Jun 04 2010

Learning Multimedia and Video On the Job

Category: Business & Marketing, Creative ProcessEthan G. Salwen @ 1:33 pm

“The way I learn the best is just to do stuff,” Wu said. “So I will just take an assignment and learn along the way.”

This thought from Tony Wu came near the end of my post yesterday, and I thought I better elaborate on it, both for the sake of clarity and to fend off the likes of Gail Mooney, a photographer who has spent years mastering video and multimedia and who has told me more than once (understandably) that she gets very irritated by photographers (and clients) who downplay the difficulty of creating video and multimedia.

Where did I learn to photograph on a train at high altitude? Um, that would be, on a train at high altitude. (Nearing 15,023, heading between Lima and Huancayo, Peru.)

Where did I learn to photograph on a train at high altitude? Um, that would be, on a train at high altitude. (Nearing 15,023 ft., heading to Huancayo, Peru, from Lima.)

Tony Wu is as conscientious of his professionalism and the difficulties of creating multimedia as Mooney. Also, to be clear, this was just one brief thought from him in a very long conversation. Wu didn’t make a big point of the idea that photographers should take on new challenges while on the job. However, I will.

I don’t think it goes against best professional practices to suggest that on-the-job learning should be a critical strategy embraced by still photographers venturing into multimedia. As Wu suggests, why not go out an get jobs that require a slightly higher level of expertise?

Professional Photography IS On-The-Job Training

Continue reading “Learning Multimedia and Video On the Job”

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May 18 2010

YouTube Vs. Vimeo for Hosting Videos

Category: Multimedia & Video, Technology InsightsEthan G. Salwen @ 2:53 pm

AfterCapture Blog_100518_YouTube_Vimeo_1In my last post, I made it clear that the YouTube community can be a toxic one. I also suggested that this might be a reason for preferring to host videos on Vimeo.com rather than YouTube.com. However, I want to make it clear that YouTube is really no better or worse for hosting videos than Vimeo. It’s all about how you use any given video-hosting service, considering the advantages of each service in relation to you video-publishing goals.

If you haven’t used either, I suggest starting with YouTube, then checking out Vimeo. You can get a feel for each quickly, and you can always take down videos as you gain focus.

For more technical specifics than I cover on the differences between YouTube and Vimeo, check out Dan Sung’s “Vimeo vs YouTube – which is the better video service?”

YouTube for Going Viral

Yesterday the BBC News reported that YouTube, as it turns five-years-old, is receiving two billion hits a day. “If you tag your videos really well, YouTube can bring you new viewers,” says Eric Cheng, the underwater photographer who mentioned to me the toxic nature of the YouTube community.

Continue reading “YouTube Vs. Vimeo for Hosting Videos”

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May 14 2010

Underwater Photography Resources and The World’s Greatest Juggler

Category: Online Resources, Photographers, ViewpointEthan G. Salwen @ 6:55 pm

AfterCapture Blog_100514_Underwater_aI had a great talk today with Eric Cheng, a fantastic underwater photographer, the driving force behind WetPixel.com, and the publisher of “Wetpixel Quarterly” magazine. I am researching an article on how photographers can best embrace the possibilities of video, and the tech-savvy, video-embracing Cheng offered great insights on the topic.

If you are at all interested in underwater photography, definitely check out Cheng’s stunning images.

WetPixel.com is the a fantastic online community of underwater photographers — articles and forums galore — and a must-visit resource if you are dedicated to (or just thinking about) making images underwater. Very, very cool.

AfterCapture Blog_100514_Underwater_1

What’s all this have to do with juggling?

“I would say that the YouTube community is extremely toxic,” Cheng emphasized to me when he was weighing in on whether photographers should host videos on YouTube.com or Vimeo.com. “People are really nasty on YouTube. Someone is always going to come and write something nasty.” Cheng explained that, inevitably, more negative responses follow, and “big wars” get started.

Continue reading “Underwater Photography Resources and The World’s Greatest Juggler”

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May 05 2010

Seeing Beyond the Still

Category: Multimedia & Video, The IndustryEthan G. Salwen @ 12:56 pm

The most recent issue of the “The Digital Journalist” (May 2010), which focuses on video, opens with this video by Vince Laforet.

On the vimeo.com page where the movie is hosted, Laforet explains that part of his motivation in creating “Chapter 1: The Cabbie” was to show off “the many strengths of this new breed of HD DSLR cameras, such as the Canon 7D, which we shot this film with.”

