthan G. Salwen @ 10:16 am

AfterCapture Blog_110226_Older Photographers_1-1The majority of photographers I interview are between 45 and 55, and they possess a depth that younger photographers do not. Yes, there’s something wonderful about the raw energy of the younger photographers I meet. It’s just that this energy might fizzle out.

If it doesn’t fizzle out, something very special happens. As photographers continue to work through their decades, they push themselves to embrace new technologies, to redefine their business models in evolving markets, and to take on new creative challenges, even if their clients don’t demand it.

We always say that learning photography is really learning to see, and this is true. But we tend to express this sentiment in relation to a very limited sense of seeing — the visual sense. Older photographers seem to continue to learn to see on a much deeper level, in terms of what it is to be a working artist and, most important, how this relates to their continual growth and satisfaction as an individual.

I share this thought because once again I find myself thinking of something Stewart Cohen told me when I interviewed him for “In Search of Identity” for Rangefinder. I closed the article with this memorable sentiment:

“I’m 49 and I haven’t done anything else except photography since 1983. I was once like any other typical 30-year-old, hotshot photographer — having exploded onto the scene, thinking I had made it. My Identity project has helped me see that, in the arc of my career as an artist, my true style is only just beginning to come out.”

Older photographers seem, almost inevitably, both wiser and more creative and yet also more humble. Like Cohen, they seem to look to the future with more excitement. They are less concerned with the fleeting satisfaction of the external rewards of money or recognition. More than anything, they seem to want to open new doors that will help them continue to develop their sense of vision.

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Jan 17 2011

Judy Herrmann: Reinventing Creativity

After Capture Blog_110117_RF1110_Judy Herrmann_Reinventing Creativity_1“If you really want to earn a living as full-time, self-employed photographer, you’re signing up to work in an industry where you have to watch for every opportunity and be ready to take advantage of them,” says commercial photographer Judy Herrmann. “There is creative vision — a photographer’s artistic voice — and then there is vision for business and career. These two things have to work together, but they are not the same.”

I featured these thoughts from Herrmann in “Judy Herrmann: Reinventing Creativity,” a recent profile for Rangefinder that focuses on Herrmann increasing efforts — through workshops, consulting and her new blog, 2 Good Things — to help creative professionals gain more satisfaction through their carriers, making more money doing more of what they truly love.

“Reinventing Creativity” is probably the most important article I wrote in 2010, but — dangit! — I probably gave it the worst name.

A much better, if less flowery, title (that would have really pissed off the design team) would have been:

“Judy Herrmann: How To Reinvent the Business and Creative Aspects of Your Photography Career in a Harmonious Manner, Over Time, In an Ongoing Process, To Earn More Money and Feel Profoundly More Satisfied In Life.”

That’s what Herrmann’s insights are all about, and there are a few things that make them particularly valuable.

One is that Herrmann is full-time working photographer, and has been for two decades, and her increased interest in supporting other photographers with the challenges of business-creative success comes from an honest passion to help. She says providing consulting services to photographers “is one of the few things in my professional life that actually gives me a deep sense of meaning.”

Another reason Herrmann’s guidance rings true is that she is deep in the reinvention trenches herself, and has been since she was 27-years-old. That’s when she forced herself, for the first time, to figure out how to make more money with more satisfaction through her photography. (I reported on this in “Triumph Over Fear” for Rangefinder a few years back.)

That’s right. I have been talking to Herrmann about this topic for years now, and distilling her insights into less than 2,000 words was painful. This woman has so many valuable insights to offer professional photographers that I’m just dying for you to be aware of her. And then — damn me! — I gave her article a crappy name.

Luckily, you can get in touch with Herrmanns’ ideas directly through her posts on ASMP’s Strictly Business Blog. Good stuff, like “‘If you don’t know where you’re going…you might not get there.’ – Yogi Berra” and “Looking Forward, Looking Back.”

After Capture Blog_110117_RF1110_Judy Herrmann_Reinventing Creativity_2Another reason Herrmann’s reinvention insights rock is because she is adamantly adverse to serving in a counseling capacity. “I make it clear that I am not a therapist,” she told me. “This is not psychiatry. What I’m really teaching people is problem solving. It is defining a problem very, very clearly and then brainstorming solutions.”

“What I’m trying to do is to give people an arsenal of tools,” Herrmann explained. “My goal is to make my client not need me any more.”

One place you can learn from Herrmann how to not need Herrmann is at the ASMP’s Strictly Business 3 conferences (Philadelphia, February 25–27; Chicago, April 1–3).

Yet another reason Herrmann’s strategies are so valuable is that she is not formulaic in her approach for working with photographers. She says, “I don’t think there exists a one-size-fits-all answer to this kind of problem solving.”

Can you see why I think it’s so important to learn about Herrmann’s business reinvention processes?

So, poopy title aside, I urge you to download “Reinventing Creativity” and soak up Herrmann’s ideas.

To be clear, I am not concerned about drumming up consulting business for Herrmann (although, um, I do get a percentage of all fees she earns resulting from this post).

