Apr 07 2011

Eye-Opening Insights from Gail Mooney: A Still-Video Hybrid Movie Trailer Goes Viral

Category: Business & Marketing, Creative Process, PhotographersEthan G. Salwen @ 12:07 pm

“Working on this trailer was one of the hardest things I’ve ever done,” Gail Mooney told me yesterday. “The shorter the piece, the harder it is for me to edit, and it probably is for most people. I needed to cut to the essence of the story yet not give away too much. I needed to create interest by what I didn’t tell the viewer.”

One thing this wonderful, interest-grabbing trailer doesn’t tell the viewer is incredible passion, energy and innovation Mooney has put into transforming her personal movie project, “Opening Our Eyes,” from the tiny tickle of an idea into a massive, tangible reality.

Created in partnership with her daughter, Erin Kelly, Mooney shares much of her passion — behind the scenes triumphs, frustrations and the technical and creative nuts and bolts of making a movie  — through her blogging on the “Opening Our Eyes” website, as well as on Journeys of a Hybrid, where for two years Mooney has been dishing up practical advice and motivation for photographers moving into motion.

Thanks to Mooney’s enthusiastic, adept use of social media, as of yesterday, a week after she posted it, Mooney’s trailer has already been viewed by 1,142 people in 62 countries.

“I realize in the YouTube playing field — of babies biting fingers and cats playing pianos — these type of stats are nothing in the viral world,” Mooney observed. “But they are amazing when you consider what it is.”

Indeed. What it is, at least in part, is a passionate visual communicator — who started her career long before the advent of digital imaging and the Web — sharing a personal project with more than a thousand eager viewers in 62 countries.

GM_CarlosKeen_0062

Boy with eggs at Camino Abierto, Carlos Keen, Argentina.

The Possibilities in Passion

In a Hybrids blog post last week, Mooney wrote, “When you are convinced that you have the ability to make the impossible possible, then you will put your dreams into action. You will take that chance, and by doing so you are creating your own reality instead of reacting to what others have created for you, which may not be in your best interests.”

There are many people who share this kind of positive sentiment: make your dreams happen with positive thinking. It’s a sentiment that often rubs me the wrong way. It often feels hollow, oversimplifying the immense challenges we all face in life. Regardless of what a Nike ad campaign might say, many of us can’t “Just Do It.” Desire is not enough.

What makes Mooney’s “make the impossible possible” sentiment attractive is that it is grounded in the example of how she lives her life. She struggles, she strives, she overcomes. Yes, she does it. But she never “just” does it.

In her blogging over the past two years Mooney has become increasingly open and honest, sharing her personal struggles. She never complains of simply vents, but she lets us see that a great deal of her making the (seemingly) impossible possible depends on her never given up, even when the (seemingly) possible feels impossible.

In wonderful posts related to her experiences with “Opening Our Eyes,” Mooney shows us how she gets deeply inspired but then has serious doubts but that she still takes big chances anyway. She remains open to learning from diverse sources as she struggles with technical and creative challenges. And although she experiences many moments of sasisfied success, she also  experiences extreme let downs. The common thread — what’s truly important — is that she keeps on going and actively makes things happen.

Viola Majewska with horse at her hippotherapy stable located outside Warsaw, Poland.

Viola Majewska with horse at her hippotherapy stable located outside Warsaw, Poland.

Positive Change From and Beyond Technology

When “Opening our Eyes” is completed, I have no doubt Continue reading “Eye-Opening Insights from Gail Mooney: A Still-Video Hybrid Movie Trailer Goes Viral”

Tags: , , , , , , , , , , , , , , , , , , ,


Mar 05 2011

A Unquie Vision of Capturing Sound: Michael Hersh by Richard Anderson

Category: Multimedia & VideoEthan G. Salwen @ 2:32 pm

Richard Anderson has proved that still photographers can bring a fresh vision to recording sound.

“The style I’m going for is clean, simple, moving,” Richard Anderson says of the videos he is creating for composer Michael Hersh. “I want to trigger the viewer’s emotions, if possible.”

It’s possible. Anderson proves this with his vision of Hersh’s “The Vanishing Pavilions, Book I, Movement 27.”

If I hadn’t been watching this piece with an eye on evaluating Anderson’s movie making skills, I would have never noticed them. And that’s the point: documenting a passionate composer-musician performing should be about the music and the musician, not the videography and editing.

