Sep 08 2010

Christopher Cairns on the Value of Music and Friendship for Visual Artists

Category: In Motion, Multimedia & Video, PhotographersEthan G. Salwen @ 12:34 pm

Christopher Cairns says his sculpture transmits an impeding sense of disaster that is born out of his attitudes about modern life. Cairns, who relies heavily on music for inspiration, also notes, “The detachment of the contemporary culture from classical music and serious jazz is a disaster.” Regarding the value of friendship, Cairns says, “Part of being an artist is to try to find other people that you can share feelings and ideas with.”

Cairns’ sculpture is powerfully evocative and his sentiments about music and friendship in relationship to the visual artist’s life will be of interest to photographers. Although I can share all this about Cairns, I only know the artist through this five-minute video created by Richard Anderson. This speaks to the incredible storytelling power of documentary shorts. It is also reason to applaud Anderson for taking a great leap forward in his video-making pursuits.

Last month I reported that Anderson was just getting started in video by learning multimedia techniques by experimenting playfully. His latest creation, a personal project, proves that Anderson is getting great results — fast.

Check it out this video for inspiration from both Cairns and Anderson. Take particular note of how Anderson puts his photographer’s eye to excellent use. His framing of Cairns among his sculptures is fantastic and not typical of standard documentary interviews. And Anderson’s still images make wonderful b-roll that clearly reveal Cairns’ vision of impending disaster.

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Jun 23 2010

The Decisive Lego

Category: Creative Process, Photographers, ViewpointEthan G. Salwen @ 1:56 pm

AfterCapture_Blog_100623_Stimpson_1What happens when the “decisive moment” meets the “decisive Lego”? Joyful inspiration, I say! Head to Mike Stimpson’s “Classics in Legos” on his Flkr site, and you’ll see what I mean.

Seriously, this is some of the best photography I’ve seen in a long time, even if, um, I’ve seen all these photographs before.

I’m biting my tongue not to go on and on about my response to this wonderful work. I’d rather you enjoy a few minutes of pure photographic joy by seeing the “decisive Lego” in action here!

Continue reading “The Decisive Lego”

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May 25 2010

Opening Our Eyes: They’re Off!

Category: In Motion, Photographers, ViewpointEthan G. Salwen @ 2:33 pm

AfterCapture Blog_100525_Open Our Eyes_1Today, May 25, 2010, marks the bicentenary of the revolution that marked the beginning of Argentina’s road to independence. It seems appropriate that Chance decided that today would also be the day that Gail Mooney would set off on her 3-month, round-the-world trip to create “Opening Our Eyes”, a documentary film project she is making in partnership with her daughter, Erin Kelly.

I say that the connection to Argentina’s revolution (and ultimate independence) is appropriate because of all the photographers I know personally, without a doubt, Gail Mooney is the most revolutionary- and independent-minded.

Since I introduced “Opening Our Eyes” in March, the project has taken much fuller shape. You can get a good sense of the trip at the main website. Keep in mind that a year ago Mooney hadn’t even thought up this trip. From initial concept to flying out of Newark airport today, Mooney and Kelly have orchestrated all details of this massive undertaking in only a little over six months.

AfterCapture Blog_100525_Open Our Eyes_2Be sure to also check out “Journeys of a Hybrid”, Mooney’s excellent blog full of insights — from the personal and creative to the technical and business side — from a photographer who has lived her life to the fullest, and who seems to be just warming up.

Mooney, who has been in the business for 33 years, has focused primarily on still photographic coverage of travel assignments for magazines. However, she has also worked plenty in the commercial realm in partnership with her husband, Tom Kelly.

Mooney not only made a smooth transition to digital photography, but she is one of the new bread photographers who is fully embracing the possibilities of video and, just as fully, the exciting possibilities of Web publication and social media.

Good Lu. . .

Continue reading “Opening Our Eyes: They’re Off!”

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Apr 23 2010

Wonderful Possiblities in “Photographing Nature”

Category: Books, ResourcesEthan G. Salwen @ 4:11 pm

AfterCapture Blog_100423_Photographing Nature_1It’s been a long time since I have read a book on photography that has left me so pleased, satisfied and eager to spread the word about it. Having just finished “Photographing Nature,” I find myself downright giddy, which is a reaction I definitely an emotion I have never felt in relation to a book covering photographic techniques. Written by the nature photographer Ralph A. Clevenger, “Photographing Nature” is brilliantly conceived and executed, proving deeply insightful on the most difficult topics of photography to cover — the basics. Clevenger’s voice, uniquely lucid and inspiring, stands out sharply in the din that is the increasing numbers of photographers attempting to share their knowledge.

