Apr 07 2011

Eye-Opening Insights from Gail Mooney: A Still-Video Hybrid Movie Trailer Goes Viral

Category: Business & Marketing, Creative Process, PhotographersEthan G. Salwen @ 12:07 pm

“Working on this trailer was one of the hardest things I’ve ever done,” Gail Mooney told me yesterday. “The shorter the piece, the harder it is for me to edit, and it probably is for most people. I needed to cut to the essence of the story yet not give away too much. I needed to create interest by what I didn’t tell the viewer.”

One thing this wonderful, interest-grabbing trailer doesn’t tell the viewer is incredible passion, energy and innovation Mooney has put into transforming her personal movie project, “Opening Our Eyes,” from the tiny tickle of an idea into a massive, tangible reality.

Created in partnership with her daughter, Erin Kelly, Mooney shares much of her passion — behind the scenes triumphs, frustrations and the technical and creative nuts and bolts of making a movie  — through her blogging on the “Opening Our Eyes” website, as well as on Journeys of a Hybrid, where for two years Mooney has been dishing up practical advice and motivation for photographers moving into motion.

Thanks to Mooney’s enthusiastic, adept use of social media, as of yesterday, a week after she posted it, Mooney’s trailer has already been viewed by 1,142 people in 62 countries.

“I realize in the YouTube playing field — of babies biting fingers and cats playing pianos — these type of stats are nothing in the viral world,” Mooney observed. “But they are amazing when you consider what it is.”

Indeed. What it is, at least in part, is a passionate visual communicator — who started her career long before the advent of digital imaging and the Web — sharing a personal project with more than a thousand eager viewers in 62 countries.

GM_CarlosKeen_0062

Boy with eggs at Camino Abierto, Carlos Keen, Argentina.

The Possibilities in Passion

In a Hybrids blog post last week, Mooney wrote, “When you are convinced that you have the ability to make the impossible possible, then you will put your dreams into action. You will take that chance, and by doing so you are creating your own reality instead of reacting to what others have created for you, which may not be in your best interests.”

There are many people who share this kind of positive sentiment: make your dreams happen with positive thinking. It’s a sentiment that often rubs me the wrong way. It often feels hollow, oversimplifying the immense challenges we all face in life. Regardless of what a Nike ad campaign might say, many of us can’t “Just Do It.” Desire is not enough.

What makes Mooney’s “make the impossible possible” sentiment attractive is that it is grounded in the example of how she lives her life. She struggles, she strives, she overcomes. Yes, she does it. But she never “just” does it.

In her blogging over the past two years Mooney has become increasingly open and honest, sharing her personal struggles. She never complains of simply vents, but she lets us see that a great deal of her making the (seemingly) impossible possible depends on her never given up, even when the (seemingly) possible feels impossible.

In wonderful posts related to her experiences with “Opening Our Eyes,” Mooney shows us how she gets deeply inspired but then has serious doubts but that she still takes big chances anyway. She remains open to learning from diverse sources as she struggles with technical and creative challenges. And although she experiences many moments of sasisfied success, she also  experiences extreme let downs. The common thread — what’s truly important — is that she keeps on going and actively makes things happen.

Viola Majewska with horse at her hippotherapy stable located outside Warsaw, Poland.

Viola Majewska with horse at her hippotherapy stable located outside Warsaw, Poland.

Positive Change From and Beyond Technology

When “Opening our Eyes” is completed, I have no doubt Continue reading “Eye-Opening Insights from Gail Mooney: A Still-Video Hybrid Movie Trailer Goes Viral”

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Mar 12 2011

The Weird Beard Video

Category: Multimedia & VideoEthan G. Salwen @ 9:55 pm

Having hiked hundreds of miles on the Appalachian Trail and loving stop-motion and time-lapse creations, I was pretty psyched today to find that Vimeo’s daily email of movie suggestions had delivered me Green Tunnel by Kevin Gallagher. Unfortunately, Gallagher’s 2,200 miles in five minutes gave me a headache and no sense of the trail hiking experience.

Green Tunnel made me think of The Longest Way 1.0 (above) by Christoph Rehage, an epic journey brilliantly compressed in time, wonderfully presenting the spirit of Rehage, making me smiling, making me ask questions, leaving me pleased, satisfied and inspired — to journey, to create.

If you haven’t already seen this amazing piece, please watch it now. You’ll be glad you did.

In his latest post on his The Longest Way site Rehage casually refers to his movie as the “weird beard video,” and notes that it’s won yet another award. And so it should!

