May 13 2010

That Was George Lepp — Definitely A Great Photographer

Category: PhotographersEthan G. Salwen @ 1:47 pm

AfterCapture Blog_100513_Lepp_1In my post yesterday, I included an image of an unnamed photographer with the words, “A ‘great’ photographer?” If you didn’t know, that is George Lepp, a highly accomplished and successful nature photographer. If you haven’t heard of Lepp, head to his homepage and check out his bio, and you’ll see why he is considered a great in the field.

In keeping with the spirit of my post yesterday, I thought it appropriate to include Lepp’s image. I came to know Lepp through a in-depth profile piece I wrote about him in 2007 for the premier issue of “Currents” (published by NANPA). Not only was Lepp incredibly generous with his time, but he was downright humble. While clearly an incredibly driven and capable photographer, he was quick to point to his luck and good fortune in shaping his career. He named many photographers he admired deeply and without whose support, he said, he would have never become a success he is.

As I suggested yesterday, I think there is lot to be said for the role that a kind and generous personality plays in the importance of success in professional photography.

AfterCapture Blog_100513_Lepp_2Since writing “George Lepp: Making Luck Happen — Naturally,” I have heard Lepp’s name come up over and over again, mainly in the context of praise by photographers who have known him personally, and who credit Lepp’s generosity in helping them succeed.

To learn about Lepp’s fascinating road to success, download my “Currents” article. For a few choice words about regarding how personality plays a big factor in making a photographer great, check out this excerpt, featuring praise from Rob Sheppard and John Norton:

Continue reading “That Was George Lepp — Definitely A Great Photographer”

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Apr 23 2010

Wonderful Possiblities in “Photographing Nature”

Category: BooksEthan G. Salwen @ 4:11 pm

AfterCapture Blog_100423_Photographing Nature_1It’s been a long time since I have read a book on photography that has left me so pleased, satisfied and eager to spread the word about it. Having just finished “Photographing Nature,” I find myself downright giddy, which is a reaction I definitely an emotion I have never felt in relation to a book covering photographic techniques. Written by the nature photographer Ralph A. Clevenger, “Photographing Nature” is brilliantly conceived and executed, proving deeply insightful on the most difficult topics of photography to cover — the basics. Clevenger’s voice, uniquely lucid and inspiring, stands out sharply in the din that is the increasing numbers of photographers attempting to share their knowledge.

The fact that “Photographing Nature” is (obviously) about photographing nature makes my enthusiastic response all the more meaningful. Birds, bears and brilliant landscapes simply are not my photographic cup of tea — at least in terms of what I chose to photograph. However, although Clevenger has focused on illuminating the fundamentals of nature photography, he does so with such success that “Photographing Nature” offers tremendous value to an extremely wide range of photographers dedicated to improving their craft — from newbies seeking Photography 101 resources unrelated to nature photography to pros needing a boost of inspiration.

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The subtitle of “Photographing Nature” is “A photo workshop from Brooks Institute’s top nature photography instructor.” While “workshop” might be a good word to use for marketing it does not suggest the full scope of Clevenger’s book. Clevenger definitely has a way of inviting photographers to take action, learning through a handful of specific assignments he suggests. But ultimately this is a stellar book covering conceptual underpinnings and technical specifics related to any photographic specialities. Clevenger’s unwavering focus on nature adds value to “Photographing Nature,” but considering the universal appeal of this book it might have been more appropriate to title it “The Nature of How To Photograph.”

Continue reading “Wonderful Possiblities in “Photographing Nature””

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Feb 24 2010

What is “Nature Photography”?

Category: ViewpointEthan G. Salwen @ 1:03 pm

“Mr Rodriguez strongly denied that the wolf was a trained animal,” the BBC News reported on January 20.

Nonetheless Jose Luis Rodriguez was stripped of his first-place price for the Wildlife Photographer of the Year, the judges disqualifying him based on his subject probably being a “model,” even though they had already awarded Rodriguez first prize in October 2009 — out of 43,000 competition entries.

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Frankly, I don’t really care about the politics of this particular competition debacle. But the story grabbed my attention because — to me, before reading the article — the photograph of the jumping wolf rang out as staged.

I didn’t think, “The photographer staged this image.” It was just a gut reaction. Continue reading “What is “Nature Photography”?”

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Feb 05 2010

Why Do Lawyers Make the Best Photographers?

Category: Business & Marketing, Photographers, ViewpointEthan G. Salwen @ 3:05 pm

AfterCapture_Blog_100205_1_FrielNo, my post title is not a joke, even if it sounds like one. And no, I am not going to suggest that lawyers actually make the best photographs. However, having had a wonderful phone interview this morning with Bernard Friel, a very accomplished nature photographer and an extremely successful lawyer, I do want to share something that Friel brought to light.

