Mar 12 2011

The Weird Beard Video

Category: Multimedia & VideoEthan G. Salwen @ 9:55 pm

Having hiked hundreds of miles on the Appalachian Trail and loving stop-motion and time-lapse creations, I was pretty psyched today to find that Vimeo’s daily email of movie suggestions had delivered me Green Tunnel by Kevin Gallagher. Unfortunately, Gallagher’s 2,200 miles in five minutes gave me a headache and no sense of the trail hiking experience.

Green Tunnel made me think of The Longest Way 1.0 (above) by Christoph Rehage, an epic journey brilliantly compressed in time, wonderfully presenting the spirit of Rehage, making me smiling, making me ask questions, leaving me pleased, satisfied and inspired — to journey, to create.

If you haven’t already seen this amazing piece, please watch it now. You’ll be glad you did.

In his latest post on his The Longest Way site Rehage casually refers to his movie as the “weird beard video,” and notes that it’s won yet another award. And so it should!

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Jan 14 2011

Multimedia Easy Start: Still Images with Photographer Voice-over

Category: Multimedia & VideoEthan G. Salwen @ 10:25 am

“Face-off With a Deadly Predator” is a great video — wonderful story, amazing images. From a tech point of view, it offers great inspiration to those of us moving into motion.

When it comes to video production it doesn’t get much simpler than “Deadly Predator.” Yet, as far as the quality of multimedia storytelling is concerned, it doesn’t get much better. Notice that the decidedly simple approach to the video interview of Paul Nicklen doesn’t detract from the piece — at all.

As you watch “Deadly Predator,” consider how you can put the still images in your collection to motion — adding only your own voice

To be clear: You don’t need to record yourself on video. As Bill Cunningham proves, voice-only voice-overs can work quite effectively when creating a video from still images. (Consider adding a little royalty-free music for drama, as in “Deadly Predator.”

A big thanks to Mary Lynn Price for strongly suggesting I watch this video, when I interviewed her for “Adventures in Motion.” “It’s so simple and yet it’s gotten more than two million hits on YouTube,” she said.

Price told me that as long as we have a good story, multimedia can be as simple as mixing our images with our own thoughts in our own voices.

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Dec 29 2010

Stick with the Blink, and 9 Other Critical Multimedia Editing Strategies

Category: Multimedia & VideoEthan G. Salwen @ 12:27 pm

AfterCapture Blog_101227_Stick with the Blink_1“Make edits with a purpose,” Eric Maierson advises in “MediaStorm’s 10 More Ways to Improve Your Multimedia Right Now.” After noting questions we should keep in mind to keep editing purposeful, Maierson shares nine other strategies that offer the best, most concise advice I’ve encountered for improving my multimedia editing.

Definitely check out Maierson’s post for invaluable editing insights.

Still No Rhythm, But At Least No Dissolves

To be honest, I don’t totally get what Maierson means by “edit rhythmically,” although it sounds really good and although I did check out the sample he suggested. (The “Town Bar” section of Driftless at the 1:37 mark.)

I do totally get “Delete all dissolves between images.” As Maierson explains:

The eye sees cuts. When we look from one object to another, we see a blink. We don’t see one object then dissolve to another. Remove all of your image dissolves and your work will improve immediately.

This was very nice to learn. I’ve been laying down stills into timelines, adding dissolves, I’m not really sure how to handle them. Thanks to Maierson I now know I’ll produce better projects by keeping it simple and just sticking with the blink.

P.S. — Eric Maierson Chimes in on Rhythm

Eric Maierson was nice enough to chime in and help me with my confusion over his suggestion to “edit rhythmically.” Definitely take a moment to read his fantastic comment below — very good stuff, which as he says, “sounds a bit oblique written out,” but which I am starting to see, hear and feel.

Maierson wants us to avoid the (boring) result of only editing to the beat, as in, “Da-da-da-da-da-da-da.” Instead, he says we should make “edits work around the other elements. That way you get a nice flow and the music of your edits sound more like da-badadum-da-badumdum-da-da.”