What makes Herrmann’s insights so invaluable is that they don’t depend on her or, for that matter, any other career consultant. Like all great ideas, Herrmann’s strategies are a distillation of other people’s great ideas. And like all great ideas, you can put them to use for yourself on your own.

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Dec 20 2010

Judy Herrmann Proves that Blog Header Photographs Can Rock

Category: Business & Marketing, ViewpointEthan G. Salwen @ 3:01 pm

AfterCapture Blog_101219_Best Picture 2011_1_2 Good Things_1

If you’ve tried to customize a blog header with one of your images, you know it aint easy. We are not used to making (or seeing) photographs as short, wide rectangles. Also, blog headers need to pop off the screen to arrest our attention, and yet not overwhelm the blog’s content. Most challenging: how to share our blog’s message into one, single image?

For her new 2 Good Things website, Judy Herrmann has succeeded in creating the best image for a blog header that I have ever seen. This rockin’ image draws us in, but it doesn’t overpower. Most important, it speaks wonderfully to both the content and the emotional thrust of the site. This is amazing branding with a single, 940 x 200 pixel image. (To better understand the message, see the site’s “Why 2 good things?” and “What’s up with the V sign?”)

See It In Context

AfterCapture Blog_101219_Best Picture 2011_1_2 Good Things_2Definitely head to 2 Good Things to see how this image works in conjunction with the blog’s layout. It looks better in context than it does on its own. And that’s how it should be: photograph and site design complimenting each other. The in-focus fingers draw us to the left, to the posts, while the out-of-focus face rests nicely above the categories and other links. The image has a surprising amount of depth for the restraints of its dimensions, and this welcomes us to the site, as does the positive energy from the out-of-focus face.

Where Did It Come From?

Having not yet spoken with Judy about the image, I can’t be sure that this is Judy we are seeing in the photograph, nor who made the photograph. (Perhaps it was captured by her life and business partner, Mike Starke). I suppose that this might even be a stock image, used very intelligently. But I doubt it. Even out of focus, this looks like Judy — the hair, the friendly energy in the eyes.

Less important than who the model is, I’m totally convinced that Judy orchestrated this image very specifically for this site. I can see her coming up with a strong concept and then playing around with captures until she got one that works just right for the space. This process would make sense. Judy is a commercial photographer dedicated to solving visual problems for her clients very specific needs. So why shouldn’t she do the same for her own blog?

So, Judy, am I right? Is this you, and did I envision your image-making process correctly. Any thoughts you want to share on making this best-ever blog header image?

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Dec 17 2010

New Media Blogging Inspiration from Chase Jarvis

Category: Business & Marketing, PhotographersEthan G. Salwen @ 8:14 am

AfterCapture Blog_101217_Chase Jarvis Blog_1Chase Jarvis is an über popular commercial photographer, and his New Media-savvy blogging is a key ingredient to his marketing and self-promotion efforts — although “effort” is not the right word. Javis blogs for the pure love of it, and his love of blogging is critical to his success with blogging. Blogging is not a chore for Jarvis, nor something he does in a calculated manner to increase his hits. Jarvis’ number of hits keep increasing because he’s eager to speak to a popular audience, and because he has something that audience wants to hear.

If you are not familiar with Jarvis’ blog, definitely take a thoughtful tour — even if Jarvis’ photography (or personality) don’t float your boat.

New Media Blogging?

I know. “New Media blogging” seems repetitive. After all, blogging is about as New Media as you can get, right? Actually, blogging is just a tool — a simple way to post content to the Web — and most of us Dead Tree Bloggers do not fully embrace the New Media spirit. Two critical ways Jarvis does is to:

• Constantly link out to peer content. Jarvis does much more than add SEO-friendly links to his posts; he features content from other creative professionals. This is good for him. In the blogosphere, the more you link out, the more people link back in.

• Makes the blogging experience interactive. This is no easy task: to make people feel involved in your blogging. One way Jarvis does so is by enticing people to comment on his posts, and then rewarding them with follow-up responses.

Popular in Flesh, Popular in the Blogosphere

Don’t try to imitate the way Jarvis blogs. Jarvis is Jarvis. You are You. The key to Jarvis’ blogging is that it is honest.

In person, Jarvis is more charismatic than most photographers will ever be (or would want to be). Jarvis once told me Continue reading “New Media Blogging Inspiration from Chase Jarvis”

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Jul 16 2010

The Salvos Learn to Drive

Category: AfterCapture & Rangefinder Articles, PhotographersEthan G. Salwen @ 3:21 pm
Vero o Falso?

Vero o Falso?

“It’s the hardest thing I’ve ever done,” Suzanne Salvo told me during a great chat on Wednesday. She was laughing but speaking in earnest regarding the difficulties of passing the Italian drivers license exam. Given the utterly perplexing diagrams she posted in a hilarious post on her fantastic blog the other day, I can see why the test would be so hard. Still, I can’t really believe it’s the hardest thing she’s ever done. (See Bolivian jungles below.)