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Mar 05 2011

A Unquie Vision of Capturing Sound: Michael Hersh by Richard Anderson

Category: Multimedia & VideoEthan G. Salwen @ 2:32 pm

Richard Anderson has proved that still photographers can bring a fresh vision to recording sound.

“The style I’m going for is clean, simple, moving,” Richard Anderson says of the videos he is creating for composer Michael Hersh. “I want to trigger the viewer’s emotions, if possible.”

It’s possible. Anderson proves this with his vision of Hersh’s “The Vanishing Pavilions, Book I, Movement 27.”

If I hadn’t been watching this piece with an eye on evaluating Anderson’s movie making skills, I would have never noticed them. And that’s the point: documenting a passionate composer-musician performing should be about the music and the musician, not the videography and editing.

I loved the way Anderson shared the art and philosophy of Christopher Cairns through video. I would have thought that capturing Hersh at the piano would have been much simpler. Not at all, Anderson made clear when we talked about his ongoing work with Hersh. Capturing professional-quality audio of a professional-level composer is no easy task.

Anderson recorded Hersh’s “Book I, Movement 27″ — as well as “Book I, Movement 6″ and “Book II, Movement 38″ — from three different angles using two cameras, with the help of an assistant, as he recorded Hersh playing each piece four or five times.

At least four takes were necessary to give Hersh enough audio tracks from which to select the best. These takes were also required to give Anderson the opportunity to photograph multiple angles, and to have enough footage to weave together in editing — to create a piece that visually helps trigger in us emotions evoked by the drama of the music and the passion of the musician.

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Feb 15 2011

A Luscious Film Photography Fix

Category: ViewpointEthan G. Salwen @ 11:36 am

Luscious, inviting, mysterious, soft, cool, warm — a few of the words that came to my mind as I watch Lose yourself in film by bif, on Vimeo.

I share this piece for all of you, who like me, came of age photographically working in darkrooms.

Smell the fixer?

I feel the sensation of unrolling wet film, eager-anxiously first glimpsing the images on my negatives. Now I’m opening the drying cabinet, dust my enemy. In an hour or five I will be back, and reach into the strands of film, ready to cut-and-sleeve, excited-nervous to hold the plastic sheets up to the light, beginning to carefully explore what sunlight has wrought in silver before I print contact sheets.

Squinting, imagining, I don’t need positive images or a light table and loupe to begin to wade through the potential of my film. This unique sensation — tactile in the fingers, images coming alive in the mind’s eyes — is a specific kind of visual exploration that has vanished with digital, something special that this video evokes for me.

Do you miss wading through your film?

I don’t — not really. But then, I sure can become nostalgic for it. For me working with film is like my childhood: the distant past I would not chose to return to, but which in so many ways I still know better than my world of today.

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Dec 27 2010

Walking Into a Sharply Intelligent Documentary

Category: Multimedia & VideoEthan G. Salwen @ 1:39 pm

As Jason Nunes suggested I watch it, I would have anyway. But I just had to watch “Running with Scissors” because, as timing would have it, just two days before receiving Nunes’ recommendation I had read “The Memory Addict” by Sam Anderson, a fascinating article published in New York Magazine. (May 5, 2008.) In the piece, Anderson explores the complex intersection of memory and the memoir, focusing in on Augusten Burroughs, author of the bestselling memoir, “Running with Scissors.”

For two reasons, I suggest you watch “Running with Scissors,” the 11-minute documentary by Ricky John Molloy, Thomas Tolstrup and Nancy J. Hawsyou. As Nunes told me, “It’s really beautifully shot, in a style that I think is very influenced by photography, not film making.” In other words, good inspiration for us (mostly) still photographers.

More compelling — and the reason you need to make it to the seven-minute mark — while “Running with Scissors” starts out featuring simple, straightforward storytelling about a sweet, easy-to-digest topic, it takes a well-crafted turn that involves more complex, less obvious storytelling about more profound issues.

With a light and intelligent hand, Molloy, Tolstrup and Hawsyou shift from straight reporting and welcome us to contemplate the relationship between our life experiences (or memories, our personal memoirs) and how these influence how we live our lives in the present. As such, “Running with Scissors” serves as a nice counterpoint to Anderson’s “The Memory Addict.” (An amazing read, Anderson’s article questions whether Burroughs has the uncanny memory he is famous for, or whether he is full of shit, or whether both are true, or neither, and whether it really matters.)