The fact that “Photographing Nature” is (obviously) about photographing nature makes my enthusiastic response all the more meaningful. Birds, bears and brilliant landscapes simply are not my photographic cup of tea — at least in terms of what I chose to photograph. However, although Clevenger has focused on illuminating the fundamentals of nature photography, he does so with such success that “Photographing Nature” offers tremendous value to an extremely wide range of photographers dedicated to improving their craft — from newbies seeking Photography 101 resources unrelated to nature photography to pros needing a boost of inspiration.

AfterCapture Blog_100423_Photographing Nature_5

The subtitle of “Photographing Nature” is “A photo workshop from Brooks Institute’s top nature photography instructor.” While “workshop” might be a good word to use for marketing it does not suggest the full scope of Clevenger’s book. Clevenger definitely has a way of inviting photographers to take action, learning through a handful of specific assignments he suggests. But ultimately this is a stellar book covering conceptual underpinnings and technical specifics related to any photographic specialities. Clevenger’s unwavering focus on nature adds value to “Photographing Nature,” but considering the universal appeal of this book it might have been more appropriate to title it “The Nature of How To Photograph.”

Continue reading “Wonderful Possiblities in “Photographing Nature””

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Mar 31 2010

Inspiring Portfolios from Photojournalists

Category: Business Strategies, Creative ProcessEthan G. Salwen @ 11:05 am

A great post from 10,000 Words from last year features a number of excellent portfolio websites. “20 Photojournalists’ fantastic portfolios” is not just for photojournalists, but will be of interest to any photographer who is continually searching for for new ways to present increasingly diverse bodies of work.

AfterCapture_Blog_100331_Photojournalist Websites

As the post’s intro points out:

The digital era has revolutionized photography. Photojournalists not only have access to high-end cameras with a seemingly infinite number of features, but their photos can be presented in many different ways, including slideshows and multimedia packages. However, it doesn’t matter the technology that powers the photography, what matters is the eye and innate skill of the photographer, as evidenced below.

The inclusion of multimedia along with still photography is one of the hallmarks of the best portfolios, such as that of Chris Jordon, which is straight forward, but which excellently concentrates on the story of the images presented — whether stills or multimedia presentations.

The 10,000 Words post suggests that all that “matters is the eye and innate skill of the photographer.” I disagree. The point is not the skill of the image maker, nor their skill in editing their best images (not easy) but, ultimately, how they best take advantage of technology to best show off those skills.

Check out the portfolios featured in the 10,000 Words post, and let these photojournalists inspire you in ways you can continue to improve your own presentation.

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Mar 10 2010

Time-Lapse Photography Inspiration

Category: In MotionEthan G. Salwen @ 2:03 pm

For some serious inspiration in time-lapse photography, check out “12 Creative Uses of Time-Lapse Photography (and 4 Ways To Create It),” a post from “10,000 Words.”

Tracking flight patterns might seem fairly obvious, but then I never thought of using data from the FAA! The time-lapse documentation of the reconstruction of a Katrina-ravaged home is a great piece, and reminds of the time-lapse possibilities in documentary photography. Seeing a man age eight years in less than two minutes is bizarre, but is certainly idea-provoking. Of the 12 samples, my favorite is definitely the cross-country road trip, mesmerizingly shortened to four minutes. Nice!

Unfortunately, the “10,000 Words” post doesn’t deliver as much as I had hoped on the ways to create time-lapse photography, although there are a few links. The site’s previous entry also offers a few time-lapse photography tips and links, but nothing super substantial.

Are You Time-Lapsing?

Have you been bit by the time-lapse bug? Have a time-lapse video to share? Know of any instructional resources that are better than the ones featured in “10,000 Words”?

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Jan 20 2010

The Power of Classic Photojournalism: “In Haiti, a Stuggle Barely Begun”

Category: ViewpointEthan G. Salwen @ 11:32 am

In my post last Thursday I touched on this question: Can the distribution of too many, unfiltered images of catastrophic event reduce our sensitivity to that event? If so, this would suggest that the potential power of photography is being greatly influenced by new technologies.

People climb in through a hole in a wall to remove goods from a home supplies store in downtown Port-au-Prince.

People climb in through a hole in a wall to remove goods from a home supplies store in downtown Port-au-Prince.

