Oct 15 2010

The Hybrid “DSLR” — One Camera Type With Many Names

Category: Multimedia & Video, Technology Insights, ViewpointEthan G. Salwen @ 5:26 pm

AfterCapture Blog_101015_DSLR Naming 2_1Silly me! There I thought that a DSLR that captures video must have one simple, standard name, and that I just didn’t know what it is. Thus my post on the topic in which I look at the overlapping use of “HDSLR,” “HD DSLR” and “DSLR video.” The comments I received from a number of savvy photographers made it clear that one simple, standard name does not exist, and that it might be better that way, at least for now.

Tony Wu wrote that “The discussion/debate never crossed my mind,” and he isn’t too worried about the question. Eric Chen wrote that the question is an “outdated discussion,” as nearly every DSLR captures video, and “it would be suicide for someone to produce a new SLR that isn’t ‘D’ or ‘HD’ or ‘ViD.’” His suggestion: “Drop the silly prefixes! I just use ‘SLR.’”

Ian Shive seems to agree about dropping prefixes, except to perhaps add an “F” to film SLRS — as in FSLR — and thereby making it clear that an SLR that is called an SLR is really a DSLR. Interesting idea.

“Let’s call it what it is; a VSLR,” wrote Ralph Clevenger. “A video single lens reflex camera, or video-capable single lens reflex.” Not only does this make the most sense, Clevenger believes, but he also notes that it rolls of the tongue real nice. In an email to me said that Brooks Institute, where he teaches, will be adopting this name. The VSLR. It does roll off the tongue nicely, and Clevenger makes good sense, but could there be a risk to insisting (as I was) that there must be one label when one label does not exist?

Richard Anderson (who likes “DSLR” and thinks, like Richard Harrington and PhotoCineNews, that it is best to simply talk about “DSLR video”, for clarity and avoiding additional prefixes) points out that “When it comes to terminology, there is no single George Bush-like ‘decider’”, and notes that “as soon as DP Review starts a forum called ‘HDSLR’ or ‘Video SLR,’ then the term will start to congeal.”

Before “It” Congeals

It seems clear that sooner than later all photographers (not working with antiques) will be using SLRs that are DSLRs and that all DSLRs will capture video and sound. Therefore, it seems possible (and sensible?) that SLRs that happen to be D (or V or H or HD) will come to be know simply as SLRs. This would be nice. But, of cousre, another term might congeal as a set standard. Who knows, but in the meantime I suggest:

#1: Don’t think about this topic as much as I have! As Gail Mooney puts it: “I’m much more interested in what the camera does [sic] than what it’s called.” In other words, she’s using her DSLR (or whatever it’s called) rather than debating about what to call it. Good for her!

#2: Consider what name makes sense to you, and stick by it. I still believe that professionalism and calling things by their best names go hand and hand. With this post and my previous one on this topic you are more than equipped to make a quick, intelligent naming decision for yourself.

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Sep 23 2010

Adventures in Motion — The Article

ACBlog_100900_adventures_in_motion_salwen_currents_fall2010“The ability to easily distribute video to a worldwide audience via the web is the third factor that has dramatically opened up possibilities in motion for still photographers,” I write in “Adventures in Motion: Nature photographers get serious about capturing video and producing multimedia.” Factor One, I explain, is that hi-def digital video capture has recently become so affordable. Even more critical, Factor Two occurred “in the late 1990s when professional video editing software began to run on the same computers photographers used for their digital still photography.” With this brief historical background, in “Adventures in Motion,” which I wrote for NANPA’s Currents magazine, I dive into a deeply-researched piece in which I attempt to inspire photographers to embrace multimedia and video, and to provide some fundamental advice for doing so smartly.

To get a taste of the scope of “Adventures in Motion,” check out the article’s subheads: “New Frontiers in Video Capture, Editing and Distribution,” “Proceed with Excitement and Respect,” “Having Fun and Learning By Sharing,” “Understanding New Paradigms in Publishing,” “Taking On Video Editing One Step at a Time,” “Listen Up: Sound Is King,” “It’s All About the Story,” and “Beyond the Million-Dollar Question.”

Sounds like good stuff, no? Well, if I succeed with “Adventures in Motion,” it is because I was able to bring to life the experiences the visionary, multimedia-embracing nature photographers who informed this piece: Rob Sheppard, Eric Cheng, Ian Shive, Tony Wu, Ralph Clevenger and Mary Lynn Price.

I deeply thank all of these photographers. During hours of interviews, each one shared their unique perspectives with passion and patience. They also provided invaluable feedback on drafts of the article. While their experiences differ, I was pleased to discover that they are all very much on the same page in terms of what matters for still photographers moving into motion.

Currents’ editor Niki Barrie is the unsung hero behind “Adventures in Motion.” Not only did she assign the article, but she performed some major hand-holding as I worked to refine my mess of a first draft from more than 10,000 words down to less than 4,000. Thanks, Niki!

