Mar 12 2011

The Weird Beard Video

Category: Multimedia & VideoEthan G. Salwen @ 9:55 pm

Having hiked hundreds of miles on the Appalachian Trail and loving stop-motion and time-lapse creations, I was pretty psyched today to find that Vimeo’s daily email of movie suggestions had delivered me Green Tunnel by Kevin Gallagher. Unfortunately, Gallagher’s 2,200 miles in five minutes gave me a headache and no sense of the trail hiking experience.

Green Tunnel made me think of The Longest Way 1.0 (above) by Christoph Rehage, an epic journey brilliantly compressed in time, wonderfully presenting the spirit of Rehage, making me smiling, making me ask questions, leaving me pleased, satisfied and inspired — to journey, to create.

If you haven’t already seen this amazing piece, please watch it now. You’ll be glad you did.

In his latest post on his The Longest Way site Rehage casually refers to his movie as the “weird beard video,” and notes that it’s won yet another award. And so it should!

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Jan 14 2011

Multimedia Easy Start: Still Images with Photographer Voice-over

Category: Multimedia & VideoEthan G. Salwen @ 10:25 am

“Face-off With a Deadly Predator” is a great video — wonderful story, amazing images. From a tech point of view, it offers great inspiration to those of us moving into motion.

When it comes to video production it doesn’t get much simpler than “Deadly Predator.” Yet, as far as the quality of multimedia storytelling is concerned, it doesn’t get much better. Notice that the decidedly simple approach to the video interview of Paul Nicklen doesn’t detract from the piece — at all.

As you watch “Deadly Predator,” consider how you can put the still images in your collection to motion — adding only your own voice

To be clear: You don’t need to record yourself on video. As Bill Cunningham proves, voice-only voice-overs can work quite effectively when creating a video from still images. (Consider adding a little royalty-free music for drama, as in “Deadly Predator.”

A big thanks to Mary Lynn Price for strongly suggesting I watch this video, when I interviewed her for “Adventures in Motion.” “It’s so simple and yet it’s gotten more than two million hits on YouTube,” she said.

Price told me that as long as we have a good story, multimedia can be as simple as mixing our images with our own thoughts in our own voices.

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Nov 30 2010

Mouthwatering Multimedia Drink Mixing Guide

Category: Multimedia & VideoEthan G. Salwen @ 9:15 pm

AfterCapture Blog_101130_NYT Drinks_1Does getting drunk and expanding your understanding possibilities in multimedia sound good? If so (and, um, even if prefer to stay sober), check out the multimedia reporting today by Steven Stern and the New York Times: “For Every Holiday Party, the Right Drink.” This is delicious multimedia!

Frankly, I won’t be mixing any drinks soon (other than maybe a Fernet and Coke, so popular here in Argentina). Still, I share this multimedia reporting because it demonstrates a manner of sharing lots of information with crisp, inviting efficiency.

Rollover any of the 12 yummy images of featured drinks and “Click here for recipe.” This is where the presentation gets really good.

I can’t vouch for the quality of the recipes, but the New York Times has has mixed up truly intelligent multimedia by dividing each recipe into four distinct areas: 1) introduction, 2) large photo, 3) ingredients, and 4) preparation. (Also, prominant “forward” and “back” arrows keep us clicking through the drinks.)

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This smart, tasty way to organize information using multimedia offers photographers a great example how we might present documentary reporting, portfolios or any other content — especially when trying to put all information in only one caption might make viewers want to . . . well . . . reach for a drink.

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Oct 01 2010

Photojournalist Paula Lerner Wins Emmy Helping Reveal Veiled Suffering in Afghanistan

Category: Multimedia & Video, PhotographersEthan G. Salwen @ 2:48 pm

A major kudos to multimedia-embracing photojournalist Paula Lerner for winning an Emmy this week for her critical contribution to to “Behind The Veil,” a powerful, sobering, in-depth multimedia feature highlighting the struggles facing women in Kandahar, Afghanistan.

“Behind The Veil” highlights the amazing potential of a multimedia reporting. Grounded in the thoughtful reporting Jessica Leeder, of “The Globe and Mail”, and built around ten videos of Afghan women sharing their plights, “Behind The Veil” depends heavily on Lerner’s images. Featured during Leeder’s voice-over, her photographs paint a broad visual picture of the topic in a way that brilliantly compliments the videos and Leeder’s reporting.

