Aug 13 2010

Taking Culture, Not Pictures

Category: Creative Process, In-Camera Techniques, ViewpointEthan G. Salwen @ 1:46 pm

It’s been a great week — with my work with Human Rights Watch off the ground and getting some news images in print — and, on this Friday the 13th, I can’t help but think about good luck. I really do feel like good luck has come my way recently, and that my life and work are starting to blend in special, unexpected ways — ways that I have wanted, but ways that did not happen when I was more desperate, more anxious, trying harder to make something happen that I was not yet ready to handle.

What the heck am I talking about?

What I’m talking about is that when I moved to Argentina more than four years ago I had big dreams about learning Spanish and traveling all over South America and making great images and telling even greater stories. But that didn’t happen. For one thing, learning Spanish — I mean really learning to live with the stuff — has proved far more challenging (and rewarding) than I could have have ever imagined. For another thing, I got focused a lot more on the “simple” aspects of daily living that I had never focused on so well in the United States.

BEFORE: Christmas eve in Villa 31 -- a "dangerous slum." This image was easy to make, but

BEFORE: Christmas Eve in Villa 31 -- when being an outsider gave me an in.

In short, you could say I moved to Buenos Aires to escape the more mundane aspects of life that I wasn’t handling too well back in the USA and, very much to my surprise, what has happened is that I have come to cherish the mundane more than anything else. Family. Friends. Living in the moment. Taking care of body and mind.

Then this Human Rights Watch gig seems to fall in my lap, and that’s really exciting. But what’s particularly nice I don’t feel manic excited or super lucky or all revved up, like I’ve won the lottery or something. I just feel mellow lucky and, more than anything, I feel really lucky that it was the circuitous, couldn’t-have-predicted-that route that has brought me here. I did not get here, as so many successful people proclaim, by keeping my eye clearly on the prize. How the hell could I? I didn’t know what the prize was. I was stumbling and I still am, but this week the stumbling feels like it has a bit more grace to it.

I am writing all this by way of sharing that it is not my photography skills nor my desire to work with multimedia nor my great business skills that created this opportunity with Human Rights Watch. What really allowed me to get this job is the fact that I live in Buenos Aires, that I learned the language and that, more than anything, I can see the cultural as both an insider and an outsider. This is not only allows me to get access to Continue reading “Taking Culture, Not Pictures”

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Aug 10 2010

Working for Human Rights Watch – Multimedia Style

Category: Business Strategies, In-Camera Techniques, ViewpointEthan G. Salwen @ 10:39 am

AC_Blog_100810_Human Rights Watch_1Human Rights Watch held a press conference in Buenos Aires today to drum up interest in their latest report: “Illusions of Care: Lack of Accountability for Reproductive Rights in Argentina.” I’m pleased to announce the cover image of the report was made by yours truly. It was great to put my photography to work for HRW. It’s even greater that it’s a relationship that has just begun. The next phase will involve my making for them a multimedia production, a topic about which I have been writing so much lately. (In fact, my writing led directly to this job, which is very cool and which I will explain below.)

For the “Illusions of Care” cover I was charged with making an image that spoke to the report’s theme — roadblocks to better reproductive health care for women and girls in Argentina. I could not show the identity of anyone I photographed, unless I obtained a model release, and so I focused on a graffiti-filled hallway in the maternity ward at Hospital Alvarez in Buenos Aires. (The graffiti “Aca nacio” features prominently in the image. “Born here” in Spanish.)

Actually, I was able to get model releases from a number of women I photographed. And some of these images show the women with distressed expressions that might have made a more powerful cover image. However, using one of these images for “Illusions of Care” would have been disingenuous, to say the least. The care at Alvarez maternity ward is excellent. The women’s expressions were the result of them being in various stages of labor.

Although many of the images I made at Alvarez were not right for the report cover, I’ll likely be able to use some in the multimedia project I am now working on for HRW.

Building Trust Was Key

A couple months back Marianne Møllman, the author of “Illusions of Care, contacted me to see if I might be able to make a cover image for the report. I told her I was Continue reading “Working for Human Rights Watch – Multimedia Style”

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Mar 05 2010

Still, Video and Social Media: Gail Mooney Will Open Our Eyes

Category: Creative Process, Photographers, The IndustryEthan G. Salwen @ 10:30 pm

AfterCapture_Blog_100305_Opening Our Eyes_1“We are two people — a mother and a daughter — embarking on a journey around the world to document and film the stories of individuals — ordinary people who are following their own dreams, passions and ambitions and doing extraordinary things.”

This is from the Gail Mooney’s new website, “Opening Our Eyes: Global Stories About the Power of One.” As the site explains, Mooney — an accomplished documentary photographer and filmmaker — will be heading around the world with her daughter, Erin Kelly, to gather the material they need to create a feature length film.

This is a project worth keeping tabs on. For one thing, it’s Mooney’s latest personal project, which are always impressive, as she uses them to push her photography forward, both creatively and in terms of business.

“Opening Our Eyes” is particularly interesting to those of us in the industry because Mooney will be pushing her limits in terms of working in both still and motion, employing light and affordable equipment. In short, she will be heading into waters that many of us will heading into ourselves — still & motion — and she does so with the insights of an impressive background in traditional still and motion.

Mooney is in a perfect position to show us how to capture both great stills and motion, ensuring that both get put to the best use. (To see what Mooney’s capable of, check out her shorts for “The Delta Blues Musicians” and “Freedom’s Ride.”)

Freedom’s Ride from Gail Mooney on Vimeo.

This is not to suggest that “Opening Our Eyes” will be about photography for photographers. Hardly. As always, Mooney will focus on the story — on her subjects — focusing on the task of best communicating that story to the most appropriate audience. Continue reading “Still, Video and Social Media: Gail Mooney Will Open Our Eyes”

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May 22 2009

Pulitzer Prize-Winner Brings Us Despair and Motivation

Category: In Motion, PhotographersEthan G. Salwen @ 8:29 am

ACMF_NG_066Patrick Farrell, a photojournalist for “The Miami Herald,” recently won a Pulitzer Prize in the category breaking news photography. As the prize citation explains, this was for “his provocative, impeccably composed images of despair after Hurricane Ike and other lethal storms caused a humanitarian disaster in Haiti.”

“A People in Despair: Haiti’s year without mercy” is a multimedia piece produced by the “Miami Herald” and hosted on their site. It combines Farrell’s incredible black-and-white images with his personal, moving voice-over. It is just over two minutes in length. In this brief time, it is impossible Continue reading “Pulitzer Prize-Winner Brings Us Despair and Motivation”

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