“Lawyers tend to be a pretty sociable group,” Friel told me at the end of our hour-plus conversation, in which he shared more than a dozen names of photographers and influential people he has met in his journey as a photographer. Friel, who is 80, laughed often during our talk, and spoke of his many friends with fondness and respect.

“I had never been to a photography association meeting,” Friel told me of his unlikely participation in the first annual meeting of the North American Nature Photographers Association (NANPA). “I didn’t want to talk about pictures; I wanted to make them.”

However, being a social creature, the fist night of the conference Friel introduced himself to the “elderly man” sitting at the same dinner table. “Hello,” the man responded with outstretched hand. “I’m Roger Tory Peterson.” Friel had made another friend. And yes, this friend is the Peterson of “Peterson Field Guides” fame. Continue reading “Why Do Lawyers Make the Best Photographers?”

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Dec 22 2009

New Perspectives From Agricultural Photographers

Category: Creative Process, Photographers, The IndustryEthan G. Salwen @ 10:39 am

ACOF_091222_Agriculture 1_Dave ReedeThink agriculture photography sounds dull? I did. But then I started researching  an article I’m currently writing on the topic for NANPA’s “Currents” magazine. What I have discovered is world of photography, with many top photographers committed to pushing their own creativity as they work to best capture what is, arguable, the most important industry on the planet.

It turns out that quite a bit of agricultural photography is dull — at least from a photographic standpoint. If you search the libraries of Grant Heilman Photography, Inc. and AGStockUSA, you will find tons of images that document very specific aspecst of the industry that I think you’ll find quite uninteresting — unless you happen to be keen on the topic.

Heilman and AGStockeUSA are two super stars in agricultural stock photography, and they are focused on meeting the specific demands of a unique market. (Who else is looking for “Holstein heifers about 10 months old” or “Frost on soybeans — 4 bean pod”?)

While some agricultural photography is dull, it turns out that some agricultural images are completely inspiring, either for Continue reading “New Perspectives From Agricultural Photographers”

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Nov 23 2009

The Nature of Photography Contest Judging

Category: Creative Process, The Industry, ViewpointEthan G. Salwen @ 2:31 pm

ACOF_091123_1_expressions_cov_sIn October I was asked, for the second time, to write the introduction to Expressions, the printed showpiece featuring more than 200 stunning nature images for an annual contest run by the North American Nature Photographers Association (NANPA). Jam-packed with work from both amateur and pro photographers, and Expressions is inspirational and educational to look at, and contestants report that the contest is enjoyable and motivational to participate in.

Although I don’t photograph nature — at least, other than subjects involving homo sapiens — for the past couple years I’ve been writing for NANPA’s new Currents magazine, and the assignments have given me a profoundly deeper respect for nature photographers. I’ve spoken at length with acclaimed nature photographers like George Lepp, Joel Sartore, and Arthur Morris — all down-to-earth and as generous with their time and knowledge as they are successful. While covering topics on conservation, bird photography and travel photography, I’ve learned Continue reading “The Nature of Photography Contest Judging”

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Oct 07 2008

How Jim Zipp Captured a Great Grey Owl

Category: Creative Process, PhotographersEthan G. Salwen @ 9:03 am

ACMF_081001_A_Zipp_OwlWhat does it take to make a great bird image? Apparently it has a lot more to do with a hard-core dedication to the specialty and a true understanding of the wilds than it does with photographic technique. Renowned bird photographer Jim Zipp helped me understand this when I interviewed him for an article on the topic for Currents, the magazine of the North American Nature Photographers Association (NANPA).

Based in Hamden, Connecticut, Zipp’s body of avian imagery is mind-blowing. Check out a sample of his photographs on his website and also visit his Fat Robin Wild Bird and Nature Shop. You’ll see that Zipp’s love of birding and his dedication to conservation could not go deeper. Continue reading “How Jim Zipp Captured a Great Grey Owl”

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Sep 26 2008

Photography Consultant Interview Part II: How She Helps

Category: Business & Marketing, Creative Process, The IndustryEthan G. Salwen @ 8:21 am

ACMF_080926_LemosConsult_BPicking up from the Part I of my interview with photography and publishing consultant Jain Lemos, we learn some of the specific ways photographers of every ilk can benefit from photography consultants, reps and/or agents.

Ethan G. Salwen: Is critiquing photographers work a big part of what you do?

Jain Lemos: Yes. I have been a judge for several competitions, including the upcoming Photolucida 2008 Critical Mass. I am also a portfolio reviewer for North American Nature Photographers Association (NANPA) conferences, among others. I write photography book reviews for About the Image and ASPP’s The Picture Professional. Continue reading “Photography Consultant Interview Part II: How She Helps”

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