Nov 03 2010

DVI Cables: A Must for Proper Color Management

Category: Technology Insights, Workflow & DAMEthan G. Salwen @ 10:02 am

“By the way, you’re using a DVI cable, not a VGA cable, correct?”

A what cable?, I thought when Richard Anderson (of dpBestflow.org fame) wrote me yesterday in response to my extreme frustration trying to improve my monitor’s color calibration.

Looking behind my monitor and going Google I discovered — derr! — that I am now hooked up with a VGA cable. Anderson said this might be the cause of my specific problems, but that it is a problem.

“DVI is digital to digital, and is better than VGA,” Anderson explained. “If you can connect with DVI cable that would be better.” Indeed!

My monitor is DVI-enabled, and so I’m off to buy an Apple Mini Displayport to DVI Adaptor, which is what I need to connect my external monitor to my MacBook Pro.

AfterCapture Blog_101103_DVI-1

The DVI, Better Color Lesson
We all know that color management is critical. For many of us, it is much more confusing than the experts suggest. Whether or not you’re confused, make sure you are connecting to your monitor with a DVI cable!

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Oct 05 2010

It’s Called an “HDSLR”, Not an “HD DSLR” — Really!, I think

Category: Multimedia & Video, Technology Insights, The IndustryEthan G. Salwen @ 5:25 pm

“I love my new acoustic electromagnetic induction guitar.”

– Professional musician confused about nomenclature.

AfterCapture Blog_101005_HDSLR_1What’s in a name? Sometimes nothing. But when it comes to photographic professionalism, using correct terms is just part of the job. I made up the quote above to illustrate this point. Wouldn’t it be ridiculous if a professional musician didn’t know the name of his instrument? Well, it seems that an analogous situation is plaguing the photography world.

Throughout a recent article I wrote on multimedia and video I refer to “HD DSLRs,” as I have a number of times in this blog. Of course I’m referring to hybrid cameras that, like the Canon 5D Mark II, record both still and video. Sure you know what I’m talking about, but are you aware that this kind of camera is not called an “HD DSLR”? I haven’t known, which is a major oops.

It is called an “HDSLR,” and nothing else would make sense — at least, I’m pretty sure.

“It is a DSLR and not a HD DSLR!” is a brief, clear blog post on Canon5DTips in which “admin” shares his pet peeve about people incorrectly calling an “HDSLR” an “HD DSLR”; explains why it’s called an “HDSLR”; and asks us to “Pass the word.”

Passing the HDSLR Word

Here’s the heart of what “admin” explains:

• SLR = “single lens reflex” camera.

• DSLR = “digital single lens reflex” camera.

• HDSLR = “hybrid digital single lens reflex” camera, as in hybrid still-video capture.

• HD DSLR = a mistake that got introduced somewhere along the line, with “HD” representing “high definition,” which does not make sense because, as “admin” explains: #1. “DSLR already produced high definition images,” and #2, “[The name] does not say anything about the video capability of the camera.”

Makes perfect sense to me. So from now on I’m going to call it an “HDSLR,” and I’m going to ask you to do the same.

Not So HD Fast

I’d love to end this post here, with confidence, but I’ve been doing a bunch of poking around on the Web to confirm that “HDSLR” is as correct as I think. I’ve ended up pretty confused, only 99% sure “HDSLR” is right. Even if it is right I’m not sure what the “H” is stands for.

Why All the HD Confusion?

AfterCapture Blog_101005_HDSLR_2If you do a  search on “HD DSLR” or “HD-DSLR” you will get a lot of results from a lot of professional sources. Many pros clearly think that an HDSLR is really called an “HD DSLR,” just as I did until Friday. I’m assuming that these people are just making a mistake, not giving the matter much thought. And yet, some of these sources are quite influential in the industry. I also can’t ignore the fact that six experts proofed my article filled with “HD DSLR,” and no one commented on this apparent error. Either it’s not an error or it’s one that is quickly getting accepted as either an alternate to “HDSLR,” or as the correct name itself. I suppose there’s a slight chance the two things refer to two different kinds of cameras, but I really doubt that.

