Feb 03 2010

Don McCullin Speaks Candidly About Photographing War

Category: PhotographersEthan G. Salwen @ 2:13 pm

AC_Blog_100203_Don_McCullin_1“I don’t want to be remembered as a war photographer, or even classified as one. I hate it.” So begins Don McCullin’s narration of a four-minute audiovisual show posted today by BCC News. McCullin finishes his frank, surprisingly personal reflections of the experience of photographing wars by saying:

“I didn’t feel bad about taking this picture because he and I were hit by the same mortar shell in an ambush in Nam Pen. This was his last plea for life. I’ve seen my own blood. I’ve seen their blood. I’ve felt pain. I’ve felt shock. I’ve had some of the experiences. I suppose I’m speaking as if I’m trying to exonerate myself.”

I am not sure what McCullin means by this last thought — that we might hear his words as if he were tying to exonerate himself.

I do know McCullin’s frank, emotional reflections are rare for photographers who have covered war — at least when talking in the public realm. Continue reading “Don McCullin Speaks Candidly About Photographing War”

Tags: , , , , , ,


Jan 20 2010

The Power of Classic Photojournalism: “In Haiti, a Stuggle Barely Begun”

Category: ViewpointEthan G. Salwen @ 11:32 am

In my post last Thursday I touched on this question: Can the distribution of too many, unfiltered images of catastrophic event reduce our sensitivity to that event? If so, this would suggest that the potential power of photography is being greatly influenced by new technologies.

People climb in through a hole in a wall to remove goods from a home supplies store in downtown Port-au-Prince.

People climb in through a hole in a wall to remove goods from a home supplies store in downtown Port-au-Prince.

In response to my post, I encourage you to view a photo slide show that “The New York Times” posted on Monday. “In Haiti, a Struggle Barely Begun” presents classic photojournalism of the highest caliber. It is brought to us via edge technology employed thoughtfully. The “Times” slide show interface is excellent, clean and uncluttered, featuring only images, captions and three links to related “Times” stories.

All 17 images in this picture story are stunning photographically. They employ color, design, lighting, focus, depth of field and strong angles a to draw us in.

The intelligence of the image maker behind the lens ensures Continue reading “The Power of Classic Photojournalism: “In Haiti, a Stuggle Barely Begun””

Tags: , , , , , , , , , , , , , , , , , , ,