There is no doubt that Laforet has succeeded. The production quality of “Cabbie” is simply outstanding, and it will provide inspiration for any photographer exploring the possibilities of video. Laforet explains that “The camera’s low light capabilities and light weight allow you to do things you’d never think to try with traditional cameras.” Continue reading “Seeing Beyond the Still”

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Mar 10 2010

Time-Lapse Photography Inspiration

Category: Multimedia & VideoEthan G. Salwen @ 2:03 pm

For some serious inspiration in time-lapse photography, check out “12 Creative Uses of Time-Lapse Photography (and 4 Ways To Create It),” a post from “10,000 Words.”

Tracking flight patterns might seem fairly obvious, but then I never thought of using data from the FAA! The time-lapse documentation of the reconstruction of a Katrina-ravaged home is a great piece, and reminds of the time-lapse possibilities in documentary photography. Seeing a man age eight years in less than two minutes is bizarre, but is certainly idea-provoking. Of the 12 samples, my favorite is definitely the cross-country road trip, mesmerizingly shortened to four minutes. Nice!

Unfortunately, the “10,000 Words” post doesn’t deliver as much as I had hoped on the ways to create time-lapse photography, although there are a few links. The site’s previous entry also offers a few time-lapse photography tips and links, but nothing super substantial.

Are You Time-Lapsing?

Have you been bit by the time-lapse bug? Have a time-lapse video to share? Know of any instructional resources that are better than the ones featured in “10,000 Words”?

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Dec 07 2009

“A Thousand Species” by Joel Sartore

Category: Multimedia & Video, PhotographersEthan G. Salwen @ 5:10 am

Conservation photojournalist Joel Sartore has recently added a brief, engaging video on his Web site. “A Thousand Species” features Sartore’s images in a very unique manner, and includes a simple voice over, in which Sartore encourages viewers to consider the importance of protecting biodiversity.

This video seems particularly appropriate to feature today, with the opening of the United Nations Climate Change Conference in Copenhagen.

What I really appreciate about Sartore is Continue reading ““A Thousand Species” by Joel Sartore”

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Nov 25 2009

Who ISN’T An Ordinary Photographer?

Category: Business & Marketing, ViewpointEthan G. Salwen @ 7:26 pm

“If you have a point of view. . .why the heck wouldn’t you be involved in the doing?

This from the video that Chase Jarvis featured on his blog yesterday, and which I’m featuring here. It’s a short clip from a series from PSFK — a “trends research, innovation, and activation company” that publishes a daily news site, which is worth checking out — and if you take Jarvis’s advice, as you watch the video you’ll replace the title of “planner” with “photographer” and you’ll get some interesting food for thought.

Interesting, but actually not that innovative, at least to the photographers who are as successful as Jarvis, in terms of incomes, recognition and satisfaction). I say this because like Jarvis, these successful photographers often tell me — in one way or another — over and over again: “It’s not the photography, stupid!”

Photography has always been easy — compared to Continue reading “Who ISN’T An Ordinary Photographer?”

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Nov 20 2009

How To Expand Your Business With Video

Category: Business & Marketing, Creative ProcessEthan G. Salwen @ 1:39 pm

ACOF_091120_1Well, that’s a good question, and one with no easy answers — or, at least, answers that are likely to overwhelm some photographers while underwhelming others. How do still photographers go about video with a mind on business success?

Gail Mooney offers some thoughtful and encouraging answers the most recent article for “Insight,” the online newsletter of Adbase. In her article, “How to Expand Your Business with Video,” Mooney touches on her own history in photo/video,  offers up some important (and common) pitfalls to avoid and touches on the importance of collaboration. Most important, however, is Continue reading “How To Expand Your Business With Video”

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Jul 06 2009

Leaning Forward into Storytelling

Category: Books, Multimedia & VideoEthan G. Salwen @ 10:37 am

The Lean Forward MomentPhotographers are storytellers. Storytelling is about creating change. Visual storytelling requires creating visual change in a way that advances a story. (This I just picked up from Norman Hollyn, but we’ll get to him in a second.) Let me go on. . .

In moviemaking, something called a “logline” is used to describe a scene in a way that allows the moviemaker to focus on how to best tell the story of that scene in relation to the overall movie (which, it turns out, can also be defined by a logline).
Continue reading “Leaning Forward into Storytelling”

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Apr 14 2009

A True Bird’s Eye View

Category: Creative Process, Multimedia & VideoEthan G. Salwen @ 6:45 am

Head to commercial photographer Chase Jarvis’s 4/9/09 blog entry to get a REAL birds eye view – that is, a film recorded by a micro camera strapped to a high-flying, fast-diving raptor. Jarvis’s post highlights the work of José Luis Ortiz.

One thing I really appreciate about Chase is that he is always upbeat, curious and pumped up by other artists, even as he takes on his own projects at a frantic rate. As he says, he himself has been working with POV photography for years in many interesting ways. But he admits that José Luis Ortiz has taken the art to a whole new level: WAY up in the air.

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