Feb 17 2011

RAW Conversion Workflow Basics

AfterCapture Blog_110217_RAW Conversion Workflow Basics_1“What is the basic process of converting RAW files to other, more usable file formats?” This is the most fundamental question you must address if you are going to work efficiently with RAW files. This is the question I answer in “RAW Conversion Workflow Basics,” my most recent “RAW Processing Solutions” column for AfterCapture. (PDF here; complete text below.)

This article is geared both for newbies to RAW as well as for photographers with intermediate raw processing skills who want to better understand helpful conceptual underpinnings — especially in relation to working with raw files in Lightroom. (If you are a RAW processing wizard, you might want to share this article with confused colleagues or mentees.)

Topics covered include: • How RAW and JPEG files differ; • Differences between RAW workflows in Adobe Camera Raw/Photoshop and Lightroom workflow; • Step-by-step RAW to TIFF workflows in Photoshop and Lightroom; • What’s going on “under the hood” in Lightroom when working with RAW files.

RAW Conversion Workflow Basics

“What is the best way for me to get my RAW (Canon) files converted to TIFFs?” One of the magazine’s faithful readers, Mike P., sent us this great, basic question. I e-mailed Mike some basic advice explaining, in part, that: “There are any num- ber of ways to go from Canon RAW files (CR2s) to TIFFs, depending on one’s individual workflow. Since I don’t know your workflow, I’ll assume that you are looking for the most basic solution and so I will recommend using Lightroom 3 for the entire process.”

In this column I will answer Mike’s question more fully. It’s a great question because it’s so basic, and basic information is the most important information. After all, if we haven’t mastered the basics we get stuck and frustrated as we try to deal with nuances. As Mike wrote: “I’m having a heck of a time deciphering the RAW dilemma. Too much info out there and some of it is conflicting.”

Because Mike asked about the mechanics of making TIFF files from RAW files (and not about specific processing controls), I assume that his “RAW dilemma” might best be summed up by this question: “What is the basic process of converting RAW files to other, more usable file formats?”

AfterCapture Blog_110217_RAW Conversion Workflow Basics_2

Opening a RAW file in Photoshop launches Adobe Camera Raw, a powerful RAW processing engine. This is done by clicking “Open Image,” which converts the RAW file into a Photoshop file that opens into Photoshop, making it ready for further editing.

RAW Files Require Special Processing
RAW image files are unusable as captured in-camera. Therefore, at its most fundamental, RAW processing is the act of converting RAW files into other usable types of image files. RAW files can be converted into Photoshop files for further editing. They can be converted into TIFF files for publication or delivery to clients. And RAW files can be converted to JPEGs of various sizes and quality for printing, sharing and use in Web galleries.

RAW files are the capture format of choice for today’s photographers because Continue reading “RAW Conversion Workflow Basics”

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Nov 12 2010

5 Critical, Basic Conecepts for Lightroom Success

Category: Photoshop & LightroomEthan G. Salwen @ 6:46 am

AfterCapture Blog_101112_Lightroom Critical ConceptsLightroom is made to do so much so easy it’s a wonderful joy — until it allows us to so easily make slip ups that are major screw ups. Matt Kloskowski, does us all a great service with his post: “5 Common (or Potential) Lightroom Slip Ups.”

His list of top five slip ups, aka, critical, basic concepts we should know:

1. Moving photos while not in Lightroom
2. Reimporting your JPG exports
3. Resetting a photo’s settings just to see it in a different way
4. Not using collections
5. Thinking that Lightroom has a color space you can change

For each point Kloskowski’s provides brief, informed explanations, each that links to a helpful video. Sweet!

Also sweet are the loads of comments that expand on Kloskowski’s advice, serving up more Lightroom fundamentals and workflow inspiration.

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Jun 14 2010

Rob Sheppard Sheds Light on the Natural Value of Video

Category: Multimedia & Video, Photographers, Photoshop & LightroomEthan G. Salwen @ 2:39 pm

“I love exploring the natural world,” Rob Sheppard shared with me enthusiastically when I interviewed him regarding the best ways photographers can approach video and multimedia. That was the same day I talked to Ian Shive and touched base with Tony Wu on the topic, and Sheppard’s comment about exploring nature was by way of explaining his openness to embracing video.

