Jun 14 2010

Rob Sheppard Sheds Light on the Natural Value of Video

Category: Multimedia & Video, Photographers, Photoshop & LightroomEthan G. Salwen @ 2:39 pm

“I love exploring the natural world,” Rob Sheppard shared with me enthusiastically when I interviewed him regarding the best ways photographers can approach video and multimedia. That was the same day I talked to Ian Shive and touched base with Tony Wu on the topic, and Sheppard’s comment about exploring nature was by way of explaining his openness to embracing video.

You see, for Sheppard, imaging technology — whether still, video or multimedia — is simply a means to an end. And for Sheppard, that end is about exploring nature, and then sharing his experiences with others.

If you’re not aware, Sheppard is a highly-respected nature photographer, writer, educator and the editor-at-large of “Outdoor Photographer.” He’s been helping educate still photographers for decades –30 books, hundreds of articles and seminars galore — and his intense focus on still imagery made his incredible enthusiasm take me by surprise. Silly, silly me.

Video for Life

During the hour we talked, Sheppard shared a wonderful breath of technical and creative insights. At the end of our call, I asked Sheppard what message he would like to share with nature photographers who might be hesitant about exploring the possibilities of video and multimedia. His beautiful response:

“To me, on a very personal level, nature is important. And I think nature needs our attention. People look at the natural world as place to extract things, but the entire natural world is part of a whole, and when we don’t respect nature it causes problems for nature, and for people as well. Continue reading “Rob Sheppard Sheds Light on the Natural Value of Video”

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Jun 02 2010

The Incredible Nature of Ian Shive

Category: Books, Business & Marketing, Multimedia & Video, PhotographersEthan G. Salwen @ 4:57 pm

AfterCapture Blog_100602_Shive_1“At the end of the day, your multimedia project is only as good as your story,” Ian Shive told me today during a fantastic interview. Both insightful and contagiously enthusiastic regarding the evolving possibilities in multimedia for still photographers, Shive is a 31-year-old nature photographer who turned pro only a few years ago — from a background in marketing major Hollywood motion pictures. Driven and focused, Shive is having tremendous success, recently publishing “The National Parks: Our American Landscape” and having launched Wild Collective, a full-service multimedia production company with partner, Russell Chadwick.

Shive’s portfolio is a strong, lush statement that speaks to his capacity to create top-notch nature imagery. However, to get a much better sense of who Shive is — and to gain inspiration for possibilities in leveraging still images in multimedia projects — watch “Wild Exposure with Ian Shive – Episode One – The Southwest.”

Created with Chadwick, the original idea behind “Wild Exposure” was to create a multimedia promo piece for “Our American Landscape.” The thing is, returning from their 28-day, 7,500-mile National Parks road trip, Shive says the team realized that Chadwick “had shot 36 hours of the most stunning footage you have ever seen in HD.” What to do?

Continue reading “The Incredible Nature of Ian Shive”

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May 13 2010

That Was George Lepp — Definitely A Great Photographer

Category: PhotographersEthan G. Salwen @ 1:47 pm

AfterCapture Blog_100513_Lepp_1In my post yesterday, I included an image of an unnamed photographer with the words, “A ‘great’ photographer?” If you didn’t know, that is George Lepp, a highly accomplished and successful nature photographer. If you haven’t heard of Lepp, head to his homepage and check out his bio, and you’ll see why he is considered a great in the field.

In keeping with the spirit of my post yesterday, I thought it appropriate to include Lepp’s image. I came to know Lepp through a in-depth profile piece I wrote about him in 2007 for the premier issue of “Currents” (published by NANPA). Not only was Lepp incredibly generous with his time, but he was downright humble. While clearly an incredibly driven and capable photographer, he was quick to point to his luck and good fortune in shaping his career. He named many photographers he admired deeply and without whose support, he said, he would have never become a success he is.

As I suggested yesterday, I think there is lot to be said for the role that a kind and generous personality plays in the importance of success in professional photography.

AfterCapture Blog_100513_Lepp_2Since writing “George Lepp: Making Luck Happen — Naturally,” I have heard Lepp’s name come up over and over again, mainly in the context of praise by photographers who have known him personally, and who credit Lepp’s generosity in helping them succeed.