Yes, this does sound oblique (even more than in Mairson’s comment), but I did as Maierson suggested and went back to the 1:37 mark of the “Town Bar” section of Driftless, and I realized that, as he says, there are many more elements in play then I had thought. The visual cuts are on a beat, but not every beat, and musical phrases play out, waiting for the next, best beat for the cut — after a break in the the dialog.

This seems light years beyond my current editing abilities, but seeing, hearing and feeling the rhythm of the “Town Bar” edits is very exciting.

Thank you, Eric!!!

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Dec 27 2010

Walking Into a Sharply Intelligent Documentary

Category: Multimedia & VideoEthan G. Salwen @ 1:39 pm

As Jason Nunes suggested I watch it, I would have anyway. But I just had to watch “Running with Scissors” because, as timing would have it, just two days before receiving Nunes’ recommendation I had read “The Memory Addict” by Sam Anderson, a fascinating article published in New York Magazine. (May 5, 2008.) In the piece, Anderson explores the complex intersection of memory and the memoir, focusing in on Augusten Burroughs, author of the bestselling memoir, “Running with Scissors.”

For two reasons, I suggest you watch “Running with Scissors,” the 11-minute documentary by Ricky John Molloy, Thomas Tolstrup and Nancy J. Hawsyou. As Nunes told me, “It’s really beautifully shot, in a style that I think is very influenced by photography, not film making.” In other words, good inspiration for us (mostly) still photographers.

More compelling — and the reason you need to make it to the seven-minute mark — while “Running with Scissors” starts out featuring simple, straightforward storytelling about a sweet, easy-to-digest topic, it takes a well-crafted turn that involves more complex, less obvious storytelling about more profound issues.

With a light and intelligent hand, Molloy, Tolstrup and Hawsyou shift from straight reporting and welcome us to contemplate the relationship between our life experiences (or memories, our personal memoirs) and how these influence how we live our lives in the present. As such, “Running with Scissors” serves as a nice counterpoint to Anderson’s “The Memory Addict.” (An amazing read, Anderson’s article questions whether Burroughs has the uncanny memory he is famous for, or whether he is full of shit, or whether both are true, or neither, and whether it really matters.)

How I Saw “Running With Scissors”

Disclaimer: My viewing experience is less important than yours, and “Running with Scissors” takes advantage of unexpected (but not underhanded) turns of plot. So read the following only if, A) You won’t be watching the film or, B) You already have.

I was encouraged and sucked into the documentary when Continue reading “Walking Into a Sharply Intelligent Documentary”

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Dec 09 2010

Luscious Inspiration from “Scattered Flurries”

Category: Multimedia & VideoEthan G. Salwen @ 12:08 pm

The value of signing up for email video suggestions from Vimeo hit home when the site served me up “Scattered Flurries” a couple weeks back. Ben Knight’s luscious, captivating video has remained prominent in my mind. Using an original soundtrack and careful editing of his stunning, snowy motion footage, Knight tells a story in a way that seems to resonate with the sensibilities of still photographers — especially in that almost every shot is powerful visual moment in itself.

One thing I’m learning watching videos suggested by Vimeo is that — derr! — the spectrum of possibilities in video shorts is so broad that most pieces defy easy definitions. For example, Knight’s piece seems to go beyond the scope of music motivational pieces, and yet it fits the definition.

More than anything, I serve you up “Scattered Flurries” because it seems ideal inspiration for how many still photographers might want to proceed, at least at first, with video: avoid dealing with sound; focus on capturing wonderful images; tell a story in the editing; avoid crew and major expenses.

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Nov 30 2010

Mouthwatering Multimedia Drink Mixing Guide

Category: Multimedia & VideoEthan G. Salwen @ 9:15 pm

AfterCapture Blog_101130_NYT Drinks_1Does getting drunk and expanding your understanding possibilities in multimedia sound good? If so (and, um, even if prefer to stay sober), check out the multimedia reporting today by Steven Stern and the New York Times: “For Every Holiday Party, the Right Drink.” This is delicious multimedia!