I turned to PhotoCineNews to see what term this well-respected site’s authors are using. It was clear that the folks writing for PhotoCineNews know that an HDSLR is an HDSLR and not an HD DSLR. When writers don’t Continue reading “It’s Called an “HDSLR”, Not an “HD DSLR” — Really!, I think”

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Aug 04 2010

Deadly Lego Guns, Playful Video Experiments

Category: Creative Process, Multimedia & Video, PhotographersEthan G. Salwen @ 6:44 pm

Richard Anderson has joined the wave. The wave of still photographers embracing video, that is. We had a long, great conversation today. We discussed nerdy photo stuff and more important ideas about family, friendship and creative satisfaction. Our talk started by touching on all themes at once when Anderson shared his new excitement for video. He’s getting off to a nerdy and creative start by focusing on projects featuring family and friends.

Anderson has devoured From Still to Motion and is learning from online resources. He’s also started to think about how to make money from motion. But he’s not too worried about this “monetizing” issue. For now, Anderson is focused on having fun and learning from doing — as it should be.

The first piece Anderson published to his Vimeo channel highlights his son, Nicholas, showing off his Lego gun, a real monster of creative engineering. (Man are Legos cool! If you haven’t seen Mike Stimpson’s decisive Legos, definitely check them out.) Anderson’s next two videos are both music videos of Daniel Hill, a family friend whom Anderson captured at Chincoteague, Virgina, during a family vacation.

Anderson’s “Nothn’” music video is pretty basic, but required greater video making skills than “Nicholas & the Lego Gun.” He had to deal with recording sound with tricky ambient wind, and now we do not hear his off-camera voice. More polished, more professional.

Thriving By Keeping It Simple and Fun

In his second Hill music video, “What is the soul of a man?”, Anderson takes Continue reading “Deadly Lego Guns, Playful Video Experiments”

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Jul 31 2010

On Sorting Diverse File Formats — Simple Version

AfterCapture Blog_100730_Sorting Files_1We’re all shooting multiple file formats with multiple cameras. Even when photographing with only one camera we can easily end up with: Raws, Raw + JPEGs, JPEGs (only), and movie files. Yikes.

If you’re photographing with two (or more) cameras, super yikes — when it comes to efficient workflow, for archiving and processing.

Actually, there are some simple solutions.

For my last AfterCapture column, I provide some solutions. For “Sorting Out Diverse File Formats” I turned to Richard Anderson for advice, who applied dpBestflow.org knowledge to a real-life workflow dilemma I was facing. The article is valuable, but to be honest, the most pertinent advice might have gotten lost in the shuffle.

The bottom line, most important concepts you should consider for dealing with multiple file formats in your workflow are these:

• Separate each different file format into its own folder. Anderson explains that this is helpful because each type of file will (likely) require different workflow processing steps.

• Name each archive folder with the same base name used for you image files. Anderson explains that this best practice is important for archive sanity (although he didn’t phrase it that way.)

• Bring images together in a cataloging program – for organizing, editing and outputting. Catalog programs rule! They don’t care if your images are separated into different folders. In cataloging software — such as Lightroom and Expression Media — you can bring them together, seamlessly organizing by file name, capture time or any other metadata.

If this sounds complex complex or confusing, these images will show you what I mean:

AfterCapture Blog_100730_Sorting Files_3

See how all my “100302″ captures are divided into “DNGs”, “Jpegs” and “Movies”?

AfterCapture Blog_100730_Sorting Files_4

See how there is a gap between DNG 0174 and 0179?

AfterCapture Blog_100730_Sorting Files_5

No problem! Files 0175 through 0178 are JPEGs and, as you can see, they are in their own folder.

Just because these DNGs and JPEGs are in separate folders, they all come together seamlessly in my Expression Media catalog. If you are over 18 and don’t have a weak stomach, you can see an example here: Continue reading “On Sorting Diverse File Formats — Simple Version”

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Jun 21 2010

Taking On Data Validation – One Step at a Time

Category: Technology Insights, Workflow & DAMEthan G. Salwen @ 8:04 am

AfterCapture Blog_100621_Data Validation_1“Performing validated data transfers is so much better than hot sex,” Peter Krogh recently told me. Actually, that’s not true. That’s a straight-up lie to keep you reading. The truth is that performing validated transfers is one of many critical tasks required to safeguard data — as in, our images!