You see, for Sheppard, imaging technology — whether still, video or multimedia — is simply a means to an end. And for Sheppard, that end is about exploring nature, and then sharing his experiences with others.

If you’re not aware, Sheppard is a highly-respected nature photographer, writer, educator and the editor-at-large of “Outdoor Photographer.” He’s been helping educate still photographers for decades –30 books, hundreds of articles and seminars galore — and his intense focus on still imagery made his incredible enthusiasm take me by surprise. Silly, silly me.

Video for Life

During the hour we talked, Sheppard shared a wonderful breath of technical and creative insights. At the end of our call, I asked Sheppard what message he would like to share with nature photographers who might be hesitant about exploring the possibilities of video and multimedia. His beautiful response:

“To me, on a very personal level, nature is important. And I think nature needs our attention. People look at the natural world as place to extract things, but the entire natural world is part of a whole, and when we don’t respect nature it causes problems for nature, and for people as well. Continue reading “Rob Sheppard Sheds Light on the Natural Value of Video”

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May 06 2009

Simple Monitor Profile Diagnostic for Lightroom

Category: Technology Insights, Workflow & DAMEthan G. Salwen @ 7:29 am

If the color of your images looks off in Lightroom but not in other programs, the likely problem is a corrupted monitor profile. The easiest way to check this is to make sure the histogram of a grayscale image looks gray.

ACMF_NG_055

This useful tidbit comes from Victoria Bampton, in her highly useful problem solving book: “Adobe Lightroom 2: The Missing FAQ.” As Bampton explains: Continue reading “Simple Monitor Profile Diagnostic for Lightroom”

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Sep 04 2008

Lightroom 2: Learn To Fix Skies with Great Online Video

Category: Photoshop & Lightroom, Workflow & DAMEthan G. Salwen @ 9:00 am

ACMF_080904_KinghornLRSkies_1Jay Kinghorn has given us another great, free online video that packs a whole lot of learning into just 10 minutes, 53 seconds. Kinghorn’s latest, step-by-step tutorial illustrates how to use Lightroom 2’s Graduated Filter Tool to darken skies.

What’s particularly nice about Kinghorn’s video (besides his clear, lucid teaching style) is that he covers correction techniques for both “straight” photography as well as more creative enhancements. He also shares critical workflow tips, showing how to use presets to make great skies in no time.

To keep up with Kinghorn’s latest offerings, be sure to sign up for his free newsletter.

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Aug 18 2008

Rockin’ Free Online VIDEOS Teach Lightroom 2

Category: Online Resources, Photoshop & Lightroom, Technology InsightsEthan G. Salwen @ 11:04 am

ACMF_080818_LR2KinghornResources_1Digital imaging master and educator Jay Kinghorn has done Lightroom users a favor by gathering a concise list of excellent resources for mastering LR2. Most of the resources contain excellent videos—always a great, fast way to learn.

As Kinghorn writes in his latest Professional Digital Workflow newsletter:

Continue reading “Rockin’ Free Online VIDEOS Teach Lightroom 2″

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Jul 30 2008

Is Lightroom 2 Worth the Upgrade?

Category: Photoshop & LightroomEthan G. Salwen @ 8:10 am

ACMF_080730_Lightroom2New_1The new version Adobe Photoshop Lightroom—publically available for beta testing for some time—has finally hit the shelves. But how different is LR2 from LR1? Is it worth the upgrade? What do you get?

Adobe’s lists the top ten bullet point features Continue reading “Is Lightroom 2 Worth the Upgrade?”

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Jun 02 2008

The Awesome Power of Lightroom Presets

ACMF_080602_Lightroom_Presets_AWhile researching my latest column for the June/July 2008 issue of AfterCapture, I got a delicious taste of the truly amazing power of Lightroom presets. These wonderful workflow tools have the potential to not only seriously speed up workflow but also add new levels of creative freedom to image making.

To research “Ready. Preset. Wow!: The Awesome RAW Processing Power of Lightroom Presets” I worked with Argentine fashion photographer Tommy Abad. In just a couple hours he showed me how to take the power of Lightroom presets to the next level.

At the core of Abad’s strategy is his creation of more than 50 highly specific presets, each affecting only one area of Continue reading “The Awesome Power of Lightroom Presets”

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