Frankly, I won’t be mixing any drinks soon (other than maybe a Fernet and Coke, so popular here in Argentina). Still, I share this multimedia reporting because it demonstrates a manner of sharing lots of information with crisp, inviting efficiency.

Rollover any of the 12 yummy images of featured drinks and “Click here for recipe.” This is where the presentation gets really good.

I can’t vouch for the quality of the recipes, but the New York Times has has mixed up truly intelligent multimedia by dividing each recipe into four distinct areas: 1) introduction, 2) large photo, 3) ingredients, and 4) preparation. (Also, prominant “forward” and “back” arrows keep us clicking through the drinks.)

AfterCapture Blog_101130_NYT Drinks_3

This smart, tasty way to organize information using multimedia offers photographers a great example how we might present documentary reporting, portfolios or any other content — especially when trying to put all information in only one caption might make viewers want to . . . well . . . reach for a drink.

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Nov 10 2010

Vimeo Emails Serve Up Daily Multimedia Inspiration

Category: Multimedia & Video, Online ResourcesEthan G. Salwen @ 6:22 am

To learn multimedia and video, we have to look at the stuff. Vimeo.com makes it easy with optional, daily email notifications. On your Vimeo.com page (no fee, don’t even need to upload videos), select “Edit your profile,” go to “Notifications” and check the desired boxes. So simple.

AfterCapture Blog_101110_Vimeo Inspiration

Sure, sure, we see video all time. And yes, since beginning to play with multimedia I’ve begun to pay much more conscientious attention to movies, TV, and commercials. But as photographers we also really need to be looking at shorter pieces, pieces made on low budgets, pieces made by photographers, pieces that are offbeat, fresh, geared for Web 2.0. and so. . .Vimeo is very promising for daily inspiration.

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Oct 20 2010

Using Multimedia to Sell Yourself (Not Your Images)

Category: Business & Marketing, Multimedia & VideoEthan G. Salwen @ 3:16 pm

“You need to tell them who you are,” Lauren M. Rabaino suggests in her post yesterday at 10,000 Words, in which she is highlighting the importance of applying multimedia skills in non-multimedia jobs. Here, she is specifically talking about the importance of entrepreneurs (read: all photographers) selling themselves to clients with multimedia storytelling.

Photographers are doing an amazing job at harnessing multimedia to highlight their work, but how many (and how creatively?) are photographers using multimedia to sell themselves — entrepreneurial style?

Here are four example of photographers using multimedia to help sell themselves to potential clients. What’s cool is that this self-promotion was either an after thought (#1) or not a thought at all (#2, #3 and #4), but all do the trick — meeting the 2.0 reality of potential clients wanting to identify a cool, like-minded image maker to work with, not just someone who makes cool images.

#1. This video features Ian Shive:

Amazing multimedia, wonderfully highlights his work, but also really shows you want this guy is about. Not surprisingly, he’s told me that he’s gotten amazing attention (and business) from this series.

#2. This video features Gail Mooney:

Amazing multimedia journalism, this is just a rough that Mooney quickly slapped together after her travels for “Opening Our Eyes.” Yes, it wonderfully teases us with the quality of her work (we want to see more!), but it also shows Mooney up close and personal — something you’d never see in a portfolio-only piece. Mooney has told me that every time she has shown this teaser she gets amazing interest in her project, and that her viewers are most interested in what she has to say on camera.

#3. This video features Peter Krogh:

OK, this is not amazing multimedia, nor does it seem to be a super sales device, but I actually think it is. In this world of 2.0 sharing, we get to see super photo nerdy Krogh in a less photo-nerdy moment, sharing a bit of his life, showing us who he is, helping us imagine him out camping in his van, letting us know that Zippy Lives!

#4. This video features Mary Lynn Price:

If you can make a fun, excellent, educational multimedia piece that features you, and starts off you with you mostly naked, well. . . I think you’re doing a great self promotion sales job, even if wasn’t your intention.

