Jul 04 2010

Royalty-Free Music Rocks, Rolls and (Legally) Produces Drama

Category: Multimedia & VideoEthan G. Salwen @ 10:55 am

“Most songs are copyright protected, and cannot be used unless they are licensed,” Ralph Clevenger emphasized when we talked the other day. Actually, he emphasized this point a number of times, noting that this very obvious point is not so very obvious to many photographers putting images to sound.

I wasn’t to me, which is why for my “Milonga de Sal y Pimienta” video, which I posted here in May, I totally — major oops — stole music from Gotan Project to achieve my artist goal. I just wasn’t thinking, inspired by the music itself to make my video. Heck, the music is the best part of the piece!

It’s no excuse, but I think my music-using ignorance is somewhat understandable. After all, millions of YouTube videos feature illegally-used music, and, right or wrong, this has given me a sense that using music any which way is AOK. Well, it’s not. Just like it’s not OK for people to use our images without permission.

To get myself on the right side of the intellectual property of music, yesterday I threw this little baby together, appropriately called, “Royalty-Free Buenos Aires.”

It’s clearly nothing special, but Continue reading “Royalty-Free Music Rocks, Rolls and (Legally) Produces Drama”

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Jul 02 2010

Take a Flight to Antarctica

Category: Books, Multimedia & Video, ViewpointEthan G. Salwen @ 3:56 pm

“The way I approach multimedia is to think about each project as a storyteller and then to think about what tools I will need to best tell the story,” says Mary Lynn Price, who since retiring from practicing trial law in 2003 has dedicated herself to video journalism, with specific interest in natural history stories that support conservation efforts. Just as Ralph Clevenger told me, Price explained to me than nothing matters more than thinking about story when putting together “music videos” — her name for multimedia projects that tell stories without narration or even graphics, but just smart use of images and music.

Price proves her music-video storytelling prowess in “C-17 Flight to McMurdo Antarctica.” In less than two minutes, she takes us from baggage security scanning and flight boarding to landing on “The Ice,” having shown us tons of interesting close-ups during this famous, windowless flight.

“Famous” is, um, definitely too strong a word for this particular flight that takes scientists and support staff to the McMurdo Station. But I’m an Antarctic exploration junkie so I’ve sure heard about it plenty, although I could never really imagine what it would be like — until I got taken for a ride with Price’s great documentary vision.

What does it mean that I’m an Antarctic (and Arctic) exploration junkie? It means that I’ve read Alfred Lansing’s “Endurance” three times, twice read “Shackleton’s Forgotten Men” (by the brilliant Lennard Bickel) and at least once just about all of the other classic books about frostbite and suffering in pursuit of knowledge at the southernmost (and northernmost) tip of the world.

I’m kidding about the pursuit of knowledge. Continue reading “Take a Flight to Antarctica”

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Jun 28 2010

Telling Stories with Music Motivational Pieces

Category: Multimedia & VideoEthan G. Salwen @ 12:30 pm

“Even music motivational pieces have to have a storyline,” Ralph Clevenger told me in regard to multimedia production. “Photographers tend to freak out when they hear the word ’story.’ Unlike with still photography, in multimedia you are now creating a piece that has a beginning, middle and end. That’s a story.”

“Music motivational pieces” are what Clevenger calls multimedia pieces that consist of still and/or video captures set to a music-only soundtrack. No need to deal with the difficulties of recording or editing complex soundtracks — new territory for most photographers.

“They can be absolutely wonderful,” Clevenger said of music motivation pieces. (Many photographers refer to them as “music videos.”) When getting started in multimedia, Clevenger says, “Most still photographers will go the route of creating these beautiful little pieces with beautiful images.”

Continue reading “Telling Stories with Music Motivational Pieces”

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Jun 08 2010

Tony Wu Heads into the Uncharted Waters of Final Cut Pro

Category: Creative Process, Multimedia & VideoEthan G. Salwen @ 11:19 am

How’s that for timing? Last Thursday I feature the underwater storytelling of Tony Wu, on Friday I make a case that we should embrace the opportunities of learning multimedia on the job, and then today I hear from Wu. “I’ve been offline for a while,” he writes. “I was in the midst of editing this.”