In response to my post, I encourage you to view a photo slide show that “The New York Times” posted on Monday. “In Haiti, a Struggle Barely Begun” presents classic photojournalism of the highest caliber. It is brought to us via edge technology employed thoughtfully. The “Times” slide show interface is excellent, clean and uncluttered, featuring only images, captions and three links to related “Times” stories.

All 17 images in this picture story are stunning photographically. They employ color, design, lighting, focus, depth of field and strong angles a to draw us in.

The intelligence of the image maker behind the lens ensures Continue reading “The Power of Classic Photojournalism: “In Haiti, a Stuggle Barely Begun””

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Jan 08 2010

Get The Big Picture (and Major Inspiration) from “The Big Picture”

Category: ViewpointEthan G. Salwen @ 4:33 am

To receive a regular selection of great, topical photojournalism images, be sure to sign up for  “The Big Picture: News stories in photographs,” put together by the passionate and intelligent photo editor Alan Taylor and hosted by “boston.com” (the online edition of “The Boston Globe.”)

Today Taylor brings us 18 stunning images from the moon in “Images from the Lunar Reconnaissance Orbiter.” Wednesday Taylor delivered us 31 images from the “Harbine Ice and Snow Sculpture Festival.” On Monday Taylor served up 33 images in “Three Days in Iran.”

Image acquired July 11th, 2009. More (NASA/GSFC/Arizona State University)

Image acquired July 11th, 2009. More (NASA/GSFC/Arizona State University)

This is how Taylor works, editing images from diverse sources on specific topics and then presenting them with a thoughtful introduction every Monday, Wednesday and Friday. He’s been doing this since February 2009.

Scores of dedicated followers add comments, noting favorite images and adding interesting observations on the topic at hand. All in all, it’s a positive experience, full of photo inspiration.

People visit an ice Colosseum at the Harbin Ice Festival on January 3, 2010. (REUTERS/Aly Song)

People visit an ice Colosseum at the Harbin Ice Festival on January 3, 2010. (REUTERS/Aly Song)

Although I call Taylor a “photo editor” (how can I not, giving his work on “The Big Picture”?), he is actually employed as a developer for boston.com, running “The Big Picture” out of his passion for photojournalism, showing us Continue reading “Get The Big Picture (and Major Inspiration) from “The Big Picture””

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Dec 22 2009

New Perspectives From Agricultural Photographers

Category: Creative Process, Photographers, The IndustryEthan G. Salwen @ 10:39 am

ACOF_091222_Agriculture 1_Dave ReedeThink agriculture photography sounds dull? I did. But then I started researching  an article I’m currently writing on the topic for NANPA’s “Currents” magazine. What I have discovered is world of photography, with many top photographers committed to pushing their own creativity as they work to best capture what is, arguable, the most important industry on the planet.

It turns out that quite a bit of agricultural photography is dull — at least from a photographic standpoint. If you search the libraries of Grant Heilman Photography, Inc. and AGStockUSA, you will find tons of images that document very specific aspecst of the industry that I think you’ll find quite uninteresting — unless you happen to be keen on the topic.

Heilman and AGStockeUSA are two super stars in agricultural stock photography, and they are focused on meeting the specific demands of a unique market. (Who else is looking for “Holstein heifers about 10 months old” or “Frost on soybeans — 4 bean pod”?)

While some agricultural photography is dull, it turns out that some agricultural images are completely inspiring, either for Continue reading “New Perspectives From Agricultural Photographers”

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Oct 26 2009

A Not Recap of the PhotoPlus Orgy

Category: Creative Process, Resources, The Industry, ViewpointEthan G. Salwen @ 10:06 am

AC_Blog_PPE_CrowdThe PhotoPlus Expo officially ended on Saturday, but my experience didn’t come to an end until yesterday, with my visit to the studio of commercial photographer Andrew Matusik. My PPE experience was less frantic and more fantastic than I had anticipated.

I think this was simply because I did myself a favor and realized — before the madness began — that I should focus on quality over quantity. So my personal mantra was, “If you learn just one thing today and connect with just one person, this will be a success.” And a success it was.

I won’t try to recap my whole PPE experience — way, way too much to share — but I will give you a taste by simply listing some of the people and ideas that came my way:

The best part of PPE was spending real quality time — and enjoying good eats — with photographers I already knew, including Gail Mooney, Tom Kelly, Richard Anderson Continue reading “A Not Recap of the PhotoPlus Orgy”

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