I’m not going to lie to you (again, at least in this post). Data validation is a nerdy, boring topic, and definitely not as much fun as hot sex. And so, understandably, very few photographers have a good hold on. However, believe it or not, beginning to get on top of data validation can feel quite satisfying.

The fact is that embracing best practices in data validation is critical to ensuring that our archives of images is safely stored and backed up until the day we die (and long after, if we care). On the other hand, if we don’t take proper care of of our data we virtual guarantee that, sooner or later, we will lose beloved and valuable images in the blink of an eye or, more to the point, the sudden click, click, clicking CLUNK of one of our beloved hard drives dying.

Hard Drives Die, Data Decays, But It’s OK

We all know that hard drives are expected to die, just as one quickly learns that he will constantly get flat tires when driving a busted up old car through the wilds of Paraguay. (That’s another story, but you can trust me that it happens a lot).

One of the many, many "gomerias" - tire repair shops - I visited in Paraguay.

One of the many, many "gomerias" - tire repair shops - I visited in Paraguay.

That we know that all hard drives will fail doesn’t seem to help even atheist photographers from relying heavily on prayer in safeguarding our images. Too often we download a memory card of critical images to one single, hard drive, erase the card, plan to back up said drive as soon as possible, and then get distracted by pressing work (or, if we are really lucky, hot sex).

We hop that nothing will go wrong. But something will go wrong.

Continue reading “Taking On Data Validation – One Step at a Time”

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Jun 09 2010

The Joy of Zeroing Out Hard Drives

Category: Online Resources, Technology Insights, Workflow & DAMEthan G. Salwen @ 5:25 pm

AfterCapture Blog_100609_The Joy_aIn March I shared best practices for formatting hard drives, passing on the wisdom of Peter Krogh and dpBestflow.org. On Monday, I put yet another 1.5 TB Lacie external drive on line, and again I needed to refer to Krogh’s excellent video tutorial featured in the “Hard Drive Handling” section of dpBestflow.org.

Here I share screen shots of the step-by-step process because, 1) they serve as a quick, valuable reference to Krogh’s video, 2) I want to encourage you to do this!, and 3) Because, let’s face it, you guys just love my screen shot posts.

Zeroing out hard drives is really easy, but the steps are not at all intuitive. For PC users (and Mac users wanting the skinny on my steps), check out Krogh’s video tutorials featured in my earlier post.

AfterCapture Blog_100609_The Joy_1

AfterCapture Blog_100609_The Joy_2 Continue reading “The Joy of Zeroing Out Hard Drives”

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Apr 13 2010

Glorious Data Transfer Validation Made Simple

Category: Technology Insights, Workflow & DAMEthan G. Salwen @ 3:13 pm

Thanks to the guidance of Peter Krogh, a few weeks ago I began using “validated transfers” when copying all critical files, such as when making backups and migrating images to my new hard drive. I’m doing so using ChronoSync, an extremely affordable and easy-to-use application for Mac. As a result, not only have I made a critical advance in safeguarding my images, but I am also feeling a lot more secure about the integrity of my data.

Below is a fantastic video that Krogh made for dpBestflow.org in which he shows us exactly how to put ChronoSync to work. (If you are using a PC, no worries. Krogh made a video — shared the end of this post — on how to perform validated transfers using SyncBack, which does the same trick.)

Important Note on ChronoSync: As you can see in the video, it’s absolutely critical that you check the option for “Verify copied data.” If not, you are just making a regular copy, not performing the bit-by-bit comparison of data that is so important. (More on that in a minute.)