“This” lead me to Wu’s “Adventures with Craig” blog post, which features his latest video, “Captain Craig,” a project which required Wu to head into uncharted waters with Final Cut Pro. “This is the first time I’ve edited anything with Final Cut Pro and Motion,” Wu notes in his post, and asks us cut him some slack regarding aspects of his video that might need improvement.

Cut some slack? Huh??? The piece is great –  successful in terms of what might be considered “traditional multimedia journalism,” but which also focuses on the more “cinematic experience” that Ian Shive told me about.

Dangerous, Uncharted, Satisfying Waters

Continue reading “Tony Wu Heads into the Uncharted Waters of Final Cut Pro”

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Jun 03 2010

Underwater Storytelling from Tony Wu

Category: Creative Process, Multimedia & Video, PhotographersEthan G. Salwen @ 2:04 pm

AfterCapture Blog_100603_Underwater Storytelling_1When I talked with underwater photographer Tony Wu late last night (early this morning for the Japan-based Wu), he agreed with Ian Shive that making quality multimedia — from stills, video or both — is all about the story. To illustrate his point, Wu directed me to his fantastic blog covering underwater photography and therein to “A Very Hungry Frogfish,” one of his first experiments in multimedia storytelling

If you haven’t yet put together a multimedia piece, or are in need of inspiration, I strongly recommend you watch this wonderful Frogfish-staring piece by Wu. “It’s a good illustration of nothing mattering more than the story,” Wu told me, which is the exact sentiment Shive had shared (not to mention everyone else I have interviewed on the topic).

“Yeah, the audio sucks and the video processing is no good,” Wu shared in his slow, calm, thoughtful manner of speaking. “But the end result achieves what I wanted, which was to make people laugh, and to get people to emotionally relate to a fish.”

I definitely laughed. I definitely was not distracted or put off by the low-tech nature of the piece. For “Frogfish” Wu only used a handful of stills (patiently captured over more than an hour and a half), Wu’s voice-over narration and endearingly simple “special effects.”

“Frogfish” has a simplicity the resonates like the experience of the best children’s books, which (as my sister-in-law, who is a children’s librarian will tell you) are some of the greatest books out there.

“There’s no way I could have conveyed this story with one picture, or words alone,” Wu said. “People really get it.”

Not Being Overwhelmed by Overwhelming Technology

Continue reading “Underwater Storytelling from Tony Wu”

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Jun 02 2010

The Incredible Nature of Ian Shive

Category: Books, Business & Marketing, Multimedia & Video, PhotographersEthan G. Salwen @ 4:57 pm

AfterCapture Blog_100602_Shive_1“At the end of the day, your multimedia project is only as good as your story,” Ian Shive told me today during a fantastic interview. Both insightful and contagiously enthusiastic regarding the evolving possibilities in multimedia for still photographers, Shive is a 31-year-old nature photographer who turned pro only a few years ago — from a background in marketing major Hollywood motion pictures. Driven and focused, Shive is having tremendous success, recently publishing “The National Parks: Our American Landscape” and having launched Wild Collective, a full-service multimedia production company with partner, Russell Chadwick.

Shive’s portfolio is a strong, lush statement that speaks to his capacity to create top-notch nature imagery. However, to get a much better sense of who Shive is — and to gain inspiration for possibilities in leveraging still images in multimedia projects — watch “Wild Exposure with Ian Shive – Episode One – The Southwest.”

Created with Chadwick, the original idea behind “Wild Exposure” was to create a multimedia promo piece for “Our American Landscape.” The thing is, returning from their 28-day, 7,500-mile National Parks road trip, Shive says the team realized that Chadwick “had shot 36 hours of the most stunning footage you have ever seen in HD.” What to do?