I loved the way Anderson shared the art and philosophy of Christopher Cairns through video. I would have thought that capturing Hersh at the piano would have been much simpler. Not at all, Anderson made clear when we talked about his ongoing work with Hersh. Capturing professional-quality audio of a professional-level composer is no easy task.

Anderson recorded Hersh’s “Book I, Movement 27″ — as well as “Book I, Movement 6″ and “Book II, Movement 38″ — from three different angles using two cameras, with the help of an assistant, as he recorded Hersh playing each piece four or five times.

At least four takes were necessary to give Hersh enough audio tracks from which to select the best. These takes were also required to give Anderson the opportunity to photograph multiple angles, and to have enough footage to weave together in editing — to create a piece that visually helps trigger in us emotions evoked by the drama of the music and the passion of the musician.

Tags: , , , , , , , , , , ,


Oct 01 2010

Photojournalist Paula Lerner Wins Emmy Helping Reveal Veiled Suffering in Afghanistan

Category: Multimedia & Video, PhotographersEthan G. Salwen @ 2:48 pm

A major kudos to multimedia-embracing photojournalist Paula Lerner for winning an Emmy this week for her critical contribution to to “Behind The Veil,” a powerful, sobering, in-depth multimedia feature highlighting the struggles facing women in Kandahar, Afghanistan.

“Behind The Veil” highlights the amazing potential of a multimedia reporting. Grounded in the thoughtful reporting Jessica Leeder, of “The Globe and Mail”, and built around ten videos of Afghan women sharing their plights, “Behind The Veil” depends heavily on Lerner’s images. Featured during Leeder’s voice-over, her photographs paint a broad visual picture of the topic in a way that brilliantly compliments the videos and Leeder’s reporting.

I have not yet investigated the story behind the creation of “Behind the Veil” but I’m fairly sure that Lerner made her images independently of this project, and before the project was even conceived. I say this because I heard Lerner speak about her work in Afghanistan last October at PhotoPlus, and I’ve seen a number of the images in her online portfolio. Just as important, many of Lerner’s images document moments before Afghan woman’s rights began to be abused more severely — to levels that Leeder helps illustrate are arguably worse than when the Taliban ruled the country.

Take at least a quick look at “Behind The Veil” to better understand an important story, to see multimedia harnessed to its full potential, and to respect the important photojournalism created by Lerner.

Tags: , , , , , , , , , , , ,


Sep 23 2010

Adventures in Motion — The Article

ACBlog_100900_adventures_in_motion_salwen_currents_fall2010“The ability to easily distribute video to a worldwide audience via the web is the third factor that has dramatically opened up possibilities in motion for still photographers,” I write in “Adventures in Motion: Nature photographers get serious about capturing video and producing multimedia.” Factor One, I explain, is that hi-def digital video capture has recently become so affordable. Even more critical, Factor Two occurred “in the late 1990s when professional video editing software began to run on the same computers photographers used for their digital still photography.” With this brief historical background, in “Adventures in Motion,” which I wrote for NANPA’s Currents magazine, I dive into a deeply-researched piece in which I attempt to inspire photographers to embrace multimedia and video, and to provide some fundamental advice for doing so smartly.

To get a taste of the scope of “Adventures in Motion,” check out the article’s subheads: “New Frontiers in Video Capture, Editing and Distribution,” “Proceed with Excitement and Respect,” “Having Fun and Learning By Sharing,” “Understanding New Paradigms in Publishing,” “Taking On Video Editing One Step at a Time,” “Listen Up: Sound Is King,” “It’s All About the Story,” and “Beyond the Million-Dollar Question.”

Sounds like good stuff, no? Well, if I succeed with “Adventures in Motion,” it is because I was able to bring to life the experiences the visionary, multimedia-embracing nature photographers who informed this piece: Rob Sheppard, Eric Cheng, Ian Shive, Tony Wu, Ralph Clevenger and Mary Lynn Price.

I deeply thank all of these photographers. During hours of interviews, each one shared their unique perspectives with passion and patience. They also provided invaluable feedback on drafts of the article. While their experiences differ, I was pleased to discover that they are all very much on the same page in terms of what matters for still photographers moving into motion.

Currents’ editor Niki Barrie is the unsung hero behind “Adventures in Motion.” Not only did she assign the article, but she performed some major hand-holding as I worked to refine my mess of a first draft from more than 10,000 words down to less than 4,000. Thanks, Niki!