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Oct 01 2010

Photojournalist Paula Lerner Wins Emmy Helping Reveal Veiled Suffering in Afghanistan

Category: Multimedia & Video, PhotographersEthan G. Salwen @ 2:48 pm

A major kudos to multimedia-embracing photojournalist Paula Lerner for winning an Emmy this week for her critical contribution to to “Behind The Veil,” a powerful, sobering, in-depth multimedia feature highlighting the struggles facing women in Kandahar, Afghanistan.

“Behind The Veil” highlights the amazing potential of a multimedia reporting. Grounded in the thoughtful reporting Jessica Leeder, of “The Globe and Mail”, and built around ten videos of Afghan women sharing their plights, “Behind The Veil” depends heavily on Lerner’s images. Featured during Leeder’s voice-over, her photographs paint a broad visual picture of the topic in a way that brilliantly compliments the videos and Leeder’s reporting.

I have not yet investigated the story behind the creation of “Behind the Veil” but I’m fairly sure that Lerner made her images independently of this project, and before the project was even conceived. I say this because I heard Lerner speak about her work in Afghanistan last October at PhotoPlus, and I’ve seen a number of the images in her online portfolio. Just as important, many of Lerner’s images document moments before Afghan woman’s rights began to be abused more severely — to levels that Leeder helps illustrate are arguably worse than when the Taliban ruled the country.

Take at least a quick look at “Behind The Veil” to better understand an important story, to see multimedia harnessed to its full potential, and to respect the important photojournalism created by Lerner.

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Sep 23 2010

Adventures in Motion — The Article

ACBlog_100900_adventures_in_motion_salwen_currents_fall2010“The ability to easily distribute video to a worldwide audience via the web is the third factor that has dramatically opened up possibilities in motion for still photographers,” I write in “Adventures in Motion: Nature photographers get serious about capturing video and producing multimedia.” Factor One, I explain, is that hi-def digital video capture has recently become so affordable. Even more critical, Factor Two occurred “in the late 1990s when professional video editing software began to run on the same computers photographers used for their digital still photography.” With this brief historical background, in “Adventures in Motion,” which I wrote for NANPA’s Currents magazine, I dive into a deeply-researched piece in which I attempt to inspire photographers to embrace multimedia and video, and to provide some fundamental advice for doing so smartly.

To get a taste of the scope of “Adventures in Motion,” check out the article’s subheads: “New Frontiers in Video Capture, Editing and Distribution,” “Proceed with Excitement and Respect,” “Having Fun and Learning By Sharing,” “Understanding New Paradigms in Publishing,” “Taking On Video Editing One Step at a Time,” “Listen Up: Sound Is King,” “It’s All About the Story,” and “Beyond the Million-Dollar Question.”

Sounds like good stuff, no? Well, if I succeed with “Adventures in Motion,” it is because I was able to bring to life the experiences the visionary, multimedia-embracing nature photographers who informed this piece: Rob Sheppard, Eric Cheng, Ian Shive, Tony Wu, Ralph Clevenger and Mary Lynn Price.

I deeply thank all of these photographers. During hours of interviews, each one shared their unique perspectives with passion and patience. They also provided invaluable feedback on drafts of the article. While their experiences differ, I was pleased to discover that they are all very much on the same page in terms of what matters for still photographers moving into motion.

Currents’ editor Niki Barrie is the unsung hero behind “Adventures in Motion.” Not only did she assign the article, but she performed some major hand-holding as I worked to refine my mess of a first draft from more than 10,000 words down to less than 4,000. Thanks, Niki!

Check It Out! — A Resource Worth Sharing With Colleagues?

I encourage you to give “Adventures in Motion” a read. Even if you well beyond “newbie” status in your adventures in motion, my hope is that you will find a resource worth sharing with colleagues.

Sooooooo?

I know you’re the opinionated type, so please share your opinionated response to “Adventures in Motion” — in a comment below. More than “Good job!” or “That sucked!”, I encourage you to enter the dialog with your experiences. Expand on what I got right, correct what I got wrong, share any critical advice I left out, pose a question that was raised, or respond to any questions raised below.

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