Nov 02 2010

When People Were More Camera Shy Than Gun Shy

Category: The Industry, ViewpointEthan G. Salwen @ 2:43 pm

“It’s ingenious, but totally impractical,” Colin Harding emphasises, and then with a kind of respectful glee adds, “It’s such a stupid idea, really.”

Harding, the curator of photographic technology at the National Media Museum, is discussing why the Thompson Revolver Camera is one of his favorite items in the museums photo technology collection. He appreciates the craftsmanship and ingenuity but he clearly loves the “total lack of common sense” that went into this 1862 invention. As he says, “If you can across someone who was waving this in your direction, the last thing you’d want to do is smile.”

In the second half of this video, Harding delves nicely into concepts related to the history of photography in the 1860s, illuminating an era when making photographs was as challenging as it was rare. Back then, having any picture-making device pointed at you could be unnerving — but nothing as unnerving as a gun itself, even if a camera.

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Nov 01 2010

Niépce Gains Greater, Much Deserved Respect

Category: Photographers, The IndustryEthan G. Salwen @ 12:56 pm

“But what about Niépce?”

I asked this in a post two years back while pondering who really invited photography and why there seems to be so much confusion about the issue. (Even the typically-stated date of invention — 1839 — seems to blatantly contradict the facts.) In a recent British Journal of Photography article, “New early photographic process to force history re-write,” Olivier Laurent reports that “Joseph Nicéphore Niépce’s contribution to the history of photography has been elevated after the National Media Museum and the Getty Conservation Institute revealed new findings stemming from three of Niépce’s photographic plates.”

Un Claire de Lune, c. 1827 © The Royal Photographic Society Collection at National Media Museum/SSPL.

Un Claire de Lune, c. 1827 © The Royal Photographic Society Collection at National Media Museum/SSPL.

Created by Niépce circa 1827, Un Claire de Lune is the name of the work that’s really got photographic history re-writers excited. Laurent explains that the image — truly beautiful and evocative, hardly a mere photographic experiment — was long thought to be “enhanced with etching” but that “it is actually a photograph without any hand tooling at all.”

To better understand the confusion regarding the early years of photographic history, check out my earlier post and see how Louis Daguerre usually gets pitted against William Henry Fox Talbot, while Niépce seems to get such short thrift because:

1. Apparently he was not able to demonstrate his work to the Royal Society in London. (Something about the organization being in turmoil, says that National Media Museum.)

2. He died in 1833. (Never good for standing up for one’s place in history.)

According to the National Media Museum, these facts left Niépce’s “sometimes collaborator Louis Daguerre to publicly reveal photography to the world in 1839.”

Beauty Beyond Theft

This might make it sounds like Daguerre was an opportunist and a thief, and maybe he was. But as I Continue reading “Niépce Gains Greater, Much Deserved Respect”

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Apr 28 2009

Who Is the Great Danny Lyon?

Category: Creative Process, PhotographersEthan G. Salwen @ 7:07 am

ACMF_NG_052“Among a group of revolutionaries whose work rose to prominence in the late 1960s and ’70s and transformed the nature of documentary photography — a group that includes friends and colleagues of Mr. Lyon’s like Mary Ellen Mark and Larry Clark — the idea of conscience has been imbedded more deeply in Mr. Lyon’s photographs than in those of all but a few of his contemporaries.”

This is from “Stubbornly Practicing His Principle of Photography,” a wonderful article by Randy Kennedy published in The New York Times on April 24. It’s a great read for anyone interested in documentary photography, photojournalism, consciousness photography or the name Kennedy seems to favor for Danny Lyon’s work: New Journalism. As Kennedy explains: Continue reading “Who Is the Great Danny Lyon?”

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Apr 01 2009

Great Pyramid of Giza Discovered to Be World’s First Camera!

Category: Technology Insights, ViewpointEthan G. Salwen @ 5:51 am

ACMF_NG_035If you haven’t heard it yet, you will soon. For now it’s still secret, but by the end of the week the entire world will be abuzz with the latest, most unbelievably shocking news in the history and photography, and one of the greatest historical discoveries in it’s own right:

The Great Pyramid of Giza was actually designed as the world’s first camera. And, more amazing, it actually functioned. There is an unbelievable body of evidence from hundreds of renowned experts, and they all agree.

That’s right. Let me repeat: The Great Pyramid of Giza was built as a camera and it actually took pictures that Continue reading “Great Pyramid of Giza Discovered to Be World’s First Camera!”

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Jul 05 2008

Who Invented Photography, Anyway?

Category: Books, ViewpointEthan G. Salwen @ 8:03 am

ACMF_080705_WhoInvented_1_NiepceWe all know Al Gore invented the Internet, but who invented photography? I have to admit I’m a little confused on what would seem to be a very basic point. Maybe you can help clear things up, or a least throw in your two cents.

When I took history of photography during my first year at RIT in 1988, we were told that it was going to be a pretty exciting year for photography: The 150th year birthday! Then we learned that, while there were a number of guys messing around with seriously dangerous chemicals in the 1830s, it was the Frenchman Louis Daguerre who invented photography in 1839 with his nifty daguerreotype.

Continue reading “Who Invented Photography, Anyway?”

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