Check It Out! — A Resource Worth Sharing With Colleagues?

I encourage you to give “Adventures in Motion” a read. Even if you well beyond “newbie” status in your adventures in motion, my hope is that you will find a resource worth sharing with colleagues.

Sooooooo?

I know you’re the opinionated type, so please share your opinionated response to “Adventures in Motion” — in a comment below. More than “Good job!” or “That sucked!”, I encourage you to enter the dialog with your experiences. Expand on what I got right, correct what I got wrong, share any critical advice I left out, pose a question that was raised, or respond to any questions raised below.

Tags: , , , , , , , , , , , , , , , , , ,


Sep 10 2010

The Value of Shutting Up

Category: In-Camera Techniques, Multimedia & Video, ViewpointEthan G. Salwen @ 11:30 am

AC_Blog_100910_Shut Up_1More than once Gail Mooney has advised photographers new to video to shut up when recording audio interviews. I got the point — I thought. If we are not quite, in general, or jump to quickly to the the next question we risk making a mess of our audio files, making editing a real bitch, possibly losing precious soundbites. That made sense. But I’ve discovered that Mooney’s advice actually is much more deeply valuable than had thought.

When Mooney was here in Buenos Aires finishing up her “Opening Our Eyes” reporting, she invited me to help her and Erin Kelly (her daughter/project partner) with one on their interviews. My job: to help with translating. Mooney gave me a quick prep talk before the interviewing, insisting that I shut up as much as possible, and advised me to nod my head, make eye contact and try to encourage further talking — on the subject’s part — by not doing any talking on my part.

If you’ve ever met or been interviewed by me, you’ll know that one of the hardest things for me to do is shut up. I talk, talk, talk, talk.

But then, on location interviewing Maria Eugenia Cuyas, with Mooney working the camera and Erin and I asking the questions, I saw the value of shutting up in action. It wasn’t — as I had thought — just about not jumping on top of the interviewees final words. It was about eliciting much more interesting, expansive answers by using the power of silence.

A Chance to Shut Up for The Master

On Mooney and Erin’s last day in Buenos Aires, I was honored to have the chance to interview them both. That’s right, in the “making-of” video short Mooney created on returning home, she and Erin are responding to my questions — and even more, to my silence. They had tons on their mind, and just needed a little prompting.

The more silent I forced myself to be, the more Continue reading “The Value of Shutting Up”

Tags: , , , , , , , , , , , , , , , , , , , ,


Sep 08 2010

Christopher Cairns on the Value of Music and Friendship for Visual Artists

Category: Multimedia & Video, PhotographersEthan G. Salwen @ 12:34 pm

Christopher Cairns says his sculpture transmits an impeding sense of disaster that is born out of his attitudes about modern life. Cairns, who relies heavily on music for inspiration, also notes, “The detachment of the contemporary culture from classical music and serious jazz is a disaster.” Regarding the value of friendship, Cairns says, “Part of being an artist is to try to find other people that you can share feelings and ideas with.”

Cairns’ sculpture is powerfully evocative and his sentiments about music and friendship in relationship to the visual artist’s life will be of interest to photographers. Although I can share all this about Cairns, I only know the artist through this five-minute video created by Richard Anderson. This speaks to the incredible storytelling power of documentary shorts. It is also reason to applaud Anderson for taking a great leap forward in his video-making pursuits.

Last month I reported that Anderson was just getting started in video by learning multimedia techniques by experimenting playfully. His latest creation, a personal project, proves that Anderson is getting great results — fast.

Check it out this video for inspiration from both Cairns and Anderson. Take particular note of how Anderson puts his photographer’s eye to excellent use. His framing of Cairns among his sculptures is fantastic and not typical of standard documentary interviews. And Anderson’s still images make wonderful b-roll that clearly reveal Cairns’ vision of impending disaster.

Tags: , , , , , , , , , , , , , , ,


Sep 02 2010

Opening Our Eyes: They’re Back!

Category: Creative Process, Multimedia & Video, PhotographersEthan G. Salwen @ 3:29 pm

Feels like just a few weeks ago that I was announcing “They’re Off!” — referring to the departure of mother-daughter documentary film-making team Gail Mooney and Erin Kelly. Well, it was actually the end of May, and since then Mooney and Kelly have had one hell of an adventure. Arriving back home only yesterday, Mooney proves her amazing video editing skills and gives us all a great taste of “Opening Our Eyes” with this wonderful behind-the-scenes short.