To learn about Lepp’s fascinating road to success, download my “Currents” article. For a few choice words about regarding how personality plays a big factor in making a photographer great, check out this excerpt, featuring praise from Rob Sheppard and John Norton:

Continue reading “That Was George Lepp — Definitely A Great Photographer”

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Apr 23 2010

Wonderful Possiblities in “Photographing Nature”

Category: BooksEthan G. Salwen @ 4:11 pm

AfterCapture Blog_100423_Photographing Nature_1It’s been a long time since I have read a book on photography that has left me so pleased, satisfied and eager to spread the word about it. Having just finished “Photographing Nature,” I find myself downright giddy, which is a reaction I definitely an emotion I have never felt in relation to a book covering photographic techniques. Written by the nature photographer Ralph A. Clevenger, “Photographing Nature” is brilliantly conceived and executed, proving deeply insightful on the most difficult topics of photography to cover — the basics. Clevenger’s voice, uniquely lucid and inspiring, stands out sharply in the din that is the increasing numbers of photographers attempting to share their knowledge.

The fact that “Photographing Nature” is (obviously) about photographing nature makes my enthusiastic response all the more meaningful. Birds, bears and brilliant landscapes simply are not my photographic cup of tea — at least in terms of what I chose to photograph. However, although Clevenger has focused on illuminating the fundamentals of nature photography, he does so with such success that “Photographing Nature” offers tremendous value to an extremely wide range of photographers dedicated to improving their craft — from newbies seeking Photography 101 resources unrelated to nature photography to pros needing a boost of inspiration.

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The subtitle of “Photographing Nature” is “A photo workshop from Brooks Institute’s top nature photography instructor.” While “workshop” might be a good word to use for marketing it does not suggest the full scope of Clevenger’s book. Clevenger definitely has a way of inviting photographers to take action, learning through a handful of specific assignments he suggests. But ultimately this is a stellar book covering conceptual underpinnings and technical specifics related to any photographic specialities. Clevenger’s unwavering focus on nature adds value to “Photographing Nature,” but considering the universal appeal of this book it might have been more appropriate to title it “The Nature of How To Photograph.”

Continue reading “Wonderful Possiblities in “Photographing Nature””

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Feb 24 2010

What is “Nature Photography”?

Category: ViewpointEthan G. Salwen @ 1:03 pm

“Mr Rodriguez strongly denied that the wolf was a trained animal,” the BBC News reported on January 20.

Nonetheless Jose Luis Rodriguez was stripped of his first-place price for the Wildlife Photographer of the Year, the judges disqualifying him based on his subject probably being a “model,” even though they had already awarded Rodriguez first prize in October 2009 — out of 43,000 competition entries.

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Frankly, I don’t really care about the politics of this particular competition debacle. But the story grabbed my attention because — to me, before reading the article — the photograph of the jumping wolf rang out as staged.

I didn’t think, “The photographer staged this image.” It was just a gut reaction. Continue reading “What is “Nature Photography”?”

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Dec 22 2009

New Perspectives From Agricultural Photographers

Category: Creative Process, Photographers, The IndustryEthan G. Salwen @ 10:39 am

ACOF_091222_Agriculture 1_Dave ReedeThink agriculture photography sounds dull? I did. But then I started researching  an article I’m currently writing on the topic for NANPA’s “Currents” magazine. What I have discovered is world of photography, with many top photographers committed to pushing their own creativity as they work to best capture what is, arguable, the most important industry on the planet.

It turns out that quite a bit of agricultural photography is dull — at least from a photographic standpoint. If you search the libraries of Grant Heilman Photography, Inc. and AGStockUSA, you will find tons of images that document very specific aspecst of the industry that I think you’ll find quite uninteresting — unless you happen to be keen on the topic.

Heilman and AGStockeUSA are two super stars in agricultural stock photography, and they are focused on meeting the specific demands of a unique market. (Who else is looking for “Holstein heifers about 10 months old” or “Frost on soybeans — 4 bean pod”?)

While some agricultural photography is dull, it turns out that some agricultural images are completely inspiring, either for Continue reading “New Perspectives From Agricultural Photographers”

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