For his part, Chris Salvo (the amazing lens behind the husband and wife team of Salvo Photography) still hasn’t passed the driving portion of the test. Given that the guy has been driving for three decades now, I had to make fun of him, but Suzanne, with good humor, explained that the driving classes are mandatory and you have to pay for them and so, um. . .

Here in Buenos Aires we call it a “coima,” which usually doesn’t translate to “bribe” in the strictest, harshest sense, but can often seem more like “creative money earning.” Sounds like it might be similar in Italy, which makes sense, consider how Argentines are often referred to as “Spanish-speaking Italians.”

In any case, Chris, who I Continue reading “The Salvos Learn to Drive”

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May 11 2010

The Best Photographers Are People, Too

Category: Books, Creative Process, Photographers, The Industry, ViewpointEthan G. Salwen @ 7:57 pm

AfterCapture Blog_100511_Identity_1“The thing I walked away with from this project is that people are people are people,” Stewart Cohen told me today of his “Identity” project. An excellent and accomplished commercial photographer, Cohen has been working on this personal project for ten years, recently reaching a major milestone by publishing “Identity: A Photographic Meditation from the Inside Out” — an elegant, labor-of-love book that includes 50 portraits of famous people who caught Cohen’s interest. Next to each full-frame portrait are words by each subject, in their own handwriting, commenting on their identity.

For “Identity” Cohen made 130 portraits, editing them tightly for the book. Although all his subjects can be labeled “famous,” they do fall into the any one, easily definable category, such as “musicians,” “scientists,” “Nobel Prize winners,” “activists” or “politicians.” Six of Cohen’s subjects point to the breath of his coverage: Bobby McFerrin, Erin Brockovich, Oscar Niemeyer, Jane Goodall, Stephen Hawking and Jack Kilby. (Jack who? He’s the Nobel prize winner.)

AfterCapture Blog_100511_Identity_2

“Whether your a drifter or bad-ass scientist, the human experience is the human experience,” Cohen told me. “There’s no magic. People become what they want to become.”

Continue reading “The Best Photographers Are People, Too”

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Dec 18 2009

Chase Jarvis Redifines “Holiday Party”

Category: Multimedia & Video, ViewpointEthan G. Salwen @ 7:55 am

OF COURSE something DID happen, Chase! You’re Chase Jarvis, Man. Who the hell else “unwinds with the mission of having a darn good time” with more than 600 “clients, business friends and co-collaborators” during his holiday party that features “a photo booth using state-of-the-art camera and lighting equipment and captured 21,112 photographs in under 5 hours”???

Em, that would be. . .no one else but Chase Jarvis.

If that weren’t enough, Chase gives shares all of his 21K photos with us in his latest  “Frames” series installment– “Chase Jarvis FRAMES: 21,112 Party Pictures” — so we can be amused, impressed, inspired or maybe just irritated by the gall of this guy having too many buddies and collaborators to fit in the Airbus A380 he rented to give joy rides during the party.

Talk about blurring the lines between still and motion! Definitely get inspired. . . even if you hate parties.

Next Up: “Ethan Frames: Holiday Party of One in Five Depressing Pictures.”

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Jun 24 2009

SEO on Steroids: A Web of Blogs

Category: Business & MarketingEthan G. Salwen @ 11:42 am

ACMF_NG_082I bet you a hundred bucks if you run a search using the words “las vegas headshots,” the number one result will be the blog of photographer Wayne Wallace, who, um, is based in Las Vegas, Nevada. He does shoot headshots but his range is much greater, covering fashion, editorial and commercial as well. And if you run searches for these services in the LV area, Wallace keeps popping up. What’s going on?

What’s going on is that Wallace has a background in computers and marketing and so when he broke into photography a few years ago Continue reading “SEO on Steroids: A Web of Blogs”

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Jun 03 2009

Major WOW Promotional Video!

Category: Business & Marketing, Multimedia & Video, PhotographersEthan G. Salwen @ 1:02 pm

If you care about new-era marketing, you simply must watch this Super Wow photographer promotion. It’s only costs 1.48 minutes of YouTube Time, and it’s guaranteed to make you rethink your creative marketing efforts. It ingeniously, wittily highlights the photographer James Burger, and it was brought to my attention by Beate Chelette.

I  hate to post “must-watch” mandates, but this promotional video really will knock your socks off.

As Chelette says of the piece Continue reading “Major WOW Promotional Video!”

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Jun 01 2009

On Heartless Retouching

Category: Creative Process, Photoshop & Lightroom, ViewpointEthan G. Salwen @ 9:37 am

ACMF_NG_072“My feeling is that for years now it has taken a much too big part in how women are being visually defined today,” photographer Peter Lindbergh recently reported to “The New York Times” in regard to digital retouching. He added, “Heartless retouching should not be the chosen tool to represent women in the beginning of this century.”

With this sentiment, Lindbergh brings the “too much or too little” arguments about retouching to an important level of social concern relating to one’s sense of identity. This is a lot more interesting than Continue reading “On Heartless Retouching”

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