Aug 11 2010

A Photojournalist (Published) in Argentina

Category: Business & MarketingEthan G. Salwen @ 1:04 pm

AC_Blog_100811_HRW_1Today an image of mine from yesterday’s Human Rights Watch press conference appeared in “Pagina 12,” Argentina’s biggest progressive newspaper. Images of mine from the press event also ran on a number of international news Web sites. Yes I’m pleased about this, but I’m also quite surprised.

When I arrived at the Human Rights Watch press conference (to unveil “Illusions of Care”), I had two goals. My primary goal was to meet contacts to help with my multimedia project for HRW. My second goal was to experiment with photographing still images while also capturing video and, gulp, recording audio as well.

I figured that the material likely would not make it into my multimedia project, and so I didn’t have to worry about the low quality of the video from my Canon G9, nor about the fact that I had no idea how to record audio with my brand new Zoom H4n, which looks like a spaceship and comes with an instruction manual that left me confused an anxious.

In other words, although I was messing around with a lot of equipment, I wasn’t nervous. No pressure. But then. . .

I noticed that there were no other photographers at the press conference and I thought, um, shouldn’t we be putting my work to use for HRW? At least, I thought, I should make sure I get one or two suitable images for press use, just in case.

I only really got my head on straight regarding press images after the conference, back at the hotel that HRW was using as their strategic center. There were giving lots of interviews and so I finally said, “Shouldn’t we be offering my images to the press?”

Indeed!, the team said. So I rushed back to my computer, set up a gallery of selects, and started responding to emails and calls that were coming in.

Marianne Mollmann speaks at Human Rights Watch press conference in Buenos Aires, Argentina, August 10, 2010, to release report "Illusions of Care: Lack of Accountability for Reproductive Rights in Argentina"

Marianne Mollmann speaks at Human Rights Watch press conference in Buenos Aires, Argentina, August 10, 2010, to release report "Illusions of Care: Lack of Accountability for Reproductive Rights in Argentina."

Thinking About the Client

I realize, of course, that daily news photographers think very clearly (and in advance) about how to get their images quickly into print. I’m not that kind of photographer, and so I don’t think that way. (That’s not an excuse; I’ll be more alert in the future.)

In terms of getting my images published I wasn’t thinking about how to make a few extra bucks on licencing a few tiny images. The important thing for me was to make myself part of the HRW team, help them with their press efforts and — no small matter — show them what I look like working in action.

Yes, I’ve already got the “go” for the multimedia project, but I am working with only one contact, who already has my confidence. Yesterday, two of her colleagues saw me go the extra mile for HRW, and I’m sure that, at some point in some way, this will serve me well.

Tags: , , , , , , , , , ,


May 06 2010

Excellent Interactive Guides Explore Gulf Coast Oil Spill

Category: Technology Insights, ViewpointEthan G. Salwen @ 8:53 am

Excellent Interactive Guides Explore Gulf Coast Oil Spill

On January 14 I mentioned my frustration with “A Closer Look at the Destruction in Haiti,” an interactive Web feature produced by “The New York Times.” On January 20 I highlighted “In Haiti, a Struggle Barely Begun,” (also by the “Times”), praising the power of classic photojournalism.

My two posts together might come off as a Luddite, suggesting that old fashioned reporting is better than newer-tech reporting. This is certainly not the case. Just think abut Vietnam. While we might best  remember a handful of iconic still photographic images from the Vietnam War, it was the daily TV news coverage that most effectively brought the war into the homes of Americans.

AfterCapture Blog_100506_Interactive_1

Today 10,000 Words features a great sample of interactive, online media done right. “7 interactive guides to the Gulf Coast oil spill” show that simple, well-conceived multimedia reporting can be far more effective than still images alone, and that they can help put still images (both news and stock) to best use.

Samples include reporting by USA Today, The New York Times, MSNBC, CNN, and the Times-Picayune. All of these are basically the same — showing the progress of the spill over time, using Flash driven graphics.

Continue reading “Excellent Interactive Guides Explore Gulf Coast Oil Spill”

Tags: , , , ,


Apr 19 2010

Craig F. Walker Wins (the New) Pulitzer Prize in Feature Photography

Category: Photographers, The IndustryEthan G. Salwen @ 9:19 pm

AfterCapture_Blog_100419_Pulitzer_1On April 12, the 2010 Pulitzer Prize in Feature photography was awarded to Craig F. Walker of “The Denver Post.” As the prize citation notes, Walker won the award “for his intimate portrait of a teenager who joins the Army at the height of insurgent violence in Iraq, poignantly searching for meaning and manhood.”

Winning a Pulitzer is a big deal. There is no doubt that Walker’s work is  worthy of recognition. What is more confusing is exactly what makes photography eligible for a Pulitzer Prize, how this relates to digital journalism and how Pulitzer judges chose winning images in relation to online presentations.

This post is about the Pulitzer Prizes in photography — thus “(the New)” I put in the title — and not about whether Walker’s work deserves the prize. I want to make that clear. For more than two years Walker photographed a young man named Ian Fisher as he went from considering joining the military and his induction into the Army through his training — which included a number of personal problems — to his eventual deployment to Iraq and his return to the States.

Not only did Walker photograph Fisher at key moments during a 27-month period, but he recorded his family, friends and many aspects of the modern military not often seen. It is a truly compelling body of work.

AfterCapture_Blog_100419_Pulitzer_2

The main reason I know that Walker’s body of  work is compelling is because of an online, multimedia site hosted by “The Denver Post.” By heading to “Ian Fisher: American Soldier” I was able to delve into Walker’s work far, far more in depth than I could have by merely viewing the 20 images presented in the “Works” section connected to Walker’s citation on The Pulitzer Prizes site.

Confusing Evolutions in Pulitzer Eligibility

I first heard about Walker’s winning work from a post on 10,000 Words. The post’s introduction says: Continue reading “Craig F. Walker Wins (the New) Pulitzer Prize in Feature Photography”

Tags: , , , , , , , , , , , , , , , ,


Jan 20 2010

The Power of Classic Photojournalism: “In Haiti, a Stuggle Barely Begun”

Category: ViewpointEthan G. Salwen @ 11:32 am

In my post last Thursday I touched on this question: Can the distribution of too many, unfiltered images of catastrophic event reduce our sensitivity to that event? If so, this would suggest that the potential power of photography is being greatly influenced by new technologies.

People climb in through a hole in a wall to remove goods from a home supplies store in downtown Port-au-Prince.

People climb in through a hole in a wall to remove goods from a home supplies store in downtown Port-au-Prince.

In response to my post, I encourage you to view a photo slide show that “The New York Times” posted on Monday. “In Haiti, a Struggle Barely Begun” presents classic photojournalism of the highest caliber. It is brought to us via edge technology employed thoughtfully. The “Times” slide show interface is excellent, clean and uncluttered, featuring only images, captions and three links to related “Times” stories.

All 17 images in this picture story are stunning photographically. They employ color, design, lighting, focus, depth of field and strong angles a to draw us in.

The intelligence of the image maker behind the lens ensures Continue reading “The Power of Classic Photojournalism: “In Haiti, a Stuggle Barely Begun””

Tags: , , , , , , , , , , , , , , , , , , ,