Dec 09 2010

Luscious Inspiration from “Scattered Flurries”

Category: Multimedia & VideoEthan G. Salwen @ 12:08 pm

The value of signing up for email video suggestions from Vimeo hit home when the site served me up “Scattered Flurries” a couple weeks back. Ben Knight’s luscious, captivating video has remained prominent in my mind. Using an original soundtrack and careful editing of his stunning, snowy motion footage, Knight tells a story in a way that seems to resonate with the sensibilities of still photographers — especially in that almost every shot is powerful visual moment in itself.

One thing I’m learning watching videos suggested by Vimeo is that — derr! — the spectrum of possibilities in video shorts is so broad that most pieces defy easy definitions. For example, Knight’s piece seems to go beyond the scope of music motivational pieces, and yet it fits the definition.

More than anything, I serve you up “Scattered Flurries” because it seems ideal inspiration for how many still photographers might want to proceed, at least at first, with video: avoid dealing with sound; focus on capturing wonderful images; tell a story in the editing; avoid crew and major expenses.

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Jul 04 2010

Royalty-Free Music Rocks, Rolls and (Legally) Produces Drama

Category: Multimedia & VideoEthan G. Salwen @ 10:55 am

“Most songs are copyright protected, and cannot be used unless they are licensed,” Ralph Clevenger emphasized when we talked the other day. Actually, he emphasized this point a number of times, noting that this very obvious point is not so very obvious to many photographers putting images to sound.

I wasn’t to me, which is why for my “Milonga de Sal y Pimienta” video, which I posted here in May, I totally — major oops — stole music from Gotan Project to achieve my artist goal. I just wasn’t thinking, inspired by the music itself to make my video. Heck, the music is the best part of the piece!

It’s no excuse, but I think my music-using ignorance is somewhat understandable. After all, millions of YouTube videos feature illegally-used music, and, right or wrong, this has given me a sense that using music any which way is AOK. Well, it’s not. Just like it’s not OK for people to use our images without permission.

To get myself on the right side of the intellectual property of music, yesterday I threw this little baby together, appropriately called, “Royalty-Free Buenos Aires.”

It’s clearly nothing special, but Continue reading “Royalty-Free Music Rocks, Rolls and (Legally) Produces Drama”

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Jan 08 2010

Get The Big Picture (and Major Inspiration) from “The Big Picture”

Category: ViewpointEthan G. Salwen @ 4:33 am

To receive a regular selection of great, topical photojournalism images, be sure to sign up for  “The Big Picture: News stories in photographs,” put together by the passionate and intelligent photo editor Alan Taylor and hosted by “boston.com” (the online edition of “The Boston Globe.”)

Today Taylor brings us 18 stunning images from the moon in “Images from the Lunar Reconnaissance Orbiter.” Wednesday Taylor delivered us 31 images from the “Harbine Ice and Snow Sculpture Festival.” On Monday Taylor served up 33 images in “Three Days in Iran.”

Image acquired July 11th, 2009. More (NASA/GSFC/Arizona State University)

Image acquired July 11th, 2009. More (NASA/GSFC/Arizona State University)

This is how Taylor works, editing images from diverse sources on specific topics and then presenting them with a thoughtful introduction every Monday, Wednesday and Friday. He’s been doing this since February 2009.

Scores of dedicated followers add comments, noting favorite images and adding interesting observations on the topic at hand. All in all, it’s a positive experience, full of photo inspiration.

People visit an ice Colosseum at the Harbin Ice Festival on January 3, 2010. (REUTERS/Aly Song)

People visit an ice Colosseum at the Harbin Ice Festival on January 3, 2010. (REUTERS/Aly Song)

Although I call Taylor a “photo editor” (how can I not, giving his work on “The Big Picture”?), he is actually employed as a developer for boston.com, running “The Big Picture” out of his passion for photojournalism, showing us Continue reading “Get The Big Picture (and Major Inspiration) from “The Big Picture””

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Nov 05 2009

I Even Got A Christmas Tree!

Category: Creative ProcessEthan G. Salwen @ 2:52 pm

Salwen_071224_1747

So Tuesday Jain Lemos contacts me about whether I might have a Buenos Aires Christmas story and picture package to contribute to News Plink. I don’t know what Plink is, but any project Jain’s involved in is a good one, and I do have some BA X-Mass images I’ve been dying to get out there.

“I don’t know if you’ll want them,” I write. “They’re from ‘Villa 31,’ the city’s most infamous slum.”

Always super efficient, Jain writes back right away, confirming the story without further questions. She’s already run it past Plink’s editor, L.D. Kirshenbaum, and she asks me for a gallery Continue reading “I Even Got A Christmas Tree!”

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Jul 06 2009

Leaning Forward into Storytelling

Category: Books, Multimedia & VideoEthan G. Salwen @ 10:37 am

The Lean Forward MomentPhotographers are storytellers. Storytelling is about creating change. Visual storytelling requires creating visual change in a way that advances a story. (This I just picked up from Norman Hollyn, but we’ll get to him in a second.) Let me go on. . .

In moviemaking, something called a “logline” is used to describe a scene in a way that allows the moviemaker to focus on how to best tell the story of that scene in relation to the overall movie (which, it turns out, can also be defined by a logline).
Continue reading “Leaning Forward into Storytelling”

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Mar 11 2009

Inspiring Little Book on a Strange, Cold World

Category: Books, Creative Process, PhotographersEthan G. Salwen @ 5:30 am

ACMF_NG_028Photographed brilliantly by Layne Kennedy and featuring wonderful essays by Greg Breining, “A Hard-Water World: Ice Fishing and Why We Do It” is a great book in its own right, and a fabulous example of how images and words in book form – when handled with such intelligence – can still illuminate a topic like no other media.

Frankly, when I split open “A Hard-Water World” I wasn’t really expecting that much. For one thing, too many topical photography books disappoint. And for another, ice fishing isn’t Continue reading “Inspiring Little Book on a Strange, Cold World”

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Jun 25 2008

Find Your Best Work — Creatively!

Category: AfterCapture & Rangefinder Articles, Creative Process, Workflow & DAMEthan G. Salwen @ 9:22 am

ACMF_080626_1Digital imaging offers us all kinds of tools to find our best work. But many photographers still find it difficult to assess their work on screen. Fine art photographer John Paul Caponigro offers some creative ways to go about it.

In “Finding Your Best Work” for his “Illuminating Creativity” column for the December/January 2008 AfterCapture, Caponigro offered some great insights and strategies for how to use Adobe Bridge and Lightroom to approach the creative process of editing in a digital environment.

Although Caponigro’s suggestions might seem fairly obvious after reading them, I think that many photographers will appreciate Continue reading “Find Your Best Work — Creatively!”

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May 20 2008

Edit Like a Hawk—On Steroids

Category: AfterCapture & Rangefinder Articles, Creative Process, Workflow & DAMEthan G. Salwen @ 7:51 am

ACMF_080520_1_ac6_Beyond_Chimping.pdf (page 1 of 5)While researching “Beyond Chimping,” an article for AfterCapture about how to avoid some of the pitfalls inherent in making the transition to digital, I had a great chat with Stewart Cohen, a highly successful commercial photographer based in Dallas, Texas. Cohen told me that he personally edits every single image he shoots, frame by frame, slowly and meticulously—even though he has a large, capable staff he could call on for help. And he wouldn’t have it any other way.

Cohen is a great artist and a savvy businessman who’s always willing to share his wealth of knowledge. “Beyond Chimping” included a number of Continue reading “Edit Like a Hawk—On Steroids”

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