I have not yet investigated the story behind the creation of “Behind the Veil” but I’m fairly sure that Lerner made her images independently of this project, and before the project was even conceived. I say this because I heard Lerner speak about her work in Afghanistan last October at PhotoPlus, and I’ve seen a number of the images in her online portfolio. Just as important, many of Lerner’s images document moments before Afghan woman’s rights began to be abused more severely — to levels that Leeder helps illustrate are arguably worse than when the Taliban ruled the country.

Take at least a quick look at “Behind The Veil” to better understand an important story, to see multimedia harnessed to its full potential, and to respect the important photojournalism created by Lerner.

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Sep 21 2010

Photographing Atom Bombs

Category: Multimedia & Video, Photographers, ViewpointEthan G. Salwen @ 3:18 pm

AC_Blog_100921_Atomic Bomb Coverage“Capturing the Atom Bomb on Film” is a simple but fascinating multimedia presentation by The New York Times. It presents 23 images from “How to Photograph the Atomic Bomb” by Peter Kurun and offers an audio file narrated by George Yoshitake, 82, a photographer who captured atom bomb testing, and who also lost family members when such bombs were dropped on Japan. The images, with captions, are definitely interesting, but it is the audio by Yoshitake that really pulled me in.

What’s interesting about the format is that the audio is not timed to the images and can be played separately, or not at all. This might seem like lazy multimedia production, but it shows another, simple way that images and audio can be blended into an meaningful experience, in which the viewer is definitely in the driving seat.

Who Is Peter Kurun?

Have you heard of Peter Kurun? I hadn’t. But he Continue reading “Photographing Atom Bombs”

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Sep 10 2010

The Value of Shutting Up

Category: In-Camera Techniques, Multimedia & Video, ViewpointEthan G. Salwen @ 11:30 am

AC_Blog_100910_Shut Up_1More than once Gail Mooney has advised photographers new to video to shut up when recording audio interviews. I got the point — I thought. If we are not quite, in general, or jump to quickly to the the next question we risk making a mess of our audio files, making editing a real bitch, possibly losing precious soundbites. That made sense. But I’ve discovered that Mooney’s advice actually is much more deeply valuable than had thought.

When Mooney was here in Buenos Aires finishing up her “Opening Our Eyes” reporting, she invited me to help her and Erin Kelly (her daughter/project partner) with one on their interviews. My job: to help with translating. Mooney gave me a quick prep talk before the interviewing, insisting that I shut up as much as possible, and advised me to nod my head, make eye contact and try to encourage further talking — on the subject’s part — by not doing any talking on my part.

If you’ve ever met or been interviewed by me, you’ll know that one of the hardest things for me to do is shut up. I talk, talk, talk, talk.

But then, on location interviewing Maria Eugenia Cuyas, with Mooney working the camera and Erin and I asking the questions, I saw the value of shutting up in action. It wasn’t — as I had thought — just about not jumping on top of the interviewees final words. It was about eliciting much more interesting, expansive answers by using the power of silence.

A Chance to Shut Up for The Master

On Mooney and Erin’s last day in Buenos Aires, I was honored to have the chance to interview them both. That’s right, in the “making-of” video short Mooney created on returning home, she and Erin are responding to my questions — and even more, to my silence. They had tons on their mind, and just needed a little prompting.

The more silent I forced myself to be, the more Continue reading “The Value of Shutting Up”

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Jun 08 2010

Tony Wu Heads into the Uncharted Waters of Final Cut Pro

Category: Creative Process, Multimedia & VideoEthan G. Salwen @ 11:19 am

How’s that for timing? Last Thursday I feature the underwater storytelling of Tony Wu, on Friday I make a case that we should embrace the opportunities of learning multimedia on the job, and then today I hear from Wu. “I’ve been offline for a while,” he writes. “I was in the midst of editing this.”

“This” lead me to Wu’s “Adventures with Craig” blog post, which features his latest video, “Captain Craig,” a project which required Wu to head into uncharted waters with Final Cut Pro. “This is the first time I’ve edited anything with Final Cut Pro and Motion,” Wu notes in his post, and asks us cut him some slack regarding aspects of his video that might need improvement.

Cut some slack? Huh??? The piece is great –  successful in terms of what might be considered “traditional multimedia journalism,” but which also focuses on the more “cinematic experience” that Ian Shive told me about.

