Apr 30 2010

Hitler on Fair Use and Parody in Copyright Law

Category: The Industry, ViewpointEthan G. Salwen @ 6:20 pm

“Speaking of copyright,” a photographer wrote me, “This is so funny. If they haven’t taken it down yet, it’s a must see.” Indeed!

I hope you can see this because it’s beyond funny. Nothing like a crazed Hitler delivering witty commentary on copyright issues, faults of the Google/YouTube empire (”Aren’t they supposed to be all, ‘Don’t be Evil’?”) and pointing out that what might look like copyright infringement might not be or, maybe more to the point, might — when done respectfully — be the best form of promotion benefiting the infringed entity in question. (As Hitler points out, “The movie got international attention because of YouTube users’ hard work.”)

Thanks to Zacqary Adam Green (a.k.a. Plankhead) for his hard work on this one, and for making Hitler, in this scene from “Downfall”, come across as both hilarious and insightful. (Not easy.)

For more info of the viral video parodies made from “Downfall,” see this Wiki entry. (”The film’s director, Oliver Hirschbiegel, spoke positively about these parodies,” but the production company, Constantin Film, “has asked video sites to remove many of them.”)

In case YouTube/Google has zapped the above video (”I mean, they pulled out of China for shit like this.”), keep reading this post to see some key screen shots.

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Apr 26 2010

Why and How to Register All Images with the Copyright Office

Category: Business & Marketing, Workflow & DAMEthan G. Salwen @ 3:23 pm

AfterCapture Blog_100426_Copyright_1“If you are not registering your work with the Copyright Office, you are not respecting your work either. Registering your copyrights is the professional thing to do.”

This important observation comes from Susan Carr in her great ADBASE “Insight” article, “Protect & Respect: Why It’s important to Register Images.” Carr not only goes over the Whys, but leads us to practical Hows.

As Carr, a photographer dedicated to photographer rights, a past president of the Amiercan Society of Media Photographers and a regular contributor to ASMP’s “Strictly Business Blog,” explains:

“When I first started registering my photographs with the Copyright Office, I cherry picked images or projects based on my own assessment of their value.

“It turns out that I am not the best judge of what the market will like or use. For example, I photographed a project 10 years ago for an architect. The license clearly states no third-party use. Fast-forward: I recently discovered these same images on various sub-contractors’ websites.”

Carr goes on to explain that:

“Without registering the work prior to the infringement, I simply do not have the big stick to bring to the table.”

The Reality

As Carr points out, there are some many factors working against photographers when in comes to copyright infringement in the digital era, especially:

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