Check It Out! — A Resource Worth Sharing With Colleagues?

I encourage you to give “Adventures in Motion” a read. Even if you well beyond “newbie” status in your adventures in motion, my hope is that you will find a resource worth sharing with colleagues.

Sooooooo?

I know you’re the opinionated type, so please share your opinionated response to “Adventures in Motion” — in a comment below. More than “Good job!” or “That sucked!”, I encourage you to enter the dialog with your experiences. Expand on what I got right, correct what I got wrong, share any critical advice I left out, pose a question that was raised, or respond to any questions raised below.

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Aug 17 2010

Documenting Tango to Learn Multimedia

Category: In-Camera Techniques, Multimedia & VideoEthan G. Salwen @ 6:33 pm

Yesterday I headed over the tango festival going on here in Buenos Aires to photograph a workshop being given by Claudia Bozzo, my tango teacher. She had seen my tango stop-motion movie and asked me if I could document her class and “make something special,” which I heard as, “Here’s a chance to practice your multimedia skills.” This seemed like a good idea given my work for Human Rights Watch. It also seemed like a good time to put my photography skills to work documenting aspects of a culture that daily becomes more my culture.

Carla, on sound, interviews Claudia, on tango.

Carla, on sound, interviews Claudia, on tango.

You can check out the down-and-dirty gallery of images I’ve selected to form the base of the what Ralph Clevenger calls a “music motivational piece.” As you can see, none of the images are stellar, but that won’t be critical — once they are zipping by to music. You can see that I was taking Mary Lynn Price’s advice and working to record the full spectrum of activities in wide, medium and close-up shots.

My girlfriend, Carla, did a great job recording sound, although I didn’t do a great job of instructing her how to do so. I wasn’t clear on what audio I wanted. I also wasn’t clear on how to shoot video segments, which I did frantically with my Canon G9 in between photographing stills.

Frankly, I found the experience overwhelming and confusing. And that wasn’t because there were more than 100 people stuffed into a very tight area, making it very difficult to move around. The real problem was that I was not clear on how I would be using the images and/or video and/or audio to create my piece. However, I wasn’t dismayed.

Thanks to advice from many photographers, I realize that creating multimedia is all about editing. And now I have some raw material to get into Final Cut Express and get editing. As I figure out what I can make, I will undoubtedly learn how I can better balance capturing stills, video and audio to record this kind of event for multimedia.

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Aug 10 2010

Working for Human Rights Watch – Multimedia Style

Category: Business & Marketing, In-Camera Techniques, ViewpointEthan G. Salwen @ 10:39 am

AC_Blog_100810_Human Rights Watch_1Human Rights Watch held a press conference in Buenos Aires today to drum up interest in their latest report: “Illusions of Care: Lack of Accountability for Reproductive Rights in Argentina.” I’m pleased to announce the cover image of the report was made by yours truly. It was great to put my photography to work for HRW. It’s even greater that it’s a relationship that has just begun. The next phase will involve my making for them a multimedia production, a topic about which I have been writing so much lately. (In fact, my writing led directly to this job, which is very cool and which I will explain below.)

For the “Illusions of Care” cover I was charged with making an image that spoke to the report’s theme — roadblocks to better reproductive health care for women and girls in Argentina. I could not show the identity of anyone I photographed, unless I obtained a model release, and so I focused on a graffiti-filled hallway in the maternity ward at Hospital Alvarez in Buenos Aires. (The graffiti “Aca nacio” features prominently in the image. “Born here” in Spanish.)

Actually, I was able to get model releases from a number of women I photographed. And some of these images show the women with distressed expressions that might have made a more powerful cover image. However, using one of these images for “Illusions of Care” would have been disingenuous, to say the least. The care at Alvarez maternity ward is excellent. The women’s expressions were the result of them being in various stages of labor.

Although many of the images I made at Alvarez were not right for the report cover, I’ll likely be able to use some in the multimedia project I am now working on for HRW.

Building Trust Was Key

A couple months back Marianne Møllman, the author of “Illusions of Care, contacted me to see if I might be able to make a cover image for the report. I told her I was Continue reading “Working for Human Rights Watch – Multimedia Style”

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Jul 05 2010

Where To Find Royalty-Free Music

Category: Multimedia & Video, Online ResourcesEthan G. Salwen @ 4:55 pm

Like royalty-free images, royalty-free music can be found by the in amazing varieties and quantities on the Web. Just do a Google search, and you’ll see.

Ralph Clevenger, who inspired me to embrace royalty-free music, suggested I check out these sites:

AfterCapture Blog_100705_Find Royalty_Free_Music_2

Royalty-Free Music Suggestions?

Not really sure how I ended up using Premiumbeat.com for the $29.95 worth of music I used in my “Royalty-Free Buenos Aires,” but I was just experimenting, and I was left wondering. . .With all the royalty-free music sits and services, certainly some have got to be better than others. So. . .

If you are ahead of me on this royalty-free music learning curve — which wouldn’t be hard — are there royalty-free music services and basic concepts that you might share with me, and my thousands of faithful readers?