The World of Data Validation

Making validated transfers is just one part of the world known as “data validation.” Krogh wrote the “Data Validation” section of dpBestflow.org, and this is definitely must-read material on a must-know topic for all photographers. It’s clearly written and super informative, typical of Krogh, a major guru regarding all aspects of digital asset management. Continue reading “Glorious Data Transfer Validation Made Simple”

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Apr 07 2010

Comparing Monitors, Step-By-Step

Category: Technology InsightsEthan G. Salwen @ 7:06 pm

The title of my post is not exactly right, nor is the title of the great by Richard Anderson that I am going to point you to. Today, on the dpBestflow.org blog, Anderson gives us a fantastic post with his “Choosing a good low priced monitor.” That name seems to suggest that, well, Anderson will tell us how to chose a good low-price monitor. He doesn’t really do that, at least directly.

AfterCapture_Blog_100407_Monitors

What Anderson actually does is to bring us through his step-by-step process of comparing the NEC MultiSync P221W (a 22″ LCD available for around $750.00) with the Apple Cinema Display 24″. As Anderson says:

“We like two monitor setups for our workstations, so [...] Our plan was to see which monitor was more accurate- and then make that the primary monitor. It would prove to be an interesting exercise, here are some of our observations:

In other words, Anderson already had the two low-priced monitors on hand, and his observations are a series of very in-depth, clear and concise steps that he went through with his partners, Dan Stack and Matthew Yake, to compare the monitors.

What’s cool about reading the team’s process is that it is a great of example of best practices in digital imaging (the focus of dpBestflow.org) brought to life in real-world situations. The post by Anderson will help you: Continue reading “Comparing Monitors, Step-By-Step”

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Mar 24 2010

Introducing the dpBestflow.org Blog

Category: Online Resources, Technology InsightsEthan G. Salwen @ 1:49 pm

AfterCapture_Blog_100324_dpBestflow_blog_1In December I told you about the launch of dpBestflow.org, an amazing online learning resource for best practices covering all aspects of digital imaging for professional photographers. This week dpBestflow.org launched a blog, and you’ll very likely want to add it to your RSS feeds.

As project director Richard Anderson explains in the blog’s first post, the dpBestflow.org blog will “answer frequently asked questions we hear at the dpBestflow seminars,” “share interesting articles, websites, forum discussions and events,” and help us “discover what is on the site.”

This last point is particularly important.

The content of dpBestflow.org is extremely well organized. However, the scope of topics is so massive that it is hard to appreciate just how amazing this learning resource is.

The dpBestflow.org blog offers a new “front door” to dpBestflow.org content for busy photographers, directing us to the areas within the site of greatest interest to our specific needs.

Anderson told me that a number of contributors will be writing for the blog, making frequent posts. Sweet!

Welcome to the blogosphere, dpBestflow.org!

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Mar 22 2010

Best Practices: How to Format a Hard Drive

Category: Technology Insights, Workflow & DAMEthan G. Salwen @ 3:43 pm

The weekend I put my new LaCie 1.5 TB drive on line for my Mac, and I’ve got to give a big hand to Peter Krogh and dpBestflow.org for making sure I did it right. It’s a very simple process, but it requires being alert to a few things that I, for one, certainly did not know.

In the “Hard Drive Handling” section of dpBestflow.org (which was written by Krogh), I encountered this:

Putting new drives into service

When you buy new drives, you should do a little preparation to increase the likelihood of trouble-free service. As part of this preparation, it’s a good practice to zero all data on the drive. ‘Zero all data’ means that you write all ones and zeros on the drive, using the formatting tools available for your operating system. Doing this will ensure that every bit on the drive is touched. This will force the drive to do a thorough scan of the volume, find bad sectors and mark them as “off limits.”

This was certainly a best practice I didn’t know about, but it makes really good sense. (Heretofore I just plugged-and-played. Major oops.)

When I my launched Disk Utility to perform this “zeroing out,” I found myself a little perplexed, not exactly sure which settings to set. (Don’t you hate that sense of almost knowing what to do with your computer, but being just a little uncertain.)

Luckily, right below the above text, Krogh provides this super dpBestflow.org video:

These are the the two steps I would have never figured out without Krogh help (applicable to Macs with Intel processors): Continue reading “Best Practices: How to Format a Hard Drive”

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