Continue reading “The Incredible Nature of Ian Shive”

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May 27 2010

How I Made Them Dance the Tango

Category: Creative Process, In-Camera Techniques, Multimedia & Video, Workflow & DAMEthan G. Salwen @ 2:50 pm

AfterCapture Blog_100527_How Dance_1On Monday I shared my tango-dancing salt and pepper shakers. How did I produce this short? Basically, I hit record on my Canon G9, set to the time-lapse video mode, and then moved my characters around like a madman — for a little more than a half hour. That’s about it.

That said, I’ll now share the some specifics of my time-lapse-stop-motion video creation workflow, as I think it is interesting. I also think that my little piece is successful because, although I started it simply to play around with technology, I ended up focusing on a story. This kept me focused, gave me motivation both to create and share, and gives my piece any value that it may have.

My Time-Lapse-Stop-Motion Experience

After finishing watching the original “Clash of the Titans” movie earlier in the day, I was pretty eager to play with stop-motion, which is something that I have never done, but which I’ve been dying to try since, well, probably about the first time I saw “Clash,” nearly 30 years ago.

While I had never tried stop motion, I’ve been recording all kinds of time-lapse movies since getting my G9 and discovering this wonderful feature. So before I went through the trouble of making a stop-motion movie, I decided to use this feature — recording a still every two seconds — to get a sense of what a stop-motion piece would look like.

Quickly setting up my camera on a tripod on the kitchen table and hitting “record,” and moving the objects at hand around, I ended up with this:

Pretty cool!, I thought.

Obviously the hairy hands aren’t supposed to show up in a stop-motion movie, but I loved the potential. So. . . Continue reading “How I Made Them Dance the Tango”

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May 24 2010

Ethan Doing the Tango

Category: Multimedia & VideoEthan G. Salwen @ 4:34 pm

Speaking of hosting videos on YouTube and seeing beyond the still and, most of all, time-lapse inspiration, take a gander what I came up with this weekend:

The Back Story

Continue reading “Ethan Doing the Tango”

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May 05 2010

Seeing Beyond the Still

Category: Multimedia & Video, The IndustryEthan G. Salwen @ 12:56 pm

The most recent issue of the “The Digital Journalist” (May 2010), which focuses on video, opens with this video by Vince Laforet.

On the vimeo.com page where the movie is hosted, Laforet explains that part of his motivation in creating “Chapter 1: The Cabbie” was to show off “the many strengths of this new breed of HD DSLR cameras, such as the Canon 7D, which we shot this film with.”

There is no doubt that Laforet has succeeded. The production quality of “Cabbie” is simply outstanding, and it will provide inspiration for any photographer exploring the possibilities of video. Laforet explains that “The camera’s low light capabilities and light weight allow you to do things you’d never think to try with traditional cameras.” Continue reading “Seeing Beyond the Still”

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Mar 10 2010

Time-Lapse Photography Inspiration

Category: Multimedia & VideoEthan G. Salwen @ 2:03 pm

For some serious inspiration in time-lapse photography, check out “12 Creative Uses of Time-Lapse Photography (and 4 Ways To Create It),” a post from “10,000 Words.”

Tracking flight patterns might seem fairly obvious, but then I never thought of using data from the FAA! The time-lapse documentation of the reconstruction of a Katrina-ravaged home is a great piece, and reminds of the time-lapse possibilities in documentary photography. Seeing a man age eight years in less than two minutes is bizarre, but is certainly idea-provoking. Of the 12 samples, my favorite is definitely the cross-country road trip, mesmerizingly shortened to four minutes. Nice!

Unfortunately, the “10,000 Words” post doesn’t deliver as much as I had hoped on the ways to create time-lapse photography, although there are a few links. The site’s previous entry also offers a few time-lapse photography tips and links, but nothing super substantial.

Are You Time-Lapsing?

Have you been bit by the time-lapse bug? Have a time-lapse video to share? Know of any instructional resources that are better than the ones featured in “10,000 Words”?

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