Nov 03 2010

DVI Cables: A Must for Proper Color Management

Category: Technology Insights, Workflow & DAMEthan G. Salwen @ 10:02 am

“By the way, you’re using a DVI cable, not a VGA cable, correct?”

A what cable?, I thought when Richard Anderson (of dpBestflow.org fame) wrote me yesterday in response to my extreme frustration trying to improve my monitor’s color calibration.

Looking behind my monitor and going Google I discovered — derr! — that I am now hooked up with a VGA cable. Anderson said this might be the cause of my specific problems, but that it is a problem.

“DVI is digital to digital, and is better than VGA,” Anderson explained. “If you can connect with DVI cable that would be better.” Indeed!

My monitor is DVI-enabled, and so I’m off to buy an Apple Mini Displayport to DVI Adaptor, which is what I need to connect my external monitor to my MacBook Pro.

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The DVI, Better Color Lesson
We all know that color management is critical. For many of us, it is much more confusing than the experts suggest. Whether or not you’re confused, make sure you are connecting to your monitor with a DVI cable!

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Apr 07 2010

Comparing Monitors, Step-By-Step

Category: Technology InsightsEthan G. Salwen @ 7:06 pm

The title of my post is not exactly right, nor is the title of the great by Richard Anderson that I am going to point you to. Today, on the dpBestflow.org blog, Anderson gives us a fantastic post with his “Choosing a good low priced monitor.” That name seems to suggest that, well, Anderson will tell us how to chose a good low-price monitor. He doesn’t really do that, at least directly.

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What Anderson actually does is to bring us through his step-by-step process of comparing the NEC MultiSync P221W (a 22″ LCD available for around $750.00) with the Apple Cinema Display 24″. As Anderson says:

“We like two monitor setups for our workstations, so [...] Our plan was to see which monitor was more accurate- and then make that the primary monitor. It would prove to be an interesting exercise, here are some of our observations:

In other words, Anderson already had the two low-priced monitors on hand, and his observations are a series of very in-depth, clear and concise steps that he went through with his partners, Dan Stack and Matthew Yake, to compare the monitors.

What’s cool about reading the team’s process is that it is a great of example of best practices in digital imaging (the focus of dpBestflow.org) brought to life in real-world situations. The post by Anderson will help you: Continue reading “Comparing Monitors, Step-By-Step”

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May 06 2009

Simple Monitor Profile Diagnostic for Lightroom

Category: Technology Insights, Workflow & DAMEthan G. Salwen @ 7:29 am

If the color of your images looks off in Lightroom but not in other programs, the likely problem is a corrupted monitor profile. The easiest way to check this is to make sure the histogram of a grayscale image looks gray.

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This useful tidbit comes from Victoria Bampton, in her highly useful problem solving book: “Adobe Lightroom 2: The Missing FAQ.” As Bampton explains: Continue reading “Simple Monitor Profile Diagnostic for Lightroom”

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May 10 2008

Tapp Into Excellent, Enjoyable Color Management

Category: Books, Workflow & DAMEthan G. Salwen @ 9:45 am

ACMF_080510_tapping_bookWe all know that excellent color management practices are the foundation of survival, success and satisfaction in the world of digital photography postproduction. Yet, anecdotal evidence strongly suggests that many photographers still do not even systematically calibrate their monitors—let alone juggle different color spaces, make CMYK conversions and maintain mastery over a lot of other critical color practices.

If you’re struggling with any aspect of color management, you probably have two pressing questions. Am I a color management moron? No! Is there Continue reading “Tapp Into Excellent, Enjoyable Color Management”

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