Dangerous, Uncharted, Satisfying Waters

Continue reading “Tony Wu Heads into the Uncharted Waters of Final Cut Pro”

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May 06 2010

Excellent Interactive Guides Explore Gulf Coast Oil Spill

Category: Technology Insights, ViewpointEthan G. Salwen @ 8:53 am

Excellent Interactive Guides Explore Gulf Coast Oil Spill

On January 14 I mentioned my frustration with “A Closer Look at the Destruction in Haiti,” an interactive Web feature produced by “The New York Times.” On January 20 I highlighted “In Haiti, a Struggle Barely Begun,” (also by the “Times”), praising the power of classic photojournalism.

My two posts together might come off as a Luddite, suggesting that old fashioned reporting is better than newer-tech reporting. This is certainly not the case. Just think abut Vietnam. While we might best  remember a handful of iconic still photographic images from the Vietnam War, it was the daily TV news coverage that most effectively brought the war into the homes of Americans.

AfterCapture Blog_100506_Interactive_1

Today 10,000 Words features a great sample of interactive, online media done right. “7 interactive guides to the Gulf Coast oil spill” show that simple, well-conceived multimedia reporting can be far more effective than still images alone, and that they can help put still images (both news and stock) to best use.

Samples include reporting by USA Today, The New York Times, MSNBC, CNN, and the Times-Picayune. All of these are basically the same — showing the progress of the spill over time, using Flash driven graphics.

Continue reading “Excellent Interactive Guides Explore Gulf Coast Oil Spill”

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Apr 19 2010

Craig F. Walker Wins (the New) Pulitzer Prize in Feature Photography

Category: Photographers, The IndustryEthan G. Salwen @ 9:19 pm

AfterCapture_Blog_100419_Pulitzer_1On April 12, the 2010 Pulitzer Prize in Feature photography was awarded to Craig F. Walker of “The Denver Post.” As the prize citation notes, Walker won the award “for his intimate portrait of a teenager who joins the Army at the height of insurgent violence in Iraq, poignantly searching for meaning and manhood.”

Winning a Pulitzer is a big deal. There is no doubt that Walker’s work is  worthy of recognition. What is more confusing is exactly what makes photography eligible for a Pulitzer Prize, how this relates to digital journalism and how Pulitzer judges chose winning images in relation to online presentations.

This post is about the Pulitzer Prizes in photography — thus “(the New)” I put in the title — and not about whether Walker’s work deserves the prize. I want to make that clear. For more than two years Walker photographed a young man named Ian Fisher as he went from considering joining the military and his induction into the Army through his training — which included a number of personal problems — to his eventual deployment to Iraq and his return to the States.

Not only did Walker photograph Fisher at key moments during a 27-month period, but he recorded his family, friends and many aspects of the modern military not often seen. It is a truly compelling body of work.

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The main reason I know that Walker’s body of  work is compelling is because of an online, multimedia site hosted by “The Denver Post.” By heading to “Ian Fisher: American Soldier” I was able to delve into Walker’s work far, far more in depth than I could have by merely viewing the 20 images presented in the “Works” section connected to Walker’s citation on The Pulitzer Prizes site.

Confusing Evolutions in Pulitzer Eligibility

I first heard about Walker’s winning work from a post on 10,000 Words. The post’s introduction says: Continue reading “Craig F. Walker Wins (the New) Pulitzer Prize in Feature Photography”

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Apr 02 2010

The Fine Art of Photojournalism Multimedia

Category: Multimedia & Video, Technology Insights, The Industry, ViewpointEthan G. Salwen @ 3:27 pm

Photojournalism has never been as “straight” as most people seem to assume, especially those outside the specialty. With the advent of digital multimedia as a way to share still photojournalism, increasing numbers of photojournalists seem quite comfortable pushing the line between “straight” photography and fine art image making.

AfterCapture_Blog_100402_Road Work

One amazing example can be found on the website of photojournalist Antonin Kratochvil, whose work is represented by the photo agency VII.

The only explanation offered within the multimedia piece “Road Work” is the text that says, “by U.S. Army Staff Sergeant Jack Lewis.” Presumably the haunting, personal narration is by Sergeant Lewis, and presumably it is based on his real experience, and presumably the images in the piece were made by Kratochvil. Continue reading “The Fine Art of Photojournalism Multimedia”

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