How I Saw “Running With Scissors”

Disclaimer: My viewing experience is less important than yours, and “Running with Scissors” takes advantage of unexpected (but not underhanded) turns of plot. So read the following only if, A) You won’t be watching the film or, B) You already have.

I was encouraged and sucked into the documentary when Continue reading “Walking Into a Sharply Intelligent Documentary”

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Dec 25 2010

“It’s Not At All The North Pole”

Category: Multimedia & VideoEthan G. Salwen @ 6:23 pm

No, it’s not. It’s 22nd Street, Chelsea, New York, two weeks before Christmas, and Jim and Dylan are getting anxious.

“There’s no rule book for this,” Jim says.

“They need to go somewhere,” Dylan explains.

When I opened up my daily Vimeo email today I was hoping to find a sweet Christmas-themed movie worthy of sharing with you. I was rewarded with “Miracle on 22nd St,” which is not only sweet and well-crafted, but which shows that ideas for movie shorts are everywhere.

Director Sarah Klein found her latest story — with both Christmas good feelings and a taste of mystery — when she arrived at Jim and Dylan’s Christmas party, as she recounted yesterday in her blog post for The New York Times.

Shot and edited by Tom Mason and featuring original music by Ryan Sayward Whittier, “Miracle on 22nd St” proves that the miracle of modern movie making is that it allows a small, skilled teams to quickly create polished movies and distribute them to an international audience — no magical Santa powers required.

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Dec 09 2010

Luscious Inspiration from “Scattered Flurries”

Category: Multimedia & VideoEthan G. Salwen @ 12:08 pm

The value of signing up for email video suggestions from Vimeo hit home when the site served me up “Scattered Flurries” a couple weeks back. Ben Knight’s luscious, captivating video has remained prominent in my mind. Using an original soundtrack and careful editing of his stunning, snowy motion footage, Knight tells a story in a way that seems to resonate with the sensibilities of still photographers — especially in that almost every shot is powerful visual moment in itself.

One thing I’m learning watching videos suggested by Vimeo is that — derr! — the spectrum of possibilities in video shorts is so broad that most pieces defy easy definitions. For example, Knight’s piece seems to go beyond the scope of music motivational pieces, and yet it fits the definition.

More than anything, I serve you up “Scattered Flurries” because it seems ideal inspiration for how many still photographers might want to proceed, at least at first, with video: avoid dealing with sound; focus on capturing wonderful images; tell a story in the editing; avoid crew and major expenses.

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Nov 10 2010

Vimeo Emails Serve Up Daily Multimedia Inspiration

Category: Multimedia & Video, Online ResourcesEthan G. Salwen @ 6:22 am

To learn multimedia and video, we have to look at the stuff. Vimeo.com makes it easy with optional, daily email notifications. On your Vimeo.com page (no fee, don’t even need to upload videos), select “Edit your profile,” go to “Notifications” and check the desired boxes. So simple.

AfterCapture Blog_101110_Vimeo Inspiration

Sure, sure, we see video all time. And yes, since beginning to play with multimedia I’ve begun to pay much more conscientious attention to movies, TV, and commercials. But as photographers we also really need to be looking at shorter pieces, pieces made on low budgets, pieces made by photographers, pieces that are offbeat, fresh, geared for Web 2.0. and so. . .Vimeo is very promising for daily inspiration.

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Aug 02 2010

Beautiful, Buzzing Natural History from Rob Sheppard

Category: Multimedia & Video, PhotographersEthan G. Salwen @ 9:02 am

“In terms of a still image, the bees just looked like a brown splotch on a brown background — not interesting at all — but the video that I captured was truly amazing.” This is what Rob Sheppard told me about an image-making experience he had a few months back while exploring the Santa Monica Mountains National Recreation Area. He shared this as an example the value of using HD-DSLR video to better share nature.

At the time we talked, I had to trust Sheppard that his video captures were amazing. Now, thanks to his new “Buzz” video, we can all enjoy Sheppard’s great hi-def video of digger bees in action. Amazing, indeed — especially the fantastic close-ups!

This is wonderful natural history storytelling, well conceived, excellently executed. It fits in perfectly with Sheppard’s expanding goals as an image maker. As he said: “I want to focus more on creating natural history pieces.”

Sheppard, the editor-at-large of Outdoor Photographer, told me that technology is only a means to an end. He explained that the reason he is so excited about HD-DSLR technology is that it will help him with his greatest passion: exploring, sharing and helping conserve the natural environment.

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