Tags: , , , , , , , , ,


Jul 14 2010

Wide, Medium and Close – The Key to Crafting Cool Videos

Category: Creative Process, In-Camera Techniques, Multimedia & VideoEthan G. Salwen @ 3:24 pm

“When capturing motion and stills for use in multimedia it is essential to record all subjects in wide, medium and close-up shots,” Mary Lynn Price told me recently. As a video journalist focusing on “one-man-band” reporting, Price uses all three perspectives to carefully construct rich reporting experiences. One great example is her “Conserving Shackleton’s Historic Hut in Antarctica,” which she produced in 2008 for “Women Working in Antarctica.”

“The wide shot is the establishing shot, the medium shot clearly shows the subject, and the close-ups give us the ‘wow’ factor,” Price explains. She uses all of these to her storytelling advantage throughout “Shackleton’s Historic Hut.”

Even though it’s only five minutes, “Shackleton’s Historic Hut” asks a lot from Web viewers with short, fickle attention spans. Price holds our interest by presenting as much information as many, slower-paced TV documentaries would in a half hour.

Not only do get to know three different Continue reading “Wide, Medium and Close – The Key to Crafting Cool Videos”

Tags: , , , , , , , , , , , , , , ,


Jun 08 2010

Tony Wu Heads into the Uncharted Waters of Final Cut Pro

Category: Creative Process, Multimedia & VideoEthan G. Salwen @ 11:19 am

How’s that for timing? Last Thursday I feature the underwater storytelling of Tony Wu, on Friday I make a case that we should embrace the opportunities of learning multimedia on the job, and then today I hear from Wu. “I’ve been offline for a while,” he writes. “I was in the midst of editing this.”

“This” lead me to Wu’s “Adventures with Craig” blog post, which features his latest video, “Captain Craig,” a project which required Wu to head into uncharted waters with Final Cut Pro. “This is the first time I’ve edited anything with Final Cut Pro and Motion,” Wu notes in his post, and asks us cut him some slack regarding aspects of his video that might need improvement.

Cut some slack? Huh??? The piece is great –  successful in terms of what might be considered “traditional multimedia journalism,” but which also focuses on the more “cinematic experience” that Ian Shive told me about.

Dangerous, Uncharted, Satisfying Waters

Continue reading “Tony Wu Heads into the Uncharted Waters of Final Cut Pro”

Tags: , , , , , , , , , , , , , , , ,


May 25 2010

Opening Our Eyes: They’re Off!

Category: Multimedia & Video, Photographers, ViewpointEthan G. Salwen @ 2:33 pm

AfterCapture Blog_100525_Open Our Eyes_1Today, May 25, 2010, marks the bicentenary of the revolution that marked the beginning of Argentina’s road to independence. It seems appropriate that Chance decided that today would also be the day that Gail Mooney would set off on her 3-month, round-the-world trip to create “Opening Our Eyes”, a documentary film project she is making in partnership with her daughter, Erin Kelly.

I say that the connection to Argentina’s revolution (and ultimate independence) is appropriate because of all the photographers I know personally, without a doubt, Gail Mooney is the most revolutionary- and independent-minded.

Since I introduced “Opening Our Eyes” in March, the project has taken much fuller shape. You can get a good sense of the trip at the main website. Keep in mind that a year ago Mooney hadn’t even thought up this trip. From initial concept to flying out of Newark airport today, Mooney and Kelly have orchestrated all details of this massive undertaking in only a little over six months.

AfterCapture Blog_100525_Open Our Eyes_2Be sure to also check out “Journeys of a Hybrid”, Mooney’s excellent blog full of insights — from the personal and creative to the technical and business side — from a photographer who has lived her life to the fullest, and who seems to be just warming up.

Mooney, who has been in the business for 33 years, has focused primarily on still photographic coverage of travel assignments for magazines. However, she has also worked plenty in the commercial realm in partnership with her husband, Tom Kelly.

Mooney not only made a smooth transition to digital photography, but she is one of the new bread photographers who is fully embracing the possibilities of video and, just as fully, the exciting possibilities of Web publication and social media.

Good Lu. . .

Continue reading “Opening Our Eyes: They’re Off!”

Tags: , , , , , , , , , , , , , , , , ,


Next Page »