SmartSound and Sonicfire Pro?

As long as you’re Continue reading “Where To Find Royalty-Free Music”

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Jul 04 2010

Royalty-Free Music Rocks, Rolls and (Legally) Produces Drama

Category: Multimedia & VideoEthan G. Salwen @ 10:55 am

“Most songs are copyright protected, and cannot be used unless they are licensed,” Ralph Clevenger emphasized when we talked the other day. Actually, he emphasized this point a number of times, noting that this very obvious point is not so very obvious to many photographers putting images to sound.

I wasn’t to me, which is why for my “Milonga de Sal y Pimienta” video, which I posted here in May, I totally — major oops — stole music from Gotan Project to achieve my artist goal. I just wasn’t thinking, inspired by the music itself to make my video. Heck, the music is the best part of the piece!

It’s no excuse, but I think my music-using ignorance is somewhat understandable. After all, millions of YouTube videos feature illegally-used music, and, right or wrong, this has given me a sense that using music any which way is AOK. Well, it’s not. Just like it’s not OK for people to use our images without permission.

To get myself on the right side of the intellectual property of music, yesterday I threw this little baby together, appropriately called, “Royalty-Free Buenos Aires.”

It’s clearly nothing special, but Continue reading “Royalty-Free Music Rocks, Rolls and (Legally) Produces Drama”

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Jul 02 2010

Take a Flight to Antarctica

Category: Books, Multimedia & Video, ViewpointEthan G. Salwen @ 3:56 pm

“The way I approach multimedia is to think about each project as a storyteller and then to think about what tools I will need to best tell the story,” says Mary Lynn Price, who since retiring from practicing trial law in 2003 has dedicated herself to video journalism, with specific interest in natural history stories that support conservation efforts. Just as Ralph Clevenger told me, Price explained to me than nothing matters more than thinking about story when putting together “music videos” — her name for multimedia projects that tell stories without narration or even graphics, but just smart use of images and music.

Price proves her music-video storytelling prowess in “C-17 Flight to McMurdo Antarctica.” In less than two minutes, she takes us from baggage security scanning and flight boarding to landing on “The Ice,” having shown us tons of interesting close-ups during this famous, windowless flight.

“Famous” is, um, definitely too strong a word for this particular flight that takes scientists and support staff to the McMurdo Station. But I’m an Antarctic exploration junkie so I’ve sure heard about it plenty, although I could never really imagine what it would be like — until I got taken for a ride with Price’s great documentary vision.

What does it mean that I’m an Antarctic (and Arctic) exploration junkie? It means that I’ve read Alfred Lansing’s “Endurance” three times, twice read “Shackleton’s Forgotten Men” (by the brilliant Lennard Bickel) and at least once just about all of the other classic books about frostbite and suffering in pursuit of knowledge at the southernmost (and northernmost) tip of the world.

I’m kidding about the pursuit of knowledge. Continue reading “Take a Flight to Antarctica”

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Jun 28 2010

Telling Stories with Music Motivational Pieces

Category: Multimedia & VideoEthan G. Salwen @ 12:30 pm

“Even music motivational pieces have to have a storyline,” Ralph Clevenger told me in regard to multimedia production. “Photographers tend to freak out when they hear the word ’story.’ Unlike with still photography, in multimedia you are now creating a piece that has a beginning, middle and end. That’s a story.”

“Music motivational pieces” are what Clevenger calls multimedia pieces that consist of still and/or video captures set to a music-only soundtrack. No need to deal with the difficulties of recording or editing complex soundtracks — new territory for most photographers.

“They can be absolutely wonderful,” Clevenger said of music motivation pieces. (Many photographers refer to them as “music videos.”) When getting started in multimedia, Clevenger says, “Most still photographers will go the route of creating these beautiful little pieces with beautiful images.”

Continue reading “Telling Stories with Music Motivational Pieces”

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Nov 23 2009

The Nature of Photography Contest Judging

Category: Creative Process, The Industry, ViewpointEthan G. Salwen @ 2:31 pm

ACOF_091123_1_expressions_cov_sIn October I was asked, for the second time, to write the introduction to Expressions, the printed showpiece featuring more than 200 stunning nature images for an annual contest run by the North American Nature Photographers Association (NANPA). Jam-packed with work from both amateur and pro photographers, and Expressions is inspirational and educational to look at, and contestants report that the contest is enjoyable and motivational to participate in.

Although I don’t photograph nature — at least, other than subjects involving homo sapiens — for the past couple years I’ve been writing for NANPA’s new Currents magazine, and the assignments have given me a profoundly deeper respect for nature photographers. I’ve spoken at length with acclaimed nature photographers like George Lepp, Joel Sartore, and Arthur Morris — all down-to-earth and as generous with their time and knowledge as they are successful. While covering topics on conservation, bird photography and travel photography, I’ve learned Continue reading “The Nature